Brian Greene

Bio: Brian Greene is an academic researcher. The author has contributed to research in topics: Irish. The author has an hindex of 1, co-authored 1 publications receiving 5 citations.

Irish pirate radio 1978-1988: How political stasis allowed unlicensed radio to flourish and innovate

Abstract: The history of pirate radio in Ireland remains understudied by comparison with other countries with histories of unlicensed broadcasting. This is surprising given the extent and longevity of a larg...

Radio and audio in 2020

Abstract: Adeyeye, B., Amodu, L., Oscar, O., Omojola, O., Adesina, E., & Ben-Enukora, C. A. (2020). A SWOT analysis of indigenous language use in agricultural radio programming in Nigeria. In K. O. Oyesomi & A. Salawu (Eds.), Emerging trends in Indigenous language media, communication, gender, and health (pp. 188–209). IGI Global. Aitkin, H., Hambly, H., & McKnight-Howe, T. (2020). Three Helens: Canadian women in international farm radio. In G. A. Bonin-Labelle (Ed.), Women in radio: Unfiltered voices from Canada (pp. 183–208). Ottawa: University of Ottawa Press. Alfandika, L., & Gwindingwe, G. (2020). The airwaves belong to the people: A critical analysis of radio broadcasting and licensing in Zimbabwe. Communicatio, 1–17. Almeida, E. M., & Viana, L. H. V. (2020). Technology and community communication: the use of the radio broadcasting as a strategy for urban sustainability. Culture & Territory, 4, 215–226. Akrofi-Quarcoo, S., & Gadzekpo, A. (2020). Indigenizing radio in Ghana. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 95–112. Anderson, H., Backhaus, B., Fox, J., & Bedford, C. (2020). Fifty years of resistance and representation: A historical account of Australian community radio. Journal of Radio & Audio Media, 27(2), 234–254. Aujla-Sidhu, G. (2020). Producing diversity in BBC radio. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 113–129. Awofadeju, P. O., & Ogwuche, P. O. (2020). Journalists’ perception of the role of research in investigative journalism in Nigeria: Case of unique 103.1 FM radio station, Ilesa, Osun State, Nigeria. Media & Communication Currents, 4(1), 91–114. Barber, J. F. (2020). The war of the worlds broadcast: Fake news or engaging storytelling? In J. A. Hendricks (Ed.), Radio’s second century: Past, present, and future perspectives (pp. 96–118). New Jersey: Rutgers University Press. Barnett, K. (2020). Record cultures: The transformation of the U.S. recording industry. Ann Arbor: University of Michigan Press. Bathgate, G. (2020). Radio broadcasting: A history of the airwaves. Yorkshire: Pen and Sword History. Berry, R. (2020). Radio, music, podcasts BBC sounds: Public service radio and podcasts in a platform world. Radio Journal: International Studies in Broadcast & Audio Media, 18(1), 63–78. Blaney, J. R. (2020). Social media analytics, radio advertising, and strategic partnerships. Radio’s second century: Past, present, and future perspectives (pp. 53–64). New Jersey: Rutgers University Press. JOURNAL OF RADIO & AUDIO MEDIA 2021, VOL. 28, NO. 2, 344–354 https://doi.org/10.1080/19376529.2021.1944718

Celebrating a Hundred Years of Broadcasting – An Introduction and Timeline

Abstract: What’s a celebration of a hundred years of history without names, dates, and places, perhaps a timeline? This symposium celebrates one hundred years of broadcasting. This issue broadens the meaning...

Editor’s Remarks: Celebrating 100 Years of Radio Broadcasting!

Abstract: The year 2020 marks the hundredth year of commercial broadcasting in the United States and most countries around the world. On November 2, 1920, the Westinghouse Electric Company in Pittsburgh conv...

Transmit/disrupt: why does illegal broadcasting continue to thrive in an age of spectrum liberalisation?

Abstract: This research examines the systemic factors that perpetuate illegal broadcasting. It is primarily based on interviews conducted with UK policy makers, lobbyists and activists between May and August 2009, and analysis of documents sourced in part through applications under the Freedom of Information Act. The research finds that illegal broadcasting plays a key role in the value chain of production within the urban music industry and that current digital radio policy is unlikely to reduce its prevalence. Evidence suggests it is an increasingly marginalised issue in regulatory discourse and there is growing emphasis on enforcement at the expense of licensing alternatives. The research also uncovers elements of informal decisionism, raising question marks over the transparency and accountability of the broadcasting policy process.