Bjarke Ingels

Bio: Bjarke Ingels is an academic researcher. The author has contributed to research in topics: Architecture & Manifesto. The author has an hindex of 2, co-authored 3 publications receiving 29 citations.

Yes is More. An Archicomic on Architectural Evolution

Abstract: Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG's trailblazing practice-where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says:"Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture." Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task. BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company's ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available-the comic.

Hot to cold : an odyssey of architectural adaptation

Abstract: After the global success of Yes is More, one of the best-selling architecture books of its generation, BIG - Bjarke Ingels Group presents Hot to Cold, an Odyssey of Architectural Adaptation. The book coincides with the Hot to Cold show at the National Building Museum in Washington DC and presents 60 case studies in harsh climate conditions in order to examine where and how we live on our planet. As we travel from one end of the spectrum to its opposite we will see that the more harsh the climate gets, the more intense its impact on the architecture. The central challenge is to mitigate the climatic extremes for hospitable human life, while finding solutions that can be both economically and environmentally profitable. Architecture is the art and science of accommodating the lives we want to live. Our cities and buildings aren't givens; they are the way they are because that is as far as we have gotten to date. They are the best efforts of our ancestors and fellow planetizens, and if they have shortcomings, it is up to us to continue that effort, pick up where they left off. Hot to Cold stays true to BIG - Bjarke Ingels Group's grand mission to find a pragmatic utopia, shaping not only a particular structural entity, but the kind of world we wish to inhabit. The book features: Design from award-winning artists Sagmeister & Walsh Previously unpublished essays by Bjarke Ingels. A convertible dust jacket-poster.

Empty house : real estate and theatricality in Vancouver's downtown

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Architectural rumors: unrealized megaprojects in Baku, Azerbaijan and their politico-economic uses

Abstract: This article examines the agency of unrealized megaprojects in bolstering economic activity, legitimizing political regimes, and expanding designer’s portfolios. It argues that such proposals serve...

From Familiar to Uncanny. Aesthetics of Atmospheres in Domestic Spaces

Abstract: The notion of "familiar" has recently become crucial in the debate generated by Everyday Aesthetics. In this essay, I will explore this concept in the theories of Arto Haapala and Yuriko Saito, then I will examine the notion of familiar - and some antonym notions (i.e. strange, uncanny, alien) - while embracing a phenomenological approach. Referring to German phenomenologist Gernot Bohme's theory of atmospheres, my paper compares the notion of a glass house, theorised by Modernism, and the notion of a shell house, seen from different perspectives by Walter Benjamin, Gaston Bachelard and Juhani Pallasmaa. I will finally draw a parallel with the notion of strange possibly degenerating into the idea of uncanny or alien, for instance when the transparency of glass is used as a tool for control or when it is embodied in the digital screens of hypertechnological homes.

Redesigning urban infrastructures: New infrastructure design imaginaries and practices

Abstract: According to Rubio and Fogue (2013, 1039), cities are witnessing a “technological and infrastructural invasion” associated with new low-carbon and sustainable technologies. In this context, infrastructure has (re-)emerged as a topic of debate in design theory and practice. One strand of this debate which, the thesis argues, constitutes a new infrastructure design imaginary suggests that new infrastructures should be designed as “multifunctional” systems, taking account of potential ecological, aesthetic and cultural benefits. It is suggested that design could facilitate new affective relationships between people, infrastructures and ecological systems, thereby contributing to sustainability. Now that new approaches to design are being adopted in some places and circumstances, there is an opportunity to investigate their assumptions, logics and effects and whose interpretation of design and aesthetics is given legitimacy. As such, the overall aim of this thesis was to explore contemporary meanings and practices of infrastructure design. This has encompassed an investigation of what types of infrastructure are being designed, what model of design is adopted and who the “infrastructure designer” mobilised might be. Evidence has been collected in two stages through a total of 42 interviews, first, in a scoping phase with a sample of infrastructure design professionals and, second, in two case studies of stormwater design, Hans Tavsens Park and Korsgade in Copenhagen and “Grey to Green” in Sheffield. The case studies explore where, how and why new visions of infrastructure design are being realised and describes the actors, institutions and agendas which influence the infrastructure design process. The key finding of the case study research is that understanding infrastructure design visions and practices requires exploring the material, institutional and economic context for design. Investigation of the context for design demonstrates that seemingly avant-garde design strategies have, in both cases, become implicated in socially-exclusive processes of transformation. Overall, the research foregrounds and explores an under-researched and under-valued dimension of urban development. It establishes a conceptual framework to guide future research in a field that is likely to become more important. Its key contribution is to provide new perspectives and in-depth analysis of both contemporary visions of infrastructure design and on the infrastructure design process.

The Environmental Dimension of Urban Design: A Point of View

Abstract: International research on sustainable architecture ascertained the responsibilities of urban forms for buildings’ energy‐environmental performances, highlighting the necessity to broaden the field of intervention in urban design. Furthermore, goals concerning the sustainable city increased design complexity, due to the involvement of different interrelated disciplines, which modified design processes by incorporat‐ ing external contributions. In particular, environmental analyses are growing in importance and need to be reintegrated into the urban project at the conceptual stage. This ‘environmental awareness’ accompanies the history of the city, and numerous pieces of evidence clearly show the mutual and in‐depth relationship between urban form and local microclimates. Lessons from the ancients constituted the fundamen‐ tals in urban design until the Modern Movement, during which knowledge of the past also influenced the work of G. Vinaccia, an Italian pioneer in microclimatic urban design. After the World War II, most of the lessons had been forgotten in favour of technology systems that have since revealed their failures. The current design condition requires a discovery of past abilities, coupling them with contemporary scientific advances. This work introduces a methodology through which to integrate current urban design processes with environmental data and analyses. It is illustrated through a case study and is supported by software.