Peter Kauff

Bio: Peter Kauff is an academic researcher from Fraunhofer Society. The author has contributed to research in topics: Video processing & Image processing. The author has an hindex of 12, co-authored 20 publications receiving 1484 citations.

Depth map creation and image-based rendering for advanced 3DTV services providing interoperability and scalability

Abstract: Due to enormous progress in the areas of auto-stereoscopic 3D displays, digital video broadcast and computer vision algorithms, 3D television (3DTV) has reached a high technical maturity and many people now believe in its readiness for marketing. Experimental prototypes of entire 3DTV processing chains have been demonstrated successfully during the last few years, and the motion picture experts group (MPEG) of ISO/IEC has launched related ad hoc groups and standardization efforts envisaging the emerging market segment of 3DTV. In this context the paper discusses an advanced approach for a 3DTV service, which is based on the concept of video-plus-depth data representations. It particularly considers aspects of interoperability and multi-view adaptation for the case that different multi-baseline geometries are used for multi-view capturing and 3D display. Furthermore it presents algorithmic solutions for the creation of depth maps and depth image-based rendering related to this framework of multi-view adaptation. In contrast to other proposals, which are more focused on specialized configurations, the underlying approach provides a modular and flexible system architecture supporting a wide range of multi-view structures.

3D Video and Free Viewpoint Video - Technologies, Applications and MPEG Standards

Abstract: An overview of 3D and free viewpoint video is given in this paper with special focus on related standardization activities in MPEG. Free viewpoint video allows the user to freely navigate within real world visual scenes, as known from virtual worlds in computer graphics. Examples are shown, highlighting standards conform realization using MPEG-4. Then the principles of 3D video are introduced providing the user with a 3D depth impression of the observed scene. Example systems are described again focusing on their realization based on MPEG-4. Finally multi-view video coding is described as a key component for 3D and free viewpoint video systems. The conclusion is that the necessary technology including standard media formats for 3D and free viewpoint is available or will be available in the near future, and that there is a clear demand from industry and user side for such applications. 3D TV at home and free viewpoint video on DVD will be available soon, and will create huge new markets

View Synthesis for Advanced 3D Video Systems

Abstract: Interest in 3D video applications and systems is growing rapidly and technology is maturating. It is expected that multiview autostereoscopic displays will play an important role in home user environments, since they support multiuser 3D sensation and motion parallax impression. The tremendous data rate cannot be handled efficiently by representation and coding formats such as MVC or MPEG-C Part 3. Multiview video plus depth (MVD) is a new format that efficiently supports such advanced 3DV systems, but this requires high-quality intermediate view synthesis. For this, a new approach is presented that separates unreliable image regions along depth discontinuities from reliable image regions, which are treated separately and fused to the final interpolated view. In contrast to previous layered approaches, our algorithm uses two boundary layers and one reliable layer, performs image-based 3D warping only, and was generically implemented, that is, does not necessarily rely on 3D graphics support. Furthermore, different hole-filling and filtering methods are added to provide high-quality intermediate views. As a result, high-quality intermediate views for an existing 9-view auto-stereoscopic display as well as other stereo- and multiscopic displays are presented, which prove the suitability of our approach for advanced 3DV systems.

An overview of available and emerging 3D video formats and depth enhanced stereo as efficient generic solution

Abstract: Recently, popularity of 3D video has been growing significantly and it may turn into a home user mass market in the near future. However, diversity of 3D video content formats is still hampering wide success. An overview of available and emerging 3D video formats and standards is given, which are mostly related to specific types of applications and 3D displays. This includes conventional stereo video, multiview video, video plus depth, multiview video plus depth and layered depth video. Features and limitations are explained. Finally, depth enhanced stereo (DES) is introduced as a flexible, generic, and efficient 3D video format that can unify all others and serve as universal 3D video format in the future.

The Stereoscopic Analyzer — An image-based assistance tool for stereo shooting and 3D production

Abstract: The paper discusses an assistance system for stereo shooting and 3D production, called Stereoscopic Analyzer (STAN). A feature-based scene analysis estimates in real-time the relative pose of the two cameras in order to allow optimal camera alignment and lens settings directly at the set. It automatically eliminates undesired vertical disparities and geometrical distortions through image rectification. In addition, it detects the position of near- and far objects in the scene to derive the optimal inter-axial distance (stereo baseline), and gives a framing alert in case of stereoscopic window violation. Against this background the paper describes the system architecture, explains the theoretical background and discusses future developments.

