Showing papers in "Hispania in 1970"
17 citations
9 citations
TL;DR: In this paper, Pittinger et al. describe a behaviorista behaviorista del hablante como miembro de su cultura, which they call enfoque behaviorista de espafiol.
Abstract: 3Ray L. Birdwhistell. "Background to Kinesics," ETC.: A Review of General Semantics, 1, (1955), 10-18. *Robert E. Pittinger. Charles F. Hockett, John J. Danehy, The First Five Minutes. Ithaca: Paul Martineau, Publisher, 1960, 264 pp. sEnfoque behaviorista del hablante espafiol." V Congreso de la Asociaci6n Canadiense de Hispanistas, Toronto, 1969; "Enfoque behaviorista del hablante como miembro de su cultura," Filologia moderna, 35-36, (abril-agosto 1969), 165-72.
9 citations
TL;DR: This article concerns the development and final implementation of a suggested Automated Branch Program for Foreign Languages at the University of California, Irvine.
Abstract: IN ITS MAY 1964 issue this journal carried an article entitled "A Suggested Automated Branch Program For Foreign Languages."' Now, six years later that program has become a reality at the University of California, Irvine. This article concerns the development and final implementation of that program. CAI (Computer Assisted Instruction) was already an established process when UCI opened and this author arrived with the intention of applying CAI techniques to the program described in the 1964 study. At that time it was suggested to IBM that the technology was inadequate for language learning because of the need to use a typewriter terminal to accomplish all the feedback.
8 citations
7 citations
7 citations
TL;DR: In the second part, the hidalgo has become aware of the deception of his friends the Curate and the Barber and his reflections on their humiliating treatment have substantially altered his personality as discussed by the authors.
Abstract: passed, he tells us, since that day depicted at the end of Part One when Quijote returned to his village the "enchanted" prisoner of an oxcart. We find now, on beginning the second part, that the hidalgo has become aware of the deception of his friends the Curate and the Barber and that his reflections on their humiliating treatment have substantially altered his personality. "Algo ha madurado en el interior del caballero a partir de su encierro en la denigrante jaula," Concha Zardoya notes,
TL;DR: In this paper, a travis de una comparación of varios paralelismos metaf6ricos, of the posible influencia del idealism plat6nico in la realidad galdosiana, is presented.
Abstract: U NA PERSPECTIVA hasta hoy no explorada en el estudio de Gald6s es la que enfoca su obra desde las alturas del idealismo plat6nico.1 El presente estudio tiene por objeto formular la hip6tesis, a travis de una comparaci6n de varios paralelismos metaf6ricos, de la posible influencia del idealismo plat6nico en la realidad galdosiana. Pasos primeros como 6ste se apoyan en la sonrisa benigna de mentores que, como Santayana, nos aseguran que toda obra inspirada por gran pasi6n creadora y armonizada por honda reflexi6n racional encierra la esencia de la filosofia
TL;DR: Amarante et al. as discussed by the authors present an aspecto dualistico del misticismo que queremos presentar aqui, precisamente this aspecto Dualistico de misticismo, i.e., the personaje central carecera de proyecto de vida seg6n las normas del mundo externo.
Abstract: Teresa el que se presenta primero, sino uno cuya meta final es la Sirena Negra, la muerte misma, y, s61o finalmente, y por causa de un accidente, se desarrolla el misticismo que Ilevar' a Gaspar a la uni6n con Dios. Es precisamente este aspecto dualistico del misticismo que queremos presentar aqui. Uno que arranca del conocimiento introspectivo de si mismo, cerrando los ojos a lo sensible, y ain a lo intelegible, para Ilegar a la esencia nuda y centro del alma, que primeramente serla Muerte y despubs el amor divino que es Dios. La esencia de este personaje brota de una narraci6n intensamente subjetiva. Por lo tanto, el lugar donde transcurre la acci6n no es importante. El marco estA subordinado a la vida intima del protagonista. Desde luego se puede deducir que como casi toda la acci6n transcurre en un tiempo interior y como la narraci6n es autobiogrifica, el personaje central carecera de proyecto de vida seg6n las normas del mundo externo. Las primeras palabras del autor que aluden al tiempo, se refieren a uno gen6rico, tal como: en aquel momento, un dia, desde el primer instante, en aquel instante, etc. En las primeras paiginas se ve una constancia de un tiempo que puede transcurrir en cualquier lugar y que en realidad es un tiempo sin dimensi6n espacial. Esto lo presenta asi el autor porque para este personaje el tiempo objetivo no existe, o si existe no es valioso. La vida de Gaspar s61o se puede realizar en el presente porque no tiene ningunas metas valiosas para el futuro en el mundo externo. Es un hombre, que a pesar de los treinta y seis afios que Ileva de existencia, se presenta con s61o metas ascetica-misticas.3
TL;DR: Orozco's character has been criticised by a number of authors, e.g., the authors who pointed out that there are factors which attenuate the protagonist's goodness: "Pero Orozco es tambien tipo grande y a pesar de la aparente sencillez de su bondad de una pieza, es complicado. iY que complicaci6n la suya!"
Abstract: F ROM THE TIME of the appearance of Benito Pe after asserting that Orozco is a superior being, he goes on to affirm that there are factors which attenuate the protagonist's goodness: "Pero Orozco es tambien tipo grande y a pesar de la aparente sencillez de su bondad de una pieza, es complicado. iY que complicaci6n la suya!"'2 L. B. Walton, on the other hand, is oblivious to any subtleties in Orozco's characterization; he hastily dismisses Orozco as a "Maxi taken seriously."' Joaquin Casalduero hints at a negative aspect of Orozco's morality when he declares that "Orozco se rige por la propia conciencia, suya severidad y exigencia no conoce paliativos."'4 Gald6s' biographer, H. Chonon Berkowitz, without elaborating, but certainly referring to Orozco's benign reaction to his wife's infidelity, speaks of "flashes of new morality in Realidad."' Sherman Eoff states specifically that Orozco's "ideal of saintly living becomes a hard egotistical pride, which results from his self-imposed task of generating spirituality."' In an article dealing with "ironic reprise" in Gald6s' novels, Monroe Z. Hafter makes this succinct comment on Orozco's goodness: "The ironic reprise in La incdgnita, and Realidad shows that the will to do good appears in all men incompletely, fused with all the other motives of human personality to emerge with disparate and sometimes contradictory guises."7 More recently, Gerald Gillespie views Orozco as primarily a seeker of the essence of ultimate reality, though he does comment on Orozco's "increasing alienation from the world,"8 a scarcely tacit acknowledgment that the "saint's" virtue does not remain unalloyed.