Sarah Pink

Bio: Sarah Pink is an academic researcher from Monash University. The author has contributed to research in topics: Everyday life & Ethnography. The author has an hindex of 44, co-authored 213 publications receiving 11017 citations. Previous affiliations of Sarah Pink include University of Birmingham & Monash University, Caulfield campus.

Doing Sensory Ethnography

Abstract: Introducing Sensory Ethnography Understanding Sensory Cultures Preparing for Sensory Research Participant observation: sensory embodied learning Interviewing (Audio)Visual Methods Combining methods Analysing sensory materials Representing and communicating about sensory ethnography

Doing visual ethnography

Abstract: PART ONE: THINKING ABOUT VISUAL ETHNOGRAPHY: HISTORICAL, THEORETICAL AND PRACTICAL PERSPECTIVES Visual Ethnography Across Disciplines Ways of Seeing, Knowing And Showing Planning And Practising Visual Ethnography PART TWO: PRODUCING KNOWLEDGE Photography In Ethnographic Research Video In Ethnographic Research Doing Visual Ethnography With The Web Making Meanings in Visual Ethnography PART THREE: REPRESENTING VISUAL ETHNOGRAPHY Photography And Ethnographic Writing Video In Ethnographic Representation Making Visual Ethnography Public Online/Digitally

Doing Visual Ethnography: Images, Media and Representation in Research

Abstract: PART ONE: THINKING ABOUT VISUAL RESEARCH The Visual in Ethnography Photography, Video, Cultures and Individuals Planning and Practising 'Visual Methods' Appropriate Uses and Ethical Issues PART TWO: PRODUCING KNOWLEDGE Photography in Ethnographic Research Video in Ethnographic Research Classifying and Interpreting Photographic and Video Materials PART THREE: VISUAL IMAGES AND TECHNOLOGIES Ethnographic Photography and Printed Text Video in Ethnographic Representation Ethnographic Hypermedia Representation

Social media ethnography: The digital researcher in a messy web

Abstract: Social media practices and technologies are often part of how ethnographic research participants navigate their wider social, material and technological worlds, and are equally part of ethnographic practice. This creates the need to consider how emergent forms of social media-driven ethnographic practice might be understood theoretically and methodologically. In this article, we respond critically to existing literatures concerning the nature of the internet as an ethnographic site by suggesting how concepts of routine, movement and sociality enable us to understand the making of social media ethnography knowledge and places.

The Future of Visual Anthropology : Engaging the Senses

Abstract: From an eminent author in the field, The Future of Visual Anthropology develops a new approach to visual anthropology and presents a groundbreaking examination of developments within the field and the way forward for the subdiscipline in the twenty-first century. The explosion of visual media in recent years has generated a wide range of visual and digital technologies which have transformed visual research and analysis. The result is an exciting new interdisciplinary approach of great potential influence for the future of social/cultural anthropology. Sarah Pink argues that this potential can be harnessed by engaging visual anthropology with its wider contexts, including: the increasing use of visual research methods across the social sciences and humanities the growth in popularity of the visual as methodology and object of analysis within mainstream anthropology and applied anthropology the growing interest in 'anthropology of the senses' and media anthropology the development of new visual technologies that allow anthropologists to work in new ways. This book has immense interdisciplinary potential, and is essential reading for students, researchers and practitioners of visual anthropology, media anthropology, visual cultural studies, media studies and sociology.

The Practice Of Everyday Life

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