Efficient Prediction Structures for Multiview Video Coding

Abstract: An experimental analysis of multiview video coding (MVC) for various temporal and inter-view prediction structures is presented. The compression method is based on the multiple reference picture technique in the H.264/AVC video coding standard. The idea is to exploit the statistical dependencies from both temporal and inter-view reference pictures for motion-compensated prediction. The effectiveness of this approach is demonstrated by an experimental analysis of temporal versus inter-view prediction in terms of the Lagrange cost function. The results show that prediction with temporal reference pictures is highly efficient, but for 20% of a picture's blocks on average prediction with reference pictures from adjacent views is more efficient. Hierarchical B pictures are used as basic structure for temporal prediction. Their advantages are combined with inter-view prediction for different temporal hierarchy levels, starting from simulcast coding with no inter-view prediction up to full level inter-view prediction. When using inter-view prediction at key picture temporal levels, average gains of 1.4-dB peak signal-to-noise ratio (PSNR) are reported, while additionally using inter-view prediction at nonkey picture temporal levels, average gains of 1.6-dB PSNR are reported. For some cases, gains of more than 3 dB, corresponding to bit-rate savings of up to 50%, are obtained.

Multi-View Video Plus Depth Representation and Coding

Abstract: A study on the video plus depth representation for multi-view video sequences is presented. Such a 3D representation enables functionalities like 3D television and free viewpoint video. Compression is based on algorithms for multi-view video coding, which exploit statistical dependencies from both temporal and inter-view reference pictures for prediction of both color and depth data. Coding efficiency of prediction structures with and without inter-view reference pictures is analyzed for multi-view video plus depth data, reporting gains in luma PSNR of up to 0.5 dB for depth and 0.3 dB for color. The main benefit from using a multi-view video plus depth representation is that intermediate views can be easily rendered. Therefore the impact on image quality of rendered arbitrary intermediate views is investigated and analyzed in a second part, comparing compressed multi-view video plus depth data at different bit rates with the uncompressed original.

Depth map creation and image-based rendering for advanced 3DTV services providing interoperability and scalability

Abstract: Due to enormous progress in the areas of auto-stereoscopic 3D displays, digital video broadcast and computer vision algorithms, 3D television (3DTV) has reached a high technical maturity and many people now believe in its readiness for marketing. Experimental prototypes of entire 3DTV processing chains have been demonstrated successfully during the last few years, and the motion picture experts group (MPEG) of ISO/IEC has launched related ad hoc groups and standardization efforts envisaging the emerging market segment of 3DTV. In this context the paper discusses an advanced approach for a 3DTV service, which is based on the concept of video-plus-depth data representations. It particularly considers aspects of interoperability and multi-view adaptation for the case that different multi-baseline geometries are used for multi-view capturing and 3D display. Furthermore it presents algorithmic solutions for the creation of depth maps and depth image-based rendering related to this framework of multi-view adaptation. In contrast to other proposals, which are more focused on specialized configurations, the underlying approach provides a modular and flexible system architecture supporting a wide range of multi-view structures.

3-D Video Representation Using Depth Maps

Abstract: Current 3-D video (3DV) technology is based on stereo systems. These systems use stereo video coding for pictures delivered by two input cameras. Typically, such stereo systems only reproduce these two camera views at the receiver and stereoscopic displays for multiple viewers require wearing special 3-D glasses. On the other hand, emerging autostereoscopic multiview displays emit a large numbers of views to enable 3-D viewing for multiple users without requiring 3-D glasses. For representing a large number of views, a multiview extension of stereo video coding is used, typically requiring a bit rate that is proportional to the number of views. However, since the quality improvement of multiview displays will be governed by an increase of emitted views, a format is needed that allows the generation of arbitrary numbers of views with the transmission bit rate being constant. Such a format is the combination of video signals and associated depth maps. The depth maps provide disparities associated with every sample of the video signal that can be used to render arbitrary numbers of additional views via view synthesis. This paper describes efficient coding methods for video and depth data. For the generation of views, synthesis methods are presented, which mitigate errors from depth estimation and coding.

Nonlinear disparity mapping for stereoscopic 3D

Abstract: This paper addresses the problem of remapping the disparity range of stereoscopic images and video. Such operations are highly important for a variety of issues arising from the production, live broadcast, and consumption of 3D content. Our work is motivated by the observation that the displayed depth and the resulting 3D viewing experience are dictated by a complex combination of perceptual, technological, and artistic constraints. We first discuss the most important perceptual aspects of stereo vision and their implications for stereoscopic content creation. We then formalize these insights into a set of basic disparity mapping operators. These operators enable us to control and retarget the depth of a stereoscopic scene in a nonlinear and locally adaptive fashion. To implement our operators, we propose a new strategy based on stereoscopic warping of the input video streams. From a sparse set of stereo correspondences, our algorithm computes disparity and image-based saliency estimates, and uses them to compute a deformation of the input views so as to meet the target disparities. Our approach represents a practical solution for actual stereo production and display that does not require camera calibration, accurate dense depth maps, occlusion handling, or inpainting. We demonstrate the performance and versatility of our method using examples from live action post-production, 3D display size adaptation, and live broadcast. An additional user study and ground truth comparison further provide evidence for the quality and practical relevance of the presented work.