scispace - formally typeset
S

Siobhan McHugh

Researcher at University of Wollongong

Publications -  25
Citations -  269

Siobhan McHugh is an academic researcher from University of Wollongong. The author has contributed to research in topics: Narrative & Storytelling. The author has an hindex of 8, co-authored 25 publications receiving 215 citations. Previous affiliations of Siobhan McHugh include University of Oxford.

Papers
More filters
Journal ArticleDOI

How podcasting is changing the audio storytelling genre

TL;DR: McGregor et al. as mentioned in this paper explored the impact of the post-2014 podcast resurgence on non-fictional audio storytelling formats and found that podcast is fomenting a new, more informal, genre of audio narrative feature centred on a strong relationship between host and listener, with content that is "talkier" and less crafted.
Journal ArticleDOI

The Affective Power of Sound: Oral History on Radio

TL;DR: The authors offers insights into the historical symbiosis between oral history and radio and the relationship between orality, aurality, and affect that makes radio radio work well, using illustrative audio clips.
Journal ArticleDOI

Audio Storytelling: Unlocking the Power of Audio to Inform, Empower and Connect

TL;DR: Audio storytelling is booming. From crafted, long-form documentaries to short digital narratives, podcasting, social media and online streaming have liberated audio from the confines of a live radi...
Journal ArticleDOI

Oral history and the radio documentary/feature: introducing the ‘COHRD ’ form

TL;DR: In an era when audio is increasingly associated with three-minute digital storytelling, the use of crafted oral history in long-form radio narratives deserves to be recognised as a specific genre: the Crafted Oral History Radio Documentary as discussed by the authors.
Journal Article

Not dead yet: Emerging trends in radio documentary forms in Australia and the US

TL;DR: In this article, contemporary trends in Australian and American radio documentary production are mapped to the evolution of radio documentary forms and explores how globalisation of radio listenership via podcasting and sharing of content on social media is beginning to change documentary.