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Kavita Mudan Finn

Bio: Kavita Mudan Finn is an academic researcher. The author has contributed to research in topics: Medievalism & Fandom. The author has an hindex of 6, co-authored 10 publications receiving 68 citations.

Papers
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BookDOI
01 Jan 2012

14 citations

Book
05 Mar 2015
TL;DR: This article explored how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. But they focused on questions of space and locale in children's literature, and did not address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming.
Abstract: Focusing on questions of space and locale in children’s literature, this collection explores how metaphorical and physical space can create landscapes of power, knowledge, and identity in texts from the early nineteenth century to the present. The collection is comprised of four sections that take up the space between children and adults, the representation of 'real world' places, fantasy travel and locales, and the physical space of the children’s book-as-object. In their essays, the contributors analyze works from a range of sources and traditions by authors such as Sylvia Plath, Maria Edgeworth, Gloria Anzaldua, Jenny Robson, C.S. Lewis, Elizabeth Knox, and Claude Ponti. While maintaining a focus on how location and spatiality aid in defining the child’s relationship to the world, the essays also address themes of borders, displacement, diaspora, exile, fantasy, gender, history, home-leaving and homecoming, hybridity, mapping, and metatextuality. With an epilogue by Philip Pullman in which he discusses his own relationship to image and locale, this collection is also a valuable resource for understanding the work of this celebrated author of children’s literature.

13 citations

Journal ArticleDOI
TL;DR: The authors make a clear distinction between "texts" valued by fans (e.g. film and television) and those with greater cultural influence (i.e., books and movies).
Abstract: Many academic discussions of fanworks – also called transformative works – tend to make a clear distinction between “texts” valued by fans (e.g. film and television) and those with greater cultural...

11 citations


Cited by
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TL;DR: Bourdieu as mentioned in this paper presents a combination of social theory, statistical data, illustrations, and interviews, Distinction: A Social Critique of the Judg..., which is a collection of interviews with Bourdieu.
Abstract: By Pierre Bourdieu (London: Routledge, 2010), xxx + 607 pp. £15.99 paper. A combination of social theory, statistical data, illustrations, and interviews, Distinction: A Social Critique of the Judg...

2,238 citations

Journal Article
TL;DR: What do you do to start reading silence of the lambs?
Abstract: What do you do to start reading silence of the lambs? Searching the book that you love to read first or find an interesting book that will make you want to read? Everybody has difference with their reason of reading a book. Actuary, reading habit must be from earlier. Many people may be love to read, but not a book. It's not fault. Someone will be bored to open the thick book with small words to read. In more, this is the real condition. So do happen probably with this silence of the lambs.

107 citations

Journal Article
TL;DR: The bibliographies of the Keats-Shelley Journal as discussed by the authors provide a broad overview of the history of British Romanticism with an emphasis on second-generation writers, particularly John Keats, Percy Shelley, Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt.
Abstract: T he annual bibliography of the Keats-Shelley Journal catalogues recent scholarship related to British Romanticism, with emphasis on secondgeneration writers—particularly John Keats, Percy Shelley, Mary Shelley, Lord Byron, Leigh Hunt, and William Hazlitt. The bibliography includes books, chapters in books, book reviews, articles in journals, other bibliographies, dissertations, and editions of Romantic-era literature and historical documents. The listings are compiled primarily from the catalogues of major British and American publishers and from the tables of contents of books and major journals in the field. The first section of the bibliography lists a wide range of scholarly work on Romanticism that might be of interest to the Journal’s readers, while the subsequent sections list items that deal more specifically with the six aforementioned authors. Because the length of the bibliography precludes my annotating every item, only some entries have annotations—primarily books dealing with the second-generation Romantics. The following bibliography catalogues scholarship for the year 2015, along with the occasional item that inadvertently may have been excluded from the annual bibliography in previous years or that may have arrived too late for inclusion. While I have made every attempt to keep the bibliography accurate and comprehensive, the occasional error or omission is inevitable. Please send corrections, additions, and citations for upcoming bibliographies to Ben P. Robertson at Troy University (ksjbiblio@troy.edu).

85 citations

Dissertation
01 Jan 2018
Abstract: For over a century, British authors have been writing about the Antarctic for child audiences, and yet Antarctic literature for children has never been considered as a unique body of work or given significant critical attention. This thesis represents the first in-depth examination of Antarctic literature for children written or published in Britain. Representations of the Antarctic hold particular relevance within the British context, as Britain retains significant territorial claims to Antarctic territories and British explorers have played a key role in Antarctic history. This thesis expands upon existing work focusing on literature for adults about the Antarctic including Francis Spufford’s 1996 I May be Some Time: Ice and the English Imagination and Elizabeth Leane’s 2012 Antarctica in Fiction. Over a century of writing about the continent for children is interrogated, covering a period between 1895 and 2017. The thesis identifies, and provides a detailed examination of, the six dominant genres of literature about the Antarctic written for children. These genres are: whaling literature, “Heroic Era” exploration literature, subversive exploration literature, adventure literature, fantasy literature, and animal stories. This thesis focuses on representations of landscape within Antarctic literature for children, and draws on the work of landscape theorists and cultural geographers including Yi Fu Tuan, Roderick Nash, Greg Garrard and William Cronon to examine how authors for children have imagined the Antarctic as a wilderness. The thesis draws on, and adds to, existing examinations of landscape within children’s literature, specifically Jane Suzanne Carroll’s 2011 Landscape in Children’s Literature. The thesis utilises Mikhail Bakhtin’s theory of chronotopes to explore how time-space is constructed within Antarctic literature for children and the impact of time upon child and adult protagonists within the children’s texts. Finally, the thesis examines representations of death and survival in Antarctic literature for children.

41 citations