Journal•ISSN: 0010-4124
Comparative Literature
Duke University Press
About: Comparative Literature is an academic journal published by Duke University Press. The journal publishes majorly in the area(s): Poetry & Literary criticism. It has an ISSN identifier of 0010-4124. Over the lifetime, 1995 publications have been published receiving 24835 citations. The journal is also known as: cl.
Topics: Poetry, Literary criticism, Criticism, Narrative, Reading (process)
Papers published on a yearly basis
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TL;DR: Cutler as mentioned in this paper presents a Translator's Preface Preface and Preface for English-to-Arabic Translating Translators (TSPT) with a preface by Jonathan Cutler.
Abstract: Foreword by Jonathan Cutler Translator's Preface PrefaceIntroduction 1. Order 2. Duration 3. Frequency 4. Mood 5. VoiceAfterword Bibliography Index
1,852 citations
TL;DR: Bloom's The Anxiety of Influence, an insightful study of Romantic poets and the relation between tradition and the individual artist, has sold over 17,000 copies in paperback since 1984 and remains a central work of criticism for students of literature as discussed by the authors.
Abstract: Bloom's The Anxiety of Influence, an insightful study of Romantic poets and the relation between tradition and the individual artist, has sold over 17,000 copies in paperback since 1984 and remains a central work of criticism for students of literature. For the second edition, Bloom offers a new introduction which explains the genesis of his thinking and the subsequent influence of the book on literary criticism of the past twenty years.
1,265 citations
691 citations
TL;DR: Brooks as mentioned in this paper argues that melodrama is a crucial mode of expression in modern literature and shows how realist novelists created fiction using the rhetoric and excess of Melodrama - in particular its secularized conflicts of good and evil, salvation and damnation.
Abstract: In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.
444 citations
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361 citations