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Showing papers in "Quarterly Review of Film and Video in 1991"


Journal ArticleDOI
TL;DR: In this article, the authors present a feminist ethnography of the cinema, focusing on the gender and culture of empire, and discuss the role of women in film and video production.
Abstract: (1991). Gender and culture of empire: Toward a feminist ethnography of the cinema. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 45-84.

133 citations


Journal ArticleDOI
Marvin D'Lugo1
TL;DR: Almodovar's City of Desire as mentioned in this paper is a city of desire, a city where desire is defined by desire and desire is expressed in terms of the desire of desire.
Abstract: (1991). Almodovar's city of desire. Quarterly Review of Film and Video: Vol. 13, No. 4, pp. 47-65.

27 citations


Journal ArticleDOI
Marvin D'Lugo1
TL;DR: In this article, the authors discuss the historical experience and cinematic practice of the Catalan Cinema and discuss the role of the actor and the actor's role in the process of making movies.
Abstract: (1991). Catalan cinema: Historical experience and cinematic practice. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 131-146.

22 citations





Journal ArticleDOI
TL;DR: In this article, a take in the making of transsexualism post-franco, post-modern, and post-haste is described, with a focus on women.
Abstract: (1991). A Ms‐take in the making?: Transsexualism post‐franco, post‐modern, post‐haste. Quarterly Review of Film and Video: Vol. 13, No. 4, pp. 95-102.

16 citations




Journal ArticleDOI
TL;DR: The Spanish Cinema: An Historical Approach, trans. M.J. Caparros Lera and Rafael de Espana, 1988 as mentioned in this paper, is a collection of the films of Pedro Almodovar.
Abstract: J. M. Caparros Lera and Rafael de Espana. The Spanish Cinema: An Historical Approach, trans. Carl J. Mora. Barcelona: Centre for Cinematic Research “Film‐Historia,”; 1987. 142 pp. Nuria Vidal. The Films of Pedro Almodovar. trans. Linda Moore, in collaboration with Victoria Hughes. Madrid: Ministerio de Cultura. Instituto de Cine, 1988. 326 pp. Robin W. Fiddian and Peter Evans. Challenges to Authority. Fiction and Film in Contemporary Spain. London: Tamesis Books, 1988. 98 pp

14 citations




Journal ArticleDOI
TL;DR: In this article, the authors discuss the possibilities and limitations in commercial television representations of African American culture, and present a survey of representations of black culture in the media and the arts.
Abstract: (1991). Recodings: Possibilities and limitations in commercial television representations of African American culture. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 117-130.

Journal ArticleDOI
TL;DR: In this article, the authors discuss the role of race, gender, race, and colonialism in the Displacing Limits of Difference (DCLD) paradigm in experimental films.
Abstract: (1991). Displacing limits of difference: Gender, race, and colonialism in Edward said and Homi Bhabha's theoretical models and Marguerite Duras's experimental films. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 1-22.


Journal ArticleDOI
Robert Stam1
TL;DR: Pines and Willemen as discussed by the authors discuss questions of third-world movie making in the context of questions of Third Cinema, and discuss the role of the third-person perspective.
Abstract: Roy Armes. Third World Filmmaking and the West. Berkeley: University of California Press, 1987. Jim Pines and Paul Willemen, eds. Questions of Third Cinema London: BFI, 1989.





Journal ArticleDOI
Ana M. López1
TL;DR: Johnson, Randal and Robert Stam, ed. as discussed by the authors reviewed the New Latin American Cinema: An Annotated Bibliography, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2019
Abstract: Barnard, Tim, ed. Argentine Cinema. Toronto: Nightwood Editions, 1986. Burton, Julianne. Cinema and Social Change in Latin America: Conversations With Filmmakers. Austin: University of Texas Press, 1986. Burton, Julianne. The New Latin American Cinema: An Annotated Bibliography. New York: Smyrna Press, 1983. Chanan, Michael. The Cuban Image: Cinema and Cultural Politics in Cuba. London: British Film Institute, 1985. Chanan, Michael. Twenty‐five Years of the New Latin American Cinema. London: British Film Institute, 1983. Fusco, Coco, ed. Reviewing Histories: Selections from New Latin American Cinema. Buffalo, NY: Hallwalls, 1987. Johnson, Randal. Cinema Novo X Five: Masters of Contemporary Brazilian Film. Austin: University of Texas Press, 1984. Johnson, Randal. The Film Industry in Brazil: Culture and the State. Pittsburgh: University of Pittsburgh Press, 1987. Johnson, Randal and Robert Stam, eds. Brazilian Cinema. Rutherford, NJ: Associated University Presses, 1982 (paper edition, University of Texas P...


Journal ArticleDOI
TL;DR: Ella Shohat, Israeli Cinema: East/West and the Politics of Representation (Austin: University of Texas Press, 1989) as discussed by the authors, is a seminal work in the field of representation.
Abstract: Ella Shohat, Israeli Cinema: East/West and the Politics of Representation (Austin: University of Texas Press, 1989).

Journal ArticleDOI
TL;DR: Downing as mentioned in this paper discusses film and politics in the Third World and discusses the role of women in the third world in the development of the film industry and its role in the political process.
Abstract: John D. H. Downing, ed. Film and Politics in the Third World. New York: Praeger Publishers, Inc., 1987. 317 pp.