Warto Warto

Bio: Warto Warto is an academic researcher from Sebelas Maret University. The author has contributed to research in topics: Psychology & Indonesian. The author has an hindex of 5, co-authored 49 publications receiving 113 citations.

Cultural commodification: representation of pesarean1 of mount kawi as cultural tourism in indonesian mass media

Abstract: Media is a tool to construct meaning to its readers. News that is released to the public is always related to the ideology and interests of the media in responding a problem. This research intends to see a representation of Pesarean of Mount Kawi which is conducted by local, regional, and national mass media in Indonesia. This research is a qualitative research with content analysis method. This study is going to be focused on the value embedded in texts which contain news about pesarean of Mount Kawi. This approach is very useful to figure out meaning that lies behind the news texts of pesarean of Mount Kawi. The result of the research shows that mass media supports the commodification process of pesarean of Mount Kawi. Through the narration of origin, genealogy, and heroism which are based on Indonesia's national historical event became one of the strategies that are used to demolish the representation of Mount Kawi as a haunted and taboo place to be visited by society. There is a similarity of vision in changing the representation of pesarean of Mount Kawi. Modernity and advancement of reasons have been the reasons for discarding cultural values and traditions that have developed within the culture of Javanese society for centuries by adapting them to the contexts of modern human life today.

The Rapid Growth of Coconut Estates in Indragiri Hilir 1980s – 1990s

Abstract: Coconut estate is one of the vital agriculture sub-sectors in Indonesia because it has an important role in absorbing employment. In the early 20 th century, Netherland Indies was one of the major copra exporters globally, and the eastern region of Nusantara contributed as the leading producer. However, in the 1930s – 1950s, the coconut-based economy's contraction phase in the eastern region had weakened the whole production. The Indonesian government tried to recover coconut estates and its economic market through several efforts, such as rehabilitating smallholder coconut estates, recovering copra trading, and starting coconut industrialization. Used historical research methods, this article described the shifting of Indonesia coconut-based economy from the past center of trade and production, in the eastern region of Indonesia, to a recent major producer and industry cluster in the Indragiri Hilir, Riau Province. In the 1980s – 1990s, the government efforts to improve coconut commodities have led to shifting the Indonesian coconut-based economy to Indragiri Hilir. Several policies issued by the government such as Smallholder Coconut Development Project, Proyek Peremajaan Rehabilitasi dan Perluasan Tanaman Ekspor (PRPTE), Nucleus Estate Smallholder (NES), Nucleus Estate Smallholder Transmigration (NES-Trans), and the local government funding, as well as the liberalization of coconut trading regulation, had stimulated rapid growth of coconut estates in Indragiri Hilir. Even though several schemes and governments attempt to develop smallholder coconut estates, the expansion rate was mostly dominated by self-funded smallholder coconut estates. During the 1980s – 1990s, the increasing demand for coconut from large-scale processing industries had attracted the smallholder to cultivate coconut.

Revitalisasi kesenian kethek ogleng untuk mendukung pengembangan pariwisata di kabupaten wonogiri

Abstract: Kethek Ogleng is one of the folk performing arts that has flourished in rural Wonogiri. As the other folk performing arts anonymous in nature, it is difficult to know for certain the time when the performance actually emerged and by whom it was firstly created. Now, there are nine Kethek Ogleng groups in Wonogiri. In the midst of rapid social change, the Kethek Ogleng performing art facing big challenges to survive. The Kethek Ogleng set by the Wonogiri Government to become the cultural and tourist icon of the regency is increasingly losing its social base of support for various reasons. The traditional agrarian society serving as its supporter is changing rapidly and is turning an eye from it. In this context, the efforts to revitalize the Kethek Ogleng performing art as cultural heritage have to be initiated. One of the viable strategies is by integrating conservation effort into a local culture-based tourism development. Keywords : Kethek Ogleng, revitalization, tourism, Wonogiri Regency. Kesenian Kethek Ogleng merupakan salah satu jenis kesenian rakyat yang berkembang di pedesaan Wonogiri. Seperti kesenian rakyat pada umumnya yang bersifat anonim, kesenian Kethek Ogleng juga tidak diketahui secara pasti kapan pertama kali muncul dan siapa penciptanya. Sekarang tercatat ada sembilan kelompok. Di tengah-tengah perubahan sosial yang cepat, kesenian Kethek Ogleng menghadapi tantangan berat untuk bertahan hidup. Kesenian Kethek Ogleng yang oleh Pemda Wonogiri ditetapkan menjadi ikon budaya dan pariwisata daerah semakin kehilangan basis sosial pendukungnya karena berbagai alasan. Masyarakat agraris tradisional yang menjadi pendukung utama kesenian itu mengalami perubahan cepat sehingga beberapa anasir budaya lama termasuk kesenian tradisional ditinggalkan. Dalam konteks seperti inilah, usaha merevitalisasi kesenian Kethek Ogleng sebagai warisan budaya perlu dilakukan. Salah satu caranya ialah dengan mengintegrasikan usaha pelestarian itu melalui pengembangan pariwisata yang bertumpu pada kekayaan budaya local. Kata-kata kunci: Kethek Ogleng, revitalisasi, pariwisata, Kabupaten Wonogiri.

The Strategies to Improve Social Solidarity of Senior High School Students through History Module Based on Problems

Abstract: This research aims to describe the strategies and the effectiveness of history module based on problems in increasing the solidarity of Senior High School Students. The efforts to improve the social solidarity of Senior High School Students were done to minimalize the problems which occurred in the school environment and to find the conflict resolution on multicultural society. To achieve the objectives, this research used combination methods of qualitative and quantitative which refer to the design of exploratory sequential mixed methods. The result of the research shows that students could understand the material and solve the problems structurally through history module based on problems. The problems arranged in the module are contemporary and associated with inter-ethnic conflict in the students’ environment while the material on the module is local history. The students’ understanding towards the material and the ability relating to the contemporary problem can improve the social solidarity. Based on the statistic data analysis, the history module based on problems is effective to improve the social society.

Exploring the Interpretation of Cultural Values in Babad Banyumas Manuscript as a Means to Understanding Banyumas Society

Abstract: Culture as an abstraction of a dynamic human experience, tends to develop in line with development of the supporting communities. Babad Banyumas as a literary work of traditional history reflects the culture which tends to convey a transformative message, and many of which loaded with social life values of the community at the time which became the underlying guidance and characters of the Banyumas society. This study aims to explore the culture and local values of Banyumas community's social life reflected from the text of Babad Banyumas. This is a qualitative study which employs content analysis to Babad Banyumas text as the data analysis. The data was collected through observation and interviews with experts in history. Data analysis uses qualitative data analysis using display data, data reduction and data verification to find common themes. The results of the study found that there are manifested cultural values and concepts in Babad Banyumas among others the culture of showing gratitude ‘ terima kasih ’, cablaka , egalitarian, asceticism ( tapa brata ), freedom (free soul), and politeness, which are also effective in strengthening and instilling the local culture and social norms values appreciated and observed by Banyumas society. Keywords: cultural values, Babad Banyumas, social studies

The Sacred And The Profane The Nature Of Religion

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