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Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format
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Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format Example of New Review of Film and Television Studies format
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open access Open Access

New Review of Film and Television Studies — Template for authors

Publisher: Taylor and Francis
Categories Rank Trend in last 3 yrs
Visual Arts and Performing Arts #197 of 532 down down by 121 ranks
Communication #324 of 426 down down by 126 ranks
journal-quality-icon Journal quality:
Good
calendar-icon Last 4 years overview: 110 Published Papers | 30 Citations
indexed-in-icon Indexed in: Scopus
last-updated-icon Last updated: 14/07/2020
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General info
Top papers
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FAQ

Related Journals

open access Open Access
recommended Recommended

Taylor and Francis

Quality:  
High
CiteRatio: 0.7
SJR: 0.25
SNIP: 1.245
open access Open Access
recommended Recommended

Taylor and Francis

Quality:  
High
CiteRatio: 2.1
SJR: 0.822
SNIP: 1.5
open access Open Access

SAGE

Quality:  
Good
CiteRatio: 0.4
SJR: 0.124
SNIP: 0.621
open access Open Access

SAGE

Quality:  
Good
CiteRatio: 0.4
SJR: 0.157
SNIP: 0.76

Journal Performance & Insights

CiteRatio

SCImago Journal Rank (SJR)

Source Normalized Impact per Paper (SNIP)

A measure of average citations received per peer-reviewed paper published in the journal.

Measures weighted citations received by the journal. Citation weighting depends on the categories and prestige of the citing journal.

Measures actual citations received relative to citations expected for the journal's category.

0.3

50% from 2019

CiteRatio for New Review of Film and Television Studies from 2016 - 2020
Year Value
2020 0.3
2019 0.6
2018 0.4
2017 0.5
2016 0.3
graph view Graph view
table view Table view

0.109

45% from 2019

SJR for New Review of Film and Television Studies from 2016 - 2020
Year Value
2020 0.109
2019 0.198
2018 0.167
2017 0.158
2016 0.138
graph view Graph view
table view Table view

0.281

71% from 2019

SNIP for New Review of Film and Television Studies from 2016 - 2020
Year Value
2020 0.281
2019 0.967
2018 0.406
2017 0.761
2016 0.275
graph view Graph view
table view Table view

insights Insights

  • CiteRatio of this journal has decreased by 50% in last years.
  • This journal’s CiteRatio is in the top 10 percentile category.

insights Insights

  • SJR of this journal has decreased by 45% in last years.
  • This journal’s SJR is in the top 10 percentile category.

insights Insights

  • SNIP of this journal has decreased by 71% in last years.
  • This journal’s SNIP is in the top 10 percentile category.

New Review of Film and Television Studies

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Taylor and Francis

New Review of Film and Television Studies

Approved by publishing and review experts on SciSpace, this template is built as per for New Review of Film and Television Studies formatting guidelines as mentioned in Taylor and Francis author instructions. The current version was created on 14 Jul 2020 and has been used by 749 authors to write and format their manuscripts to this journal.

Visual Arts and Performing Arts

Communication

Arts and Humanities

i
Last updated on
14 Jul 2020
i
ISSN
1740-0309
i
Impact Factor
High - 1.352
i
Open Access
No
i
Sherpa RoMEO Archiving Policy
Green faq
i
Plagiarism Check
Available via Turnitin
i
Endnote Style
Download Available
i
Bibliography Name
Taylor and Francis Custom Citation
i
Citation Type
Numbered
[25]
i
Bibliography Example
Blonder GE, Tinkham M, Klapwijk TM. Transition from metallic to tunneling regimes in superconducting microconstrictions: Excess current, charge imbalance, and supercurrent conversion. Phys Rev B. 1982; 25(7):4515–4532. Available from: 10.1103/PhysRevB.25.4515.

Top papers written in this journal

Journal Article DOI: 10.1080/17400300601140167
From the box in the corner to the box set on the shelf: 'TVIII' and the cultural/textual valorisations of DVD
Matthew Hills1

Abstract:

This paper considers the role of DVD releases in relation to TVIII. As well as moving towards multi‐platform and hence transmedial versions of ‘television’, TVIII can also be linked to the provision of selected TV shows as material consumer artefacts—DVD box sets—which frequently emphasise values of ‘completeness’ and ‘collec... This paper considers the role of DVD releases in relation to TVIII. As well as moving towards multi‐platform and hence transmedial versions of ‘television’, TVIII can also be linked to the provision of selected TV shows as material consumer artefacts—DVD box sets—which frequently emphasise values of ‘completeness’ and ‘collectability’ (Kompare, Rerun Nation, Routledge, New York and London, 2005). I analyse how DVD releases bid for television's cultural value, especially by re‐contextualising TV series as symbolically bounded art objects rather than as interruptible components within TV's ceaseless ‘flow’. I discuss this as the ‘text‐function’ of DVD, suggesting that whilst much ‘ordinary TV’ (Bonner, Ordinary Television: Analyzing Popular TV, Sage, London, 2003) is marginalised by not being made available on DVD, cult and quality TV tend to be over‐represented categories within DVD release patterns. As such, DVDs partly work to reinforce TV canons (Bignell, New Review of Film and Television Studies, vol. 3, no. 1, pp. 15–32, 2005), as well as promoting ‘close reading’ of ‘isolated texts’. Furthermore, DVD commentaries typically, though not always, work to reinforce discourses of TV auteurism—again operating as cultural and textual elevations of ‘mere television’. read more read less

Topics:

Television studies (55%)55% related to the paper
66 Citations
open accessOpen access Journal Article DOI: 10.1080/17400300601140126
TELE‐BRANDING IN TVIII: The network as brand and the programme as brand
Catherine Johnson1

Abstract:

In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increased competition, branding has emerged as a central industrial practice. Focusing on the case of HBO, a particularly successful brand in TVIII, this article argues that branding can be understood not simply as a feature of televi... In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increased competition, branding has emerged as a central industrial practice. Focusing on the case of HBO, a particularly successful brand in TVIII, this article argues that branding can be understood not simply as a feature of television networks, but also as a characteristic of television programmes. It begins by examining how the network as brand is constructed and conveyed to the consumer through the use of logos, slogans and programmes. The role of programmes in the construction of brand identity is then complicated by examining the sale of programmes abroad, where programmes can be seen to contribute to the brand identity of more than one network. The article then goes on to examine programme merchandising, an increasingly central strategy in TVIII. Through an analysis of different merchandising strategies the article argues that programmes have come to act as brands in their own right, and demonstrates that the academic study of branding not only reveals the development of new industrial practices, but also offers a way of understanding the television programme and its consumption by viewers in a period when the texts of television are increasingly extended across a range of media platforms. read more read less

Topics:

Corporate branding (67%)67% related to the paper, Brand management (66%)66% related to the paper, Brand equity (62%)62% related to the paper, Brand awareness (59%)59% related to the paper
View PDF
62 Citations
Journal Article DOI: 10.1080/17400300601140183
Inviting audiences in
Derek Johnson1

Abstract:

If content‐driven niche marketing gave rise to the industrial cultivation of fans, contemporary multiplatforming strategies accelerate encounters between audiences, television texts and spheres of production. Audiences are no longer merely cultivated as fans, but also invited in, asked to participate in both the world of the ... If content‐driven niche marketing gave rise to the industrial cultivation of fans, contemporary multiplatforming strategies accelerate encounters between audiences, television texts and spheres of production. Audiences are no longer merely cultivated as fans, but also invited in, asked to participate in both the world of the television text and the processes of its production. This paper first examines the economic exigencies served by these strategies. Why invite audiences in? Explored second are the means by which audiences are encouraged to enter both narrative space and the spaces of industrial production. How are audiences invited in? How do these strategies alter the spatial relationships of audiences, narrative and labor? Lastly, attention shifts toward the consequences of these new spatial arrangements between audiences, content and production. How does the proximity of audiences create new challenges for the industry? Ultimately, I argue that multiplatforming reconfigures and enables closer proxi... read more read less
57 Citations
Journal Article DOI: 10.1080/17400309.2016.1189712
Landscapes in the frame: exploring the hinterlands of the British procedural drama
Les Roberts1

Abstract:

In the wake of the much discussed phenomenon of so-called ‘Nordic Noir’, the significance of landscape in relation to the police procedural has had something of a small-screen renaissance. In this paper, I discuss this with specific reference to recent productions set and filmed in Britain. Broadchurch (ITV, 2013–present) sho... In the wake of the much discussed phenomenon of so-called ‘Nordic Noir’, the significance of landscape in relation to the police procedural has had something of a small-screen renaissance. In this paper, I discuss this with specific reference to recent productions set and filmed in Britain. Broadchurch (ITV, 2013–present) shot in West Dorset, Southcliffe (Channel 4, 2013) filmed in and around Faversham and the North Kent marshes, and Y Gwyll/Hinterland (S4C/BBC, 2013) filmed in and around the Welsh coastal resort of Aberystwyth in Ceredigion, all share something of a ‘post-Nordic-noir’ family resemblance insofar as landscape and location are themselves presented as central characters, prompting reflection on what these narratives reveal about ideas of place and the role of topography and landscape in the cultural imaginary of the British procedural drama. read more read less

Topics:

Welsh (51%)51% related to the paper, Drama (50%)50% related to the paper
48 Citations
open accessOpen access Journal Article DOI: 10.1080/17400309.2016.1146858
Media archaeology as symptom
Thomas Elsaesser1

Abstract:

This essay constitutes the epilogue to the forthcoming book Film History as Media Archaeology – Tracing Digital Cinema, Thomas Elsaesser’s collected essays on media archaeology. In this essay, Elsaesser reflects upon the previous 25 years of research into media archaeology, highlighting its methods, terminology and problemati... This essay constitutes the epilogue to the forthcoming book Film History as Media Archaeology – Tracing Digital Cinema, Thomas Elsaesser’s collected essays on media archaeology. In this essay, Elsaesser reflects upon the previous 25 years of research into media archaeology, highlighting its methods, terminology and problematic status as a discipline. read more read less

Topics:

Digital media (53%)53% related to the paper
View PDF
48 Citations
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13. What is Sherpa RoMEO Archiving Policy for New Review of Film and Television Studies?

SHERPA/RoMEO Database

We extracted this data from Sherpa Romeo to help researchers understand the access level of this journal in accordance with the Sherpa Romeo Archiving Policy for New Review of Film and Television Studies. The table below indicates the level of access a journal has as per Sherpa Romeo's archiving policy.

RoMEO Colour Archiving policy
Green Can archive pre-print and post-print or publisher's version/PDF
Blue Can archive post-print (ie final draft post-refereeing) or publisher's version/PDF
Yellow Can archive pre-print (ie pre-refereeing)
White Archiving not formally supported
FYI:
  1. Pre-prints as being the version of the paper before peer review and
  2. Post-prints as being the version of the paper after peer-review, with revisions having been made.

14. What are the most common citation types In New Review of Film and Television Studies?

The 5 most common citation types in order of usage for New Review of Film and Television Studies are:.

S. No. Citation Style Type
1. Author Year
2. Numbered
3. Numbered (Superscripted)
4. Author Year (Cited Pages)
5. Footnote

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