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Irena Sever Globan

Bio: Irena Sever Globan is an academic researcher from The Catholic University of America. The author has contributed to research in topics: Parasocial interaction & Male gaze. The author has an hindex of 1, co-authored 3 publications receiving 3 citations.

Papers
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Journal ArticleDOI
01 Jan 2017
TL;DR: In this article, the authors highlight the methods of persuasion and manipulation used by the protagonist in order to recognize how he wants to persuade us and recognize what his underlying goals are in the political drama House of Cards.
Abstract: In times of increasing individualism when many traditional socialization institutions lose their primary role and influence, television series characters have become new role models that people can identify with. Modern television production is inclined to portray protagonists as antiheroes because viewers are more engaged and intrigued by them compared to the traditional protagonists. Series often break the so-called “fourth wall” in a way of transcending boundaries between virtual and real life, talking directly to the viewers, thus creating parasocial interaction. According to the transportation theory of persuasion, the greater the emotional bond with the characters, the higher the possibility for the viewers to “transport” within the narrative. This phenomenon can be particularly noticed in the political drama House of Cards, where the Machiavellian politician Frank Underwood persuades both characters in the story and the viewers in order to achieve some of his personal goals. The aim of this paper is to highlight the methods of persuasion and manipulation used by the protagonist in order to recognize how he wants to persuade us and recognize what his underlying goals are.

1 citations

Journal ArticleDOI
11 Jul 2016
TL;DR: Bošnjaković et al. as mentioned in this paper proposed a meta-fora metafora u logoterapijskoj praksi, kao ljekovita meta fora.
Abstract: * Doc. dr. sc. Irena Sever Globan, Odjel za komunikologiju, Hrvatsko katoličko sveučilište, Ilica 242, HR-10000 Zagreb. ** Dr. sc. Josip Bošnjaković, Odjel za psihologiju, Hrvatsko katoličko sveučilište, Ilica 242, HR10000, Zagreb; Katolički bogoslovni fakultet u Đakovu, Sveučilište Josipa Jurja Strossmayera, Petra Preradovića 17, HR-31400 Đakovo. Film kao ljekovita metafora u logoterapijskoj praksi

1 citations

Book ChapterDOI
01 Jan 2020
TL;DR: In this paper, the authors discuss the figure of Manoel de Oliveira, the renowned Portuguese auteur whose filmmaking career spanned from 1931 to 2015, focusing on Belle Toujours (2006), Eccentricities of a Blonde-Haired Girl (2009), and The Strange Case of Angelica (2010).
Abstract: This chapter discusses the figure of Manoel de Oliveira, the renowned Portuguese auteur whose filmmaking career spanned from 1931 to 2015. Lewis and Sever Globan argue that Oliveira’s longevity and prolific career allowed him to carry into the twenty-first century a set of female representations which can be considered highly problematic in the context of contemporary society. By focusing on Belle Toujours (2006), Eccentricities of a Blonde-Haired Girl (2009) and The Strange Case of Angelica (2010), the chapter explains how Oliveira’s recent films set in place an intricate process of reviving a regressive patriarchal auteurism which is performed through mechanisms of male identification, male gaze and a strong voyeuristic element.

1 citations


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Dissertation
13 Sep 2018
TL;DR: In the following pages, I will translate three excerpts from scientific papers and then present the process of translation and identify the main probabilistic analysis of the main problems as discussed by the authors. But the main problem is not discussed in this paper.
Abstract: In the following pages, I will translate three excerpts from scientific papers and then present the process of translation and identify the main probl

3 citations

Journal ArticleDOI
TL;DR: In this article, an attempt to study Henrik Ibsen's drama "When We Dead Awaken" from the point of view of male gaze theory is made. But, it is not clear how a woman loses her identity and individuality in a male dominated society that evaluates and defines woman as a sexual object.
Abstract: This article is an attempt to study Henrik Ibsen’s drama ‘When We Dead Awaken’ from the point of view of male gaze theory. It reveals that exposition of women’s body in nudity as an art is another form of male exploitation of female. In this environment, a woman becomes source of pleasure for males who gaze women to fulfill their erotic desires. In doing so, this article explores how a woman loses her identity and individuality in male dominated society that evaluates and defines woman as a sexual object. Keywords— Male gaze, voyeurism, nudity, exploitation, objectification, visual pleasure, resurrection.

3 citations