/pdf/signs-language-and-behavior-5fzunuhcwy.pdf

Signs, Language, and Behavior.

Chapter 6 – The Perception of Motion Pictures

Arguably the greatest single work in the history of psychology. James's analyses of habit, the nature of emotion, the phenomenology of attention, the stream of thought, the perception of space, and the multiplicity of the consciousness of self are still widely cited and incorporated into contemporary theoretical accounts of these phenomena.

The Principles of Psychology

Fundamental Statistics in Psychology and Education.

The specification of film attributes for psychological and educational research purposes

This is the second of a two-part report of an exploratory study that used controlled experimentation to examine the nonlinear relationships among humans and their informational environments. The primary objectives of the study were first to postulate the concept of nonlinearity as central in these relationships, then to explore the concept experimentally, and finally to reflect productively upon these efforts in a search for meaningful avenues of further exploration. Since it was believed that a review of the controlled phase of the study would set the stage for exploration of its more conceptual aspects, Part I of this report

Nonlinearity in filmic presentation: Part II, discussion

A study of the non-linearity variable in filmic presentation.

Results for the sixth-grade groups support the conclusions that—

l.

If this kind of subject matter is to receive factual treatment, then the linear format is best for both immediate learning and for retention.




2.

If the subject matter is to receive a mixture of factual and conceptual treatment, then the nonlinear format is best for immediate learning.




3.

Students at this level do not learn or retain this kind of subject matter well when it is treated conceptually in either linear or nonlinear format.

Stuart M. Cooney

Papers

Nonlinearity in filmic presentation: Part II, discussion

A study of the non-linearity variable in filmic presentation.

Nonlinearity in Filmic Presentation

Filmic Presentation: Part II, Discussion'

Control as a concept in broadcast production