Against our will: Men, women, and rape

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The Collected Poems

The Collected Poems of W. B. Yeats

or a window frieze. The stonecarvers of such workshops were not dictated by religious authorities or an “authoritative Christian liturgy”; instead, the stonecarvers themselves integrated Christian symbolism in traditional forms of media, as would have been recognizable to their clients (162). At times, Frankfurter is too quick to dismiss the ways in which power is operative among the “ordinary people” of Late Antique Egypt. One finds it difficult, for example, to understand why Frankfurter does not more readily integrate institutional power and imperial governance into his study, especially given his choice to engage contemporary anthropological studies of religion – where debates about religious tradition, meaning, and power have been long-standing. Frankfurter acknowledges the importance of institutional religion and ecclesiastical authorities, but he does not show in the evidence how those interactions and debates around the development of a Christian religious tradition in Egypt were mediated and by whom, aside from his discussion on monastic scribes (52). He affirms in his Afterword that his conceptual interest in this text was “... not just [about] crosses, but dispositions toward crosses...” (260). As an anthropologist, I find it difficult to understand how these dispositions were molded if not through certain dynamics of power. How did ordinary people become introduced to Christianity across the many, diverse regions of Egypt? What was the role of the Church – institutionally and administratively – in the lives of “ordinary people”? While Frankfurter acknowledges that his focus is not on theological statements and creeds, but rather understanding Christianization as partly a “cluster of authoritative strategies” (260), there is no discussion into where or how these authoritative strategies were made authoritative in the first place, and by whom. This is where engaging the imperial and local dynamics of power and governance more directly would have been beneficial to the study overall. This study offers an important contribution to religious transformation in Late Antiquity, and even lends analytical strategies and historical context for understanding aspects of contemporary religious conditions in Egypt today. Any historian or anthropologist interested in Late Antiquity, Egypt, Christianity, Islam, and religious change will find this to be a thought-provoking addition to scholarship in these areas.

The making of fornication: Eros, ethics, and political reform in Greek philosophy and early Christianity

The theme of female creativity in Sylvia Palth's. 'Three Women. A Poem for Three Voices'

https://www.mdpi.com/2077-1444/12/2/107/pdf

“Being So Caught up”: Exploring Religious Projection and Ethical Appeal in Leda and the Swan

Attachment, empathy, emotion regulation, and subjective well-being in young women

The tendency of late marriage and the increasing single population in Chinese society have galvanized a considerable amount of anxiety in recent years. Part of such anxiety has been manifested through the constant media representations of “shengnü” or “leftover women” since 2010. Referring to women in their late twenties or over thirties while still not getting married, the term “leftover women” indicates a continuous patriarchal policing of single women circulated in mass media. This study, by comparing two popular Chinese television series— We Get Married (2013) and Nothing but Thirty (2020), discusses the altering constructions of unmarried women on Chinese television against the backdrop of China's post-socialist gender politics. The comparison provides a useful vantage point to examine the emerging gendered structures and new cultural imperatives under specific historical contexts.

Anqi Peng

Papers

“Being So Caught up”: Exploring Religious Projection and Ethical Appeal in Leda and the Swan

Attachment, empathy, emotion regulation, and subjective well-being in young women

Representing Single Women: The Transformation of “Leftover Women” on Chinese TV Series