Journal•ISSN: 0026-7937
Modern Language Review
Modern Humanities Research Association
About: Modern Language Review is an academic journal published by Modern Humanities Research Association. The journal publishes majorly in the area(s): Poetry & German. It has an ISSN identifier of 0026-7937. Over the lifetime, 13630 publications have been published receiving 122350 citations. The journal is also known as: The Modern Language Review.
Topics: Poetry, German, Drama, Narrative, Literary criticism
Papers published on a yearly basis
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TL;DR: In this paper, the authors describe the final, extraordinary flowering of a high modernist impulse which is spent and exhausted with Postmodernism, or The Cultural Logic of Cultural Logic.
Abstract: expressionism in painting, existentialism in philosophy, the final forms of representation in the novel, the films of the great auteurs, or the modernist school of poetry (as institutionalized and canonized in the works of Wallace Stevens): all these are now seen as the final, extraordinary flowering of a high modernist impulse which is spent and exhausted with Postmodernism, or The Cultural Logic of
4,325 citations
TL;DR: In this paper, N. Katherine Hayles separates hype from fact, investigating the fate of embodiment in an information age, and relates three interwoven stories: how information lost its body, that is, how it came to be conceptualized as an entity separate from the material forms that carry it; the cultural and technological construction of the cyborg; and the dismantling of the liberal humanist subject in cybernetic discourse, along with the emergence of the ''posthuman''.
Abstract: From the Publisher:
In this age of DNA computers and artificial intelligence, information is becoming disembodied even as the \"bodies\" that once carried it vanish into virtuality. While some marvel at these changes, envisioning consciousness downloaded into a computer or humans \"beamed\" Star Trek-style, others view them with horror, seeing monsters brooding in the machines. In How We Became Posthuman, N. Katherine Hayles separates hype from fact, investigating the fate of embodiment in an information age.
Hayles relates three interwoven stories: how information lost its body, that is, how it came to be conceptualized as an entity separate from the material forms that carry it; the cultural and technological construction of the cyborg; and the dismantling of the liberal humanist \"subject\" in cybernetic discourse, along with the emergence of the \"posthuman.\"
Ranging widely across the history of technology, cultural studies, and literary criticism, Hayles shows what had to be erased, forgotten, and elided to conceive of information as a disembodied entity. Thus she moves from the post-World War II Macy Conferences on cybernetics to the 1952 novel Limbo by cybernetics aficionado Bernard Wolfe; from the concept of self-making to Philip K. Dick's literary explorations of hallucination and reality; and from artificial life to postmodern novels exploring the implications of seeing humans as cybernetic systems.
Although becoming posthuman can be nightmarish, Hayles shows how it can also be liberating. From the birth of cybernetics to artificial life, How We Became Posthuman provides an indispensable account of how we arrived in our virtual age, and of where we might go from here.
2,603 citations
2,154 citations
TL;DR: The reissue of The Gutenberg Galaxy as discussed by the authors reflects the continuing importance of McLuhan's work for contemporary readers, and it has been translated into twelve languages from Japanese to Serbo-Croat.
Abstract: Since its first appearance in 1962, the impact of The Gutenberg Galaxy has been felt around the world. It gave us the concept of the global village; that phrase has now been translated, along with the rest of the book, into twelve languages, from Japanese to Serbo-Croat. It helped establish Marshall McLuhan as the original 'media guru.' More than 200,000 copies are in print. The reissue of this landmark book reflects the continuing importance of McLuhan's work for contemporary readers.
1,617 citations