Reviel Netz

Bio: Reviel Netz is an academic researcher from Stanford University. The author has contributed to research in topics: Greek mathematics & Palimpsest. The author has an hindex of 17, co-authored 53 publications receiving 963 citations. Previous affiliations of Reviel Netz include University of Cambridge.

Towards a Reconstruction of Archimedes' Stomachion

Abstract: and Plan of Paper The Stomachion is the least understood of Archimedes' works. This paper provides a reconstruction of its goal and structure. The nature of the evidence, including new readings from the Archimedes Palimpsest, is discussed in detail. Based on this evidence, it is argued that the Stomachion was a treatise of geometrical combina­ torics. This new interpretation is made possible thanks to recent studies showing the existence of sophisticated combinatorial research in antiquity. The key to the new interpretation, in this case, is the observation that Archimedes might have focussed not on the possibility of creating many different figures by different arrangements of the pieces but on the way in which the same overall figure is obtained by many different arrangements of the pieces. The plan of the paper is as follows. Section 1 introduces the Stomachion. Sec­ tion 2 discusses the ancient testimonies and the Arabic fragment, while Section 3 translates and discusses the Gr~ek fragment. Section 4 sums up the mathematical reconstruction offered in this paper, while Section 5 points at the possible intellec­ tual background to the work. Appendix A contains a transcription of the Greek fragment, appendix B an English translation with redrawn diagrams, appendix C a reproduction of the digitally enhanced images of the pages of the palimpsest con­ taining remains of the Stomachion.

A Complete Bibliography of Publications in Isis, 2000{2009

Abstract: accademiche [38]. Ada [45]. Adrian [45]. African [56]. Age [39, 49, 61]. Al [23]. Al-Rawi [23]. Aldous [68]. Alex [15]. Allure [46]. America [60, 66]. American [49, 69, 61, 52]. ancienne [25]. Andreas [28]. Angela [42]. Animals [16]. Ann [26]. Anna [19, 47]. Annotated [46]. Annotations [28]. Anti [37]. Anti-Copernican [37]. Antibiotic [64]. Anxiety [51]. Apocalyptic [61]. Archaeology [26]. Ark [36]. Artisan [32]. Asylum [48]. Atri [54]. Audra [65]. Australia [41]. Authorship [15]. Axelle [29].

An Introduction to Science and Technology Studies

Abstract: Preface vii 1 The Prehistory of Science and Technology Studies 1 2 The Kuhnian Revolution 12 3 Questioning Functionalism in the Sociology of Science 23 4 Stratification and Discrimination 36 5 The Strong Programme and the Sociology of Knowledge 47 6 The Social Construction of Scientific and Technical Realities 57 7 Feminist Epistemologies of Science 72 8 Actor-Network Theory 81 9 Two Questions Concerning Technology 93 10 Studying Laboratories 106 11 Controversies 120 12 Standardization and Objectivity 136 13 Rhetoric and Discourse 148 14 The Unnaturalness of Science and Technology 157 15 The Public Understanding of Science 168 16 Expertise and Public Participation 180 17 Political Economies of Knowledge 189 References 205 Index 236

Recommended for you: The Netflix Prize and the production of algorithmic culture:

Abstract: How does algorithmic information processing affect the meaning of the word culture, and, by extension, cultural practice? We address this question by focusing on the Netflix Prize (2006–2009), a contest offering US$1m to the first individual or team to boost the accuracy of the company’s existing movie recommendation system by 10%. Although billed as a technical challenge intended for engineers, we argue that the Netflix Prize was equally an effort to reinterpret the meaning of culture in ways that overlapped with, but also diverged in important respects from, the three dominant senses of the term assayed by Raymond Williams. Thus, this essay explores the conceptual and semantic work required to render algorithmic information processing systems legible as forms of cultural decision making. It also then represents an effort to add depth and dimension to the concept of “algorithmic culture.”

Visualizing Thought: Topics in Cognitive Science(2010)

Abstract: Depictive expressions of thought predate written language by thousands of years. They have evolved in communities through a kind of informal user testing that has refined them. Analyzing common visual communications reveals consistencies that illuminate how people think as well as guide design; the process can be brought into the laboratory and accelerated. Like language, visual communications abstract and schematize; unlike language, they use properties of the page (e.g., proximity and place: center, horizontal/up-down, vertical/left-right) and the marks on it (e.g., dots, lines, arrows, boxes, blobs, likenesses, symbols) to convey meanings. The visual expressions of these meanings (e.g., individual, category, order, relation, correspondence, continuum, hierarchy) have analogs in language, gesture, and especially in the patterns that are created when people design the world around them, arranging things into piles and rows and hierarchies and arrays, spatial-abstraction-action interconnections termed spractions. The designed world is a diagram.