Models for understanding and holding systems accountable have long rested upon ideals and logics of transparency. Being able to see a system is sometimes equated with being able to know how it work...

Seeing without knowing: Limitations of the transparency ideal and its application to algorithmic accountability

Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. By Saidiya V. Hartman. Race and American Culture. (New York and Oxford: Oxford University Press, 1997. Pp. x, 281. Paper, $19.95, ISBN 0-19-508984-7; cloth, $45.00, ISBN 0-19-508983-9.) Saidiya V. Hartman's Scenes of Subjection interrogates the apparent transformation from slavery to freedom in nineteenth-century America by paying particular attention to the antebellum and postbellum South. The author hopes to explicate the ambivalence of emancipation in order to address the issues raised by the continuing subjugation of blacks in a liberal nation. Hartman gives particular attention to the role of force and violence in constructing and perpetuating subjugation. She speaks importantly to such major historiographical debates as the question whether antebellum southern slavery was a paternalistic institution. Paternalism has been presented as recognizing the humanity of the enslaved, in part as a response to northern liberalism and abolitionism. In contrast to claims that the master/slave relationship was based upon reciprocal ties of mutual responsibilities and affection, however, Hartman supports those who argue that slavery was fundamentally based upon dehumanizing white physical force and violence. What Hartman's postmodernist analysis perhaps particularly contributes to such debates is her creative use of both traditional and nontraditional historical sources of evidence to interrogate and deconstruct the meaning of the ordinary "scenes of subjection." She thereby reinterprets such routine practices as slave dancing and singing, seemingly encouraged by paternalistic masters, as required demonstrations of white dominance that were epitomized by the forced performance of terrified slaves on the auction block. Hartman's deconstruction of the legal non-existence of the rape of a slave woman also emphasizes the dehumanizing violence of the law of slavery. But, at the same time, the personhood of the enslaved was recognized in the sense that they could be charged and found criminally responsible and blameworthy for wrongdoing. The argument that the association of black agency with blameworthiness comprised a lasting legacy of slavery leads on to the book's second section, in which Hartman focuses on the South after emancipation. Hartman's extended deconstruction of meanings, and her prose, can at times be so convoluted that the reader might at times wonder what she means to say; however, the book's second section helps to clarify her thesis that emphasizing the damaging legacies of slavery to emancipation is central to her critique of an American liberalism that defines "liberty" as the self-mastery of the man who--owning himself--could freely exercise reason, choice, and consent. …

Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America

This article examines the intersection of two structural developments: the growth of surveillance and the rise of “big data.” Drawing on observations and interviews conducted within the Los Angeles...

Big Data Surveillance: The Case of Policing:

The human-computer interaction community has made some efforts toward racial diversity, but the outcomes remain meager. We introduce critical race theory and adapt it for HCI to lay a theoretical basis for race-conscious efforts, both in research and within our community. Building on the theory's original tenets, we argue that racism is pervasive in everyday socio-technical systems; that the HCI community is prone to "interest convergence", where concessions to inclusion require benefits to those in power; and that the neoliberal underpinnings of the technology industry itself propagate racism. Critical race theory uses storytelling as a means to upend deep-seated assumptions, and we relate several personal stories to highlight ongoing problems of race in HCI. The implications: all HCI research must be attuned to issues of race; participation of underrepresented minorities must be sought in all of our activities; and as a community, we cannot become comfortable while racial disparities exist.

Critical Race Theory for HCI

This paper uses frame analysis to examine recent high-profile values statements endorsing ethical design for artificial intelligence and machine learning (AI/ML). Guided by insights from values in design and the sociology of business ethics, we uncover the grounding assumptions and terms of debate that make some conversations about ethical design possible while forestalling alternative visions. Vision statements for ethical AI/ML co-opt the language of some critics, folding them into a limited, technologically deterministic, expert-driven view of what ethical AI/ML means and how it might work.

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Better, Nicer, Clearer, Fairer: A Critical Assessment of the Movement for Ethical Artificial Intelligence and Machine Learning

In Dark Matters: On the Surveillance of Blackness, Simone Browne re-imagines the theoretical framework undergirding the interdisciplinary field of surveillance studies: “how is the frame necessaril...

Racquel M. Gonzales

Papers

Dark matters: on the surveillance of blackness