Journal•ISSN: 0040-2982
Tempo
Cambridge University Press
About: Tempo is an academic journal published by Cambridge University Press. The journal publishes majorly in the area(s): Musical & Symphony. It has an ISSN identifier of 0040-2982. Over the lifetime, 1663 publications have been published receiving 4467 citations. The journal is also known as: BPM.
Papers published on a yearly basis
Papers
More filters
TL;DR: In this article, a trajetoria do movimento negro organizado durante a Republica (1889-2000), com as etapas, os atores e suas propostas, is discussed.
Abstract: A finalidade deste artigo e fazer alguns apontamentos acerca de um tema subexplorado na historiografia brasileira: a trajetoria do movimento negro organizado durante a Republica (1889-2000), com as etapas, os atores e suas propostas. A ideia central e demonstrar que, em todo o periodo republicano, esse movimento vem desenvolvendo diversas estrategias de luta pela inclusao social do negro e superacao do racismo na sociedade brasileira.
138 citations
TL;DR: The authors investigate the collaborative aspects of compositional life, showing how such an individualistic model of the composer is both accurate and inaccurate, and how this paradox is played out in current attempts to valorize collaborative work in composition.
Abstract: The folk view of composition is often that of an isolated, possibly unhinged genius, struggling alone at the piano or desk. However, in this article we will investigate the collaborative aspects of compositional life, showing how such an individualistic model of the composer is both accurate and inaccurate, and how this paradox is played out in current attempts to valorize collaborative work in composition. Although we intend some of the observations and conclusions from this article to generalize, we are fully aware that such a case-study can only really be illustrative and provocative. Given that this is the case we will finish by attempting to make some general points about the aesthetic and social contradictions which this study has brought to light. Our concern in this article is more prospective than retrospective: although we will refer to some historical data, we aim to reflect mainly on contemporary compositional practice in the West, and particularly the UK.
47 citations
TL;DR: The presente artigo desenvolve uma reflexao sobre a educacao escolar, enfocando os debates, projetos e iniciativas voltadas for a disseminacao da escola primaria, no periodo da Primeira Republica (1889 a 1930), and problematizando a producao historiografica sobre anteriódio sobre educação escolar as mentioned in this paper.
Abstract: O presente artigo desenvolve uma reflexao sobre a educacao escolar, enfocando os debates, projetos e iniciativas voltadas para a disseminacao da escola primaria, no periodo da Primeira Republica (1889 a 1930), e problematizando a producao historiografica sobre a educacao republicana. Pