Showing papers in "Historical Journal of Film, Radio and Television in 1999"
TL;DR: The Panicking Audience: Early cinema and the 'train effect' Historical Journal of Film, Radio and Television: Vol. 19, No. 2, pp. 177-216.
Abstract: (1999). The Panicking Audience?: Early cinema and the 'train effect' Historical Journal of Film, Radio and Television: Vol. 19, No. 2, pp. 177-216.
91 citations
TL;DR: In this paper, a short-wave radio broadcast for World War II Black Americans is described, with a focus on black Americans' role in propaganda operations in Japan's war effort.
Abstract: (1999). 'Negro Propaganda Operations': Japan's short-wave radio broadcasts for World War II Black Americans. Historical Journal of Film, Radio and Television: Vol. 19, No. 1, pp. 5-26.
17 citations
TL;DR: In this paper, the authors present a survey of the Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey, with a focus on the role of women.
Abstract: (1999). Cinema-going in Britain in the 1930s: Report of a Questionnaire Survey. Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 531-543.
15 citations
TL;DR: The First Radio War: Broadcasting in the Spanish Civil War, 1936-1939 as mentioned in this paper, was the first radio war to be broadcast in Spanish media, and the first Radio War was broadcast in Spain from 1936 to 1939.
Abstract: (1999). The First Radio War: Broadcasting in the Spanish Civil War, 1936-1939. Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 473-513.
14 citations
TL;DR: In this article, Kusturica's 'Underground' (1995): Historical allegory or propaganda? Historical Journal of Film, Radio and Television: Vol. 19, No. 1, pp. 69-86.
Abstract: (1999). Kusturica's 'Underground' (1995): Historical allegory or propaganda? Historical Journal of Film, Radio and Television: Vol. 19, No. 1, pp. 69-86.
9 citations
TL;DR: The Pre-history of Pay Cable Television: An overview and analysis as discussed by the authors is an overview of the pre-history and analysis of pay cable television, with a focus on pay cable TV.
Abstract: (1999). The Pre-history of Pay Cable Television: An overview and analysis. Historical Journal of Film, Radio and Television: Vol. 19, No. 1, pp. 39-56.
8 citations
TL;DR: The First Theresienstadt Film (1942) Historical Journal of Film, Radio and Television: Vol. 19, No. 3, pp. 309-337.
Abstract: (1999). The First Theresienstadt Film (1942) Historical Journal of Film, Radio and Television: Vol. 19, No. 3, pp. 309-337.
7 citations
TL;DR: In this article, an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television is available online at http://www.historicaljournaloffilm.org
Abstract: This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at
7 citations
7 citations
TL;DR: The Images of Regeneration: Film propaganda and the British slum clearance campaign, 1933-1938 as mentioned in this paper, was a seminal work in the field of film, radio and television.
Abstract: (1999). Images of Regeneration: Film propaganda and the British slum clearance campaign, 1933-1938. Historical Journal of Film, Radio and Television: Vol. 19, No. 3, pp. 339-358.
5 citations
TL;DR: The Korean War Film as Family Melodrama: 'The Bridges at Toko-Ri' (1954) Historical Journal of Film, Radio and Television: Vol. 19, No. 3, pp. 359-377.
Abstract: (1999). The Korean War Film as Family Melodrama: 'The Bridges at Toko-Ri' (1954) Historical Journal of Film, Radio and Television: Vol. 19, No. 3, pp. 359-377.
TL;DR: The Atlantic Crossings: Nation, Class and Identity in Titanic (1953) and A Night to Remember (1958) Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 421-438 as mentioned in this paper.
Abstract: (1999). Atlantic Crossings: Nation, Class and Identity in Titanic (1953) and A Night to Remember (1958) Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 421-438.
TL;DR: In this paper, the US Congress sets the stage for the first televised presidential impeachment proceedings and discusses the role of the media in the proceedings, as well as its role in the subsequent events.
Abstract: (1999). Televising Presidential Impeachment: The US Congress sets the stage. Historical Journal of Film, Radio and Television: Vol. 19, No. 1, pp. 57-68.
TL;DR: In this article, a post-communist Warsaw in Juliusz Machulski's Girl Guide (1995) and Kiler's Kiler (1997) is described. But this is not the case in this paper.
Abstract: (1999) Any Town? Post-communist Warsaw in Juliusz Machulski's Girl Guide (1995) and Kiler (1997) Historical Journal of Film, Radio and Television: Vol 19, No 4, pp 515-530
TL;DR: In this paper, the authors discuss the depiction of World War I in movies and TV, focusing on Germany's "Douaumont" (1931): Verdun and its depiction of the war.
Abstract: (1999). Germany's 'Douaumont' (1931): Verdun and the depiction of World War I. Historical Journal of Film, Radio and Television: Vol. 19, No. 2, pp. 217-238.
TL;DR: In this article, Canada's Heritage (1939) and America's The Plow That Broke the Plains (1936) are discussed. But they are not considered in this paper.
Abstract: (1999). Canada's Heritage (1939) and America's The Plow That Broke the Plains (1936) Historical Journal of Film, Radio and Television: Vol. 19, No. 4, pp. 439-472.