Fotis Jannidis

Bio: Fotis Jannidis is an academic researcher from University of Würzburg. The author has contributed to research in topics: German & Digital humanities. The author has an hindex of 12, co-authored 88 publications receiving 647 citations. Previous affiliations of Fotis Jannidis include Technische Universität Darmstadt & Northeastern University.

Understanding and explaining Delta measures for authorship attribution

Abstract: This article builds on a mathematical explanation of one the most prominent stylometric measures, Burrows’s Delta (and its variants), to understand and explain its working. Starting with the conceptual separation between feature selection, feature scaling, and distance measures, we have designed a series of controlled experiments in which we used the kind of feature scaling (various types of standardization and normalization) and the type of distance measures (notably Manhattan, Euclidean, and Cosine) as independent variables and the correct authorship attributions as the dependent variable indicative of the performance of each of the methods proposed. In this way, we are able to describe in some detail how each of these two variables interact with each other and how they influence the results. Thus we can show that feature vector normalization, that is, the transformation of the feature vectors to a uniform length of 1 (implicit in the cosine measure), is the decisive factor for the improvement of Delta proposed recently. We are also able to show that the information particularly relevant to the identification of the author of a text lies in the profile of deviation across the most frequent words rather than in the extent of the deviation or in the deviation of specific words only. .................................................................................................................................................................................

Characters in fictional worlds : understanding imaginary beings in literature, film, and other media

Abstract: Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys today's diverse and at times conflicting theoretical perspectives on fictional character, spanning research on topics such as the differences between fictional characters and real persons, the ontological status of characters, the strategies of their representation and characterization, the psychology of their reception, as well as their specific forms and constellations in - and across - different media, from the book to the internet.

Grenzen der Literatur : zu Begriff und Phänomen des literarischen

Abstract: The concept of "literature" is notoriously vague and defies definition, yet at the same time it is indispensable in an age where traditional subject boundaries are breaking down. This volume discusses possible ways of defining the concept in such a manner that it can be productively deployed heuristically in varied historical and cultural contexts. At the same time, phenomena such as fictionality and literaricity are taken as the starting point for a search for common features of literature. The following topics are dealt with: 1. Aspects of 'Literature' as a prototype, 2. Fictionality, 3. Historical aspects of the phenomenon of 'Literature', 4. Cultural and social aspects of the phenomenon of 'Literature', 5. The constitution of literature as an object in literary studies.

Style in Fiction:A Linguistic Introduction to English Fictional Prose

Abstract: 《小说文体分析》(Style in Fiction)是运用现代语言学的最新成果,对文学作品进行系统的文体分析的一部精采的教科书。随着语言学的日益发展,人们越来越多地把现代语言学的研究成果运用到文体学分析中来。1969年,利奇(Geoffrey N.Leech)发表了《英语诗歌语言分析入门》(A Linguistic Guideto English Poetry),用现代语言学的观点对

Basic elements of narrative

Abstract: List of Illustrations. The Elements. Preface . The Scope and Aims of This Book. Storytelling Media and Modes of Narration. Acknowledgments . 1. Getting Started: A Thumbnail Sketch of the Approach Developed in This Book. Toward a Working Definition of Narrative. Profiles of Narrative. Narrative: Basic Elements. 2. Background and Context: Framing the Approach. Interdisciplinary Perspectives on Narrative and Narrative Theory. Major Trends in Recent Scholarship on Narrative. 3. Back to the Elements: Narrative Occasions . Situating Stories. Sociolinguistic Approaches. Positioning Theory. The Narrative Communication Model. Conclusion. 4. Temporality, Particularity, and Narrative: An Excursion into the Theory of Text Types. From Contexts of Narration to Narrative as a Type of Text. Text Types and Categorization Processes. Narrative as a Text-Type Category: Descriptions vs. Stories vs. Explanations. Summing up: Text Types, Communicative Competence, and the Role of Stories in Science. 5. The Third Element: Or, How to Build a Storyworld . Narratives as Blueprints for Worldmaking. Narrative Ways of Worldmaking. Narrative Worlds: A Survey of Approaches. Configuring Narrative Worlds: The WHAT, WHERE, and WHEN Dimensions of Storyworlds. Worlds Disrupted: Narrativity and Noncanonical Events. 6. The Nexus of Narrative and Mind . The Consciousness Factor. Consciousness Across Narrative Genres. Experiencing Minds: What It's Like, Qualia, Raw Feels. Storied Minds: Narrative Foundations of Consciousness?. Appendix . Reproduction of Ernest Hemingway's "Hills Like White Elephants" (1927). Transcript of a Story Told during Face-to-Face Interaction: UFO or the Devil. Pages from Daniel's Clowes's Graphic Novel Ghost World (1997). Screenshots from Terry Zwigoff's Film Version of Ghost World (2001). Glossary . References. Index

On Close and Distant Reading in Digital Humanities: A Survey and Future Challenges

Abstract: We present an overview of the last ten years of research on visualizations that support close and distant reading of textual data in the digital humanities. We look at various works published within both the visualization and digital humanities communities. We provide a taxonomy of applied methods for close and distant reading, and illustrate approaches that combine both reading techniques to provide a multifaceted view of the data. Furthermore, we list toolkits and potentially beneficial visualization approaches for research in the digital humanities. Finally, we summarize collaboration experiences when developing visualizations for close and distant reading, and give an outlook on future challenges in that research area.

The Intellectual Foundation of Information Organization

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