Roel Vande Winkel

Bio: Roel Vande Winkel is an academic researcher from Hogeschool Sint-Lukas Brussel. The author has contributed to research in topics: Nazi Germany & German. The author has an hindex of 8, co-authored 56 publications receiving 231 citations. Previous affiliations of Roel Vande Winkel include University of Antwerp & Katholieke Universiteit Leuven.

Silencing cinema : film censorship around the world

Abstract: Silencing Cinema: An Introduction D.Biltereyst & R.Vande Winkel PART I: CENSORSHIP, REGULATION, AND HEGEMONY All the Power of the Law: Governmental Film Censorship in the United States L.Wittern-Keller American Morality Is Not to Be Trifled With : Content Regulation in Hollywood after 1968 J.Lewis When Cinema Faces Social Values: One Hundred Years of Film Censorship in Canada P.Veronneau Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorship F.M.Peredo-Castro PART II: CONTROL, CONTINUITY, AND CHANGE Film Censorship in Germany: Continuity and Changes through Five Political Systems M.Loiperdinger Seeing Red: Political Control of Cinema in the Soviet Union R.Taylor Prohibition, Politics, and Nation Building: A History of Film Censorship in China Z.Xiao Film Censorship during the Golden Era of Turkish Cinema D.K.Mutlu PART III: COLONIALISM, LEGACY, AND POLICIES The Censor and the State in Great Britain J.Petley British Colonial Censorship Regimes: Hong Kong, Straits Settlements, and Shanghai International Settlement, 1916-1941 D.Newman 'We do not certify backwards': Film Censorship in Post-Colonial India N.Bose Irish Film Censorship: Refusing the Fractured Family of Foreign Films K.Rockett PART IV: CENSORSHIP MULTIPLICITY, MORAL REGULATION, AND EXPERIENCES Nollywood, Kannywood, and a Decade of Hausa Film Censorship in Nigeria C.McCain The Legion of Decency and the Movies G.D.Black Blessed Cinema: State and Catholic Censorship in Post-war Italy D.T.Gennari Film Censorship in a Liberal Free Market Democracy: Strategies of Film Control and Audience's Experiences of Censorship in Belgium D.Biltereyst

Cinema and the swastika : the international expansion of Third Reich cinema

Abstract: Introduction Europe's New Hollywood? The German Film Industry Under Nazi Rule, 1933-1945 D.Welch & R.Vande Winkel 'European Cinema for Europe!' The International Film Chamber, 1935-42 B.G.Martin German Attempts to Penetrate the Spanish-speaking Film Markets, 1936-1942 L.Jarvinen & F.Peredo-Castro Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933-45 R.von Dassanowsky German Influence on Belgian Cinema, 1933-45: from Low-Profile Presence to Downright Colonisation R.Vande Winkel Nazi Film Politics in Brazil, 1933-42 L.Nazario The Influence of German Cinema on Newly Established Croatian Cinematography, 1941-45 D.Rafaelic A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933-45 I.Klimes The Attempted Nazification of French Cinema, 1934-44 B.Bowles Cinema Goes to War: the German Film Policy in Greece during the Occupation, 1941-44 E.Sifaki 'Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika', 1933-44 D.S.Frey A War Within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933-43) A.A.Kallis Celluloid Competition: German-Japanese Film Relations, 1929-45 J.Hansen From Dawn to Young Eagles : The (Failed) Attempt of Germanisation and Nazification of Luxembourg Through Cinema, 1933-1944 P.Lesch Dutch-German Film Relations Under German Pressure and Nazi Occupation, 1933-45 I.Schiweck From Will to Reality - Norwegian Film During the Nazi Occupation, 1940-45 B.Sorenssen Brown-Red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film K.Tomaselli & M.Eckardt Film and Politics in South-East Europe: Germany as 'leading cultural nation' T.Kirk German Films on the Spanish Market Before, During and After the Civil War M.A. Paz & J.Montero Swedish Film and Germany, 1933-45 R.Wright Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933-45 G.Haver 'A thin stream issuing through closed lock gates': German Cinema and the United Kingdom, 1933-45 J.Fox German Films in America, 1933-45: Public Diplomacy and an Uncoordinated Information Campaign D.Culbert German Film Politics in the Occupied Eastern Territories, 1941-45 R.Forster Select Bibliography

Diasporic Film Cultures from a Multi-level Perspective: Moroccan and Indian Cinematic Flows In and Towards Antwerp (Belgium)

Abstract: How and to what extent are diasporic film cultures influenced by power structures and power shifts? This question is addressed in a twofold case study of Moroccan and Indian film structures in the city of Antwerp (Belgium). The analysis presented here is based on 27 semi-structured interviews with experts such as distributors, exhibitors, social workers, and programming managers. The research results, uncovering a complex model of multileveled power structures, demonstrate that developments in diasporic film cultures are not only dependent on homeland production, but are also crucially influenced by local actors, who determine those developments to a large degree. It is further demonstrated that networks of both legal and informal/illegal transnational and transdiasporic circulation play crucial, intertwining roles. The case studies thus show how diasporic media consumption and film in particular can only fully be grasped when attempting to understand the tension between local environment, its position wi...

Film-viewing in Turkish and Moroccan diasporic families : a gender and place perspective

Abstract: This article explores the relation between gender identities and spatial aspects of audience reception by means of a case study on film-viewing in the Turkish and Moroccan diasporic communities in the Belgian city of Antwerp. Drawing on feminist and gender approaches to audience reception on the one hand, and research into the spatial dynamics underlying audience reception on the other, we look at film-viewing as a socially and spatially meaningful practice that is relevant for the understanding of gender identities in diasporic families. This article is based on the results of a four-year project on diasporic film cultures in Antwerp that investigated how film-viewing practices relate to social and cultural dynamics within the Turkish and Moroccan communities. The data that are discussed include participant observations, in-depth interviews and group interviews with a varied sample of people with Turkish and Moroccan backgrounds. The results show that although film-viewing, especially in the public space...

Postmodern Subjects, Postmodern BodiesThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary WestYearning: Race, Gender, and Cultural PoliticsGender Trouble: Feminism and the Subversion of Identity

Abstract: Preface (1999) Preface (1990) 1. Subjects of Sex/Gender/Desire I. 'Women' as the Subject of Feminism II. The Compulsory Order of Sex/Gender/Desire III. Gender: The Circular Ruins of Contemporary Debate IV. Theorizing the Binary, the Unitary and Beyond V. Identity, Sex and the Metaphysics of Substance VI. Language, Power and the Strategies of Displacement 2. Prohibition, Psychoanalysis, and the Production of the Heterosexual Matrix I. Structuralism's Critical Exchange II. Lacan, Riviere, and the Strategies of Masquerade III. Freud and the Melancholia of Gender IV. Gender Complexity and the Limits of Identification V. Reformulating Prohibition as Power 3. Subversive Bodily Acts I. The Body Politics of Julia Kristeva II. Foucault, Herculine, and the Politics of Sexual Discontinuity III. Monique Wittig - Bodily Disintegration and Fictive Sex IV. Bodily Inscriptions, Performative Subversions Conclusion - From Parody to Politics

Annual Report 2008

Abstract: The following section, Management’s Discussion and Analysis of Operations, provides an overview of the consolidated financial statements of Fujitsu Limited (the “Company”) and its consolidated subsidiaries (together, the “Group”) for the year ended March 31, 2008 (fiscal 2007). Forward-looking statements in this section are based on management’s understanding and best judgment as of March 31, 2008.