From the Publisher: 
A Question of Identity 
Life on the Screen is a fascinating and wide-ranging investigation of the impact of computers and networking on society, peoples' perceptions of themselves, and the individual's relationship to machines. Sherry Turkle, a Professor of the Sociology of Science at MIT and a licensed psychologist, uses Internet MUDs (multi-user domains, or in older gaming parlance multi-user dungeons) as a launching pad for explorations of software design, user interfaces, simulation, artificial intelligence, artificial life, agents, "bots," virtual reality, and "the on-line way of life." 
Turkle's discussion of postmodernism is particularly enlightening. She shows how postmodern concepts in art, architecture, and ethics are related to concrete topics much closer to home, for example AI research (Minsky's "Society of Mind") and even MUDs (exemplified by students with X-window terminals who are doing homework in one window and simultaneously playing out several different roles in the same MUD in other windows). Those of you who have (like me) been turned off by the shallow, pretentious, meaningless paintings and sculptures that litter our museums of modern art may have a different perspective after hearing what Turkle has to say. 
This is a psychoanalytical book, not a technical one. However, software developers and engineers will find it highly accessible because of the depth of the author's technical understanding and credibility. Unlike most other authors in this genre, Turkle does not constantly jar the technically-literate reader with blatant errors or bogus assertions about how things work. Although I personally don't have time or patience for MUDs,view most of AI as snake-oil, and abhor postmodern architecture, I thought the time spent reading this book was an extremely good investment.

스크린 위의 삶 = Life on the screen : identity in the age of the internet

Keywords: a Vocabulary of Culture and Society

Acknowledgements Introduction 1. Readings and responses 2. Preface to the 1st edition 3. Introduction to the 1st edition 4. Interactive artifacts 5. Plans 6. Situated actions 7. Communicative resources 8. Case and methods 9. Human-machine communication 10. Conclusion to the 1st edition 11. Plans, scripts and other ordering devices 12. Agencies at the interface 13. Figuring the human in AI and robotics 14. Demystifications and re-enchantments of the human-like machine 15. Reconfigurations Notes References.

Human-Machine Reconfigurations: Plans and Situated Actions

Business Cycles: A Theoretical, Historical, and Statistical Analysis of the Capitalist Process.

Anthropologists have been committed, at least since Franz Boas, to investigating relationships between nature and culture. At the dawn of the 21st century, this enduring interest was inflected with some new twists. An emergent cohort of “multispecies ethnographers” began to place a fresh emphasis on the subjectivity and agency of organisms whose lives are entangled with humans. Multispecies ethnography emerged at the intersection of three interdisciplinary strands of inquiry: environmental studies, science and technology studies (STS), and animal studies. Departing from classically ethnobiological subjects, useful plants and charismatic animals, multispecies ethnographers also brought understudied organisms—such as insects, fungi, and microbes—into anthropological conversations. Anthropologists gathered together at the Multispecies Salon, an art exhibit, where the boundaries of an emerging interdiscipline were probed amidst a collection of living organisms, artifacts from the biological sciences, and surprising biopolitical interventions.

/pdf/the-emergence-of-multispecies-ethnography-2pr3t4e9br.pdf

The emergence of multispecies ethnography

List of Illustrations Moorings Acknowledgments Introduction: Life at Sea 1. The Message from the Mud: Making Meaning Out of Microbes in Monterey Bay 2. Dissolving the Tree of Life: Alien Kinship at Hydrothermal Vents 3. Blue-Green Capitalism: Marine Biotechnology in Hawaii 4. Alien Species, Native Politics: Mixing Up Nature and Culture in Ocean Oahu 5. Abducting the Atlantic: How the Ocean Got Its Genome 6. Submarine Cyborgs: Transductive Ethnography at the Seafloor, Juan de Fuca Ridge 7. Extraterrestrial Seas: Astrobiology and the Nature of Alien Life Notes Bibliography Index

Alien Ocean: Anthropological Voyages in Microbial Seas

In this article, I deliver a first-person anthropological report on a dive to the seafloor in the Woods Hole Oceanographic Institution's three-person submersible, Alvin. I examine multiple meanings of immersion: as a descent into liquid, an absorption in activity, and the all-encompassing entry of an anthropologist into a cultural medium. Tuning in to the rhythms of what I call the “submarine cyborg”—“doing anthropology in sound,” as advocated by Steven Feld and Donald Brenneis (2004)—I show how interior and exterior soundscapes create a sense of immersion, and I argue that a transductive ethnography can make explicit the technical structures and social practices of sounding, hearing, and listening that support this sense of sonic presence.

An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography

Several scholars in science studies have lately sought to theorize the contemporary join of capitalism and biotechnology. A variety of terms have been forwarded to name how ‘life’ in the age of gen...

https://www.tandfonline.com/doi/pdf/10.1080/09505430802519256

Species of Biocapital

Seawater has occupied an ambiguous place in anthropological categories of "nature" and "culture." Seawater as nature appears as potentiality of form and uncontainable flux; it moves faster than culture - with culture frequently figured through land-based metaphors - even as culture seeks to channel water's (nature's) flow. Seawater as culture manifests as a medium of pleasure, sustenance, travel, disaster. I argue that, although seawater's qualities in early anthropology were portrayed impressionistically, today technical, scientific descriptions of water's form prevail. For example, processes of globalization - which may also be called "oceanization" - are often described as "currents," "flows," and "circulations." Examining sea-set ethnography, maritime anthropologies, and contemporary social theory, I propose that seawater has operated as a “theory machine” for generating insights about human cultural organization. I develop this argument with ethnography from the Sargasso Sea and in the Sea Islands. I conclude with a critique of appeals to water's form in social theory.

/pdf/nature-culture-seawater-2saq9av455.pdf

Stefan Helmreich

Papers

The emergence of multispecies ethnography

Alien Ocean: Anthropological Voyages in Microbial Seas

An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography

Species of Biocapital

Nature/Culture/Seawater