Gail Hinich Sutherland

Bio: Gail Hinich Sutherland is an academic researcher. The author has contributed to research in topics: Demon & Hinduism. The author has an hindex of 1, co-authored 1 publications receiving 23 citations.

The disguises of the demon : the development of the Yakṣa in Hinduism and Buddhism

Abstract: The Disguises of the Demon-Gail Hinich Sutherland 1991-01-01 Among the most ancient deities of South Asia, the yaksstraddles the boundaries between popular and textual traditions in both Hinduism and Buddhism and both benevolent and malevolent facets. As a figure of material plenty, the yaksis epitomized as Kubera, god of wealth and king of the yaks In demonic guise, the yaksis related to a large family of demonic and quasi-demonic beings, such as nagas, gandharvas, raksand the man-eating pisaacas. Translating and interpreting texts and passages from the Vedic literature, the Hindu epics, the Puranas, Kalidasa's Meghaduta, and the Buddhist Jataka Tales, Sutherland traces the development and transformation of the elusive yaksfrom an early identification with the impersonal absolute itself to a progressively more demonic and diminished terrestrial characterization. Her investigation is set within the framework of a larger inquiry into the nature of evil, misfortune, and causation in Indian myth and religion.

Indian Esoteric Buddhism: A Social History of the Tantric Movement

Abstract: Despite the rapid spread of Buddhism, the historical origins of Buddhist thought and practice remain obscure. This ground breaking work describes the genesis of the Tantric movement in early medieval India. Drawing on primary documents, many translated for the first time, from Sanskrit, Pakrit, Tibetan, Bengali and Chinese, the author shows the many changes in medieval India society.

Mountain, Water, Rock, God: Understanding Kedarnath in the Twenty-First Century

Abstract: In Mountain, Water, Rock, God , Luke Whitmore situates the disastrous flooding that fell on the Hindu Himalayan shrine of Kedarnath in 2013 within a broader religious and ecological context. Whitmore explores the longer story of this powerful realm of the Hindu god Shiva through a holistic theoretical perspective that integrates phenomenological and systems-based approaches to the study of religion, pilgrimage, place, and ecology. He argues that close attention to places of religious significance offers a model for thinking through connections between ritual, narrative, climate destabilization, tourism, development, and disaster, and he shows how these critical components of human life in the twenty-first century intersect in the human experience of place. “ Mountain, Water, Rock, God is the first book-length scholarly treatment of Kedarnath, a pilgrimage destination of pan-Indian importance. Accessible and poetically evocative, the work is timely, at times wrenching, and the scholarship is superior, covering important ground across disciplines. No one is better situated to write this study than Luke Whitmore.” CORINNE DEMPSEY, Professor of Religious Studies and Director of Global Studies, Nazareth College LUKE WHITMORE is Associate Professor of Religious Studies at the University of Wisconsin, Stevens Point.

An Exploration of Tibetan Tantric Buddhism and its Art: a Potential Resource for Contemporary Spiritual and Art Practice

Abstract: Tibetan Tantric Buddhism is today considered one of the most important and controversial forms of Asian culture, using a rich and somewhat complicated range of methods and materials. The perception of the ‘mystical’ nature of Tibetan Tantric Buddhist art in the world beyond Tibet has changed and evolved significantly and profoundly over the last three decades. However, contemporary Tibetan artists feel confused about how to develop a Tibetan art tradition within the context of a globalised world. Against this background I am interested in exploring the mysterious nature of Tibetan Tantric Buddhism and its art through grasping its religious values, historical context, and artistic qualities. In so doing I try to investigate questions concerning the cross-cultural analysis and utility of images in Tibetan Tantric Buddhist art, as opposed to political conflicts that often arise in the media now. As an exploration of Tibetan Tantric Buddhist art and its contemporary significance, this research seeks to fulfill three important goals: first, to introduce Tibet’s mystical and magnificent art within its historical and religious contexts to those unfamiliar with either Tibet Buddhism or Tibetan Buddhist art and its cultural background; second, to examine the influences of Tibetan Tantric Buddhist art tradition on some contemporary Tibetan and non-Tibetan artists’ art practice; and third, to embark on combining theoretical research, methods of meditation and my own art practice as a way of exploring the trans-cultural translation of Tibetan Buddhist art in Chinese and Western contexts. The aim is to explore the potential of Tibetan Tantric Buddhist art as elucidating common ground between the meditative mind and the creative mind for engaging in an open conversation of faith, spirituality, religion, and aesthetic experiences in the contemporary period.

The Different Paths of Buddhism: A Narrative-Historical Introduction

Abstract: For centuries, Buddhist teachers and laypeople have used stories, symbols, cultural metaphors, and anecdotes to teach and express their religious views. In this introductory textbook, Carl Olson draws on these narrative traditions to detail the development of Buddhism from the life of the historical Buddha to the present. By organizing the text according to the structure of Buddhist thought and teaching, Olson avoids imposing a Western perspective that traditional texts commonly bring to the subject. The book offers a comprehensive introduction to the main branches of the Buddhist tradition in both the Mahayana and Theravada schools, including the Madhyamika school, the Yogacara school, Pure Land devotionalism, Tibetan Tantric Buddhism, Zen Buddhism, and village folk Buddhist traditions. Chapters explore the life and teachings of the Buddha in historical context, the early development and institutionalization of Buddhism, its geographic spread across Asia and eventually to the United States, philosophy and ethics, the relationship between monks and laity, political and ethical implications, the role of women in the Buddhist tradition, and contemporary reinterpretations of Buddhism. Drawn from decades of classroom experience, this creative and ambitious text combines expert scholarship and engaging stories that offer a much-needed perspective to the existing literature on the topic.