Jarmila Mildorf

TL;DR: Parker as discussed by the authors argues that authors' self-commentaries may help us understand better the possible functions of second-person narration in fictional texts and points out that authors are men and women with professional experience as writers, who are capable of speaking quite eloquently on their own reasons for writing in second person.

TL;DR: For instance, the authors introduced the notion of cross-fictionality to characterize a narrative where the frame of reference is non-fictional but the narrative modes include those that are conventionally regarded as fictional.

TL;DR: The authors argue for a point of view focusing more on the narrative dimension of fictionality than on the fictive story content, arguing that the procedures used to present and engage with other minds travel between fictional and non-fictional narratives, and between stories artistically designed and those occurring in conversational or documentary environments.

TL;DR: This article explored areas of intersection between sociolinguistic narrative analysis and literary narratology, focusing on a phenomenon that has recently received some attention in narration but hardly any in the study of narratives told in face-to-face interaction, namely, second-person narration.

TL;DR: In this article, the authors present data from a pilot study with GPs working in a city locality about their experiences of disclosure and the actual processes through which they suspect and explore domestic abuse.