L
Lee Edwards
Researcher at GlaxoSmithKline
Publications - 107
Citations - 2064
Lee Edwards is an academic researcher from GlaxoSmithKline. The author has contributed to research in topics: Epithelial sodium channel & Cystic fibrosis. The author has an hindex of 25, co-authored 102 publications receiving 1673 citations. Previous affiliations of Lee Edwards include University of Manchester & University of Hertfordshire.
Papers
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Forum: Inconsistency and Communication in Organizations:
Lee Edwards,Magnus Fredriksson +1 more
TL;DR: In all organizations, whether corporations, public administrations, cultural institutions, community groups, non-governmental organizations, or political parties, activities take place under circumstances that are highly contradictory.
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Questions of Self-Interest, Agency, and the Rhetor:
TL;DR: This article accept the virtue of the rhetorical ideal and offer insights that can lead discourse from bias, distortion, and partisanship to come closer to that ideal in the service of society, without self-interest and disagreement.
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Theories in Public Relations: Reflections and Future Directions:
Chiara Valentini,Lee Edwards +1 more
TL;DR: The field of public relations has grown both academically and professionally over the last forty years, and it is now a specialised communication discipline where the most widespread understanding of PR is primarily a strategic organizational function that nurtures positive relationships with publics and stakeholders for organizations of all kinds: private, public, non-profit, activist, and advocacy as mentioned in this paper.
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Dignity and respect or homocommodification? Applying moral philosophy to LGBTQ public relations
TL;DR: The purpose of this study was to review extant, research regarding LGBTQ publics and moral philosophy, to review a recent case, juxtaposing (un)ethical corporate engagement ofLGBTQ publics, and to recommend ethical philosophies useful for promoting LGBTQ values in the public relations practice.
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Copyright: a systemic marketplace icon
TL;DR: In this article, the authors argue that copyright is a systemic marketplace icon because of the breadth of its effects on market operations, and that copyright determines how intellectual property rights for creative work are allocated between the different actors involved in production and consumption, and must balance the civic priority of public access to creative work with the market driven principle of rewarding private interests for their effort.