Capital & Class 

About: Capital & Class is an academic journal published by SAGE Publishing. The journal publishes majorly in the area(s): Capitalism & Marxist philosophy. It has an ISSN identifier of 0309-8168. Over the lifetime, 1704 publications have been published receiving 32871 citations. The journal is also known as: Capital and class.

The Unhappy Marriage of Marxism and Feminism: Towards a More Progressive Union

Abstract: The “Marriage” Of Marxism and Feminism has been like the marriage of husband and wife depicted in English common law: marxism and feminism are one, and that one is marxism.1 Recent attempts to integrate marxism and feminism are unsatisfactory to us as feminists because they subsume the feminist struggle into the “larger” struggle against capital. To continue our simile further, either we need a healthier marriage or we need a divorce.

Non-Places: Introduction to an Anthropology of Supermodernity

Abstract: It is ‘the logic of these late-capitalist phenomena’ that Augé attempts to describe. So far, so good, but this is only from Non-places’ back-cover blurb. In fact the book is very disappointing: the author offers a bland narrative of the experience of modern life, for example, on the supermarket: ‘The customer wanders round in silence, reads labels, weighs fruit and vegetables on a machine that gives the price along with the weight, then hands his credit card to a young woman as silent as himself—anyway, not very chatty—who runs each article past the sensor of a decoding machine before checking the validity of the customer’s credit card’ (pp.99–100). He nostalgically contrasts this to some romantic idealization of the (French) past, and mixes it up with what can only be described as pretentious waffle. To be fair, some of the concepts introduced are interesting. Anthropological places are contrasted to spaces; places in turn are contrasted to nonplaces: ‘If a place can be defined as relational, historical and concerned with identity, then a space which cannot be defined as relational, or historical, or concerned with identity will be a nonplace’ (pp.77-78). Modernity is contrasted to supermodernity: it is supermodernity which creates non-places, ‘spaces which are not themselves anthropological places and which, unlike Baudelairean modernity, do not integrate the earlier places...’ (p.78). For example, ‘in the modernity of the Baudelairean landscape ... everything is combined’, the old and new are interwoven; on the other hand, supermodernity ‘makes the old (history) into a specific spectacle, as it does with all exoticism and all local particularity ... in the non-places of supermodernity, there is always a specific position ... for “curiosities” presented as such’ (p.110). It’s true that airports, supermarkets, new housing estates, suburbs and so on are alienating (non-)places—just listen to Strummer’s lyrics to ‘Lost in the Supermarket’ (The Clash, London Calling, 1979); it is also true that we are forced to spend more and more of our lives in such (non-)places. This is why this little book appeared promising. But the concepts Augé employs are hopelessly inadequate to explain the proliferation and character of these ‘late capitalist phenomena’. The definition, cited above, of place vis-à-vis non-place begs the questions: relational to whom?, concerned with whose history?; whose identity? Augé’s point is, of course, that everywhere 144 Capital & Class #60