Dell Upton

Bio: Dell Upton is an academic researcher. The author has contributed to research in topics: Social history & Hearth. The author has an hindex of 2, co-authored 2 publications receiving 165 citations.

The grounding of modern feminism

Abstract: Examines changes in the women's movement in the twenty years following women's suffrage, and describes the complex issues of that period.

Low-income Homeownership: American Dream or Delusion?

Abstract: Summary. This paper is a critical analysis of recent US policy to promote low-income homeownership. It examines the ideology and assumptions buttressing this policy, evidence on the effects of low-income homeownership and the viability of homeownership as a strategy for low-income families. Evidence suggests that the prospect for sustained growth in low-income homeownership may be limited. Research does not provide uniform support for it as a tool for asset accumulation, neighbourhood economic development or other social and political goals. Alleged effects of homeownership may be artefacts of self-selection and the conflation of homeownership with unobserved characteristics coincident with buying homes. What homeownership does and why are not well understood because of difficulties disentangling what homeownership means. The elevation of low-income homeownership to its current status has deflected political attention away from alternative policies for affordable housing.

The Geometry of Culture: Analyzing Meaning through Word Embeddings.

Abstract: We demonstrate the utility of a new methodological tool, neural-network word embedding models, for large-scale text analysis, revealing how these models produce richer insights into cultural associations and categories than possible with prior methods. Word embeddings represent semantic relations between words as geometric relationships between vectors in a high-dimensional space, operationalizing a relational model of meaning consistent with contemporary theories of identity and culture. We show that dimensions induced by word differences (e.g. man - woman, rich - poor, black - white, liberal - conservative) in these vector spaces closely correspond to dimensions of cultural meaning, and the projection of words onto these dimensions reflects widely shared cultural connotations when compared to surveyed responses and labeled historical data. We pilot a method for testing the stability of these associations, then demonstrate applications of word embeddings for macro-cultural investigation with a longitudinal analysis of the coevolution of gender and class associations in the United States over the 20th century and a comparative analysis of historic distinctions between markers of gender and class in the U.S. and Britain. We argue that the success of these high-dimensional models motivates a move towards "high-dimensional theorizing" of meanings, identities and cultural processes.

National Register of Historic Places Multiple Property Documentation Form

Abstract: This form is used for documenting property groups relating to one or several historic contexts. See instructions in National Register Bulletin How to Complete the Multiple Property Documentation Form (formerly 16B). Complete each item by entering the requested information. For additional space, use continuation sheets (Form 10-900-a). Use a typewriter, word processor, or computer to complete all items

The Real Thing: Imitation and Authenticity in American Culture, 1880-1940.

Abstract: In this classic study of the relationship between technology and culture, Miles Orvell demonstrates that the roots of contemporary popular culture reach back to the Victorian era, when mechanical replications of familiar objects reigned supreme and realism dominated artistic representation. Reacting against this genteel culture of imitation, a number of artists and intellectuals at the turn of the century were inspired by the machine to create more authentic works of art that were themselves \"real things.\" The resulting tension between a culture of imitation and a culture of authenticity, argues Orvell, has become a defining category in our culture. The twenty-fifth anniversary edition includes a new preface by the author, looking back on the late twentieth century and assessing tensions between imitation and authenticity in the context of our digital age. Considering material culture, photography, and literature, the book touches on influential figures such as writers Walt Whitman, Henry James, John Dos Passos, and James Agee; photographers Alfred Stieglitz, Walker Evans, and Margaret Bourke-White; and architect-designers Gustav Stickley and Frank Lloyd Wright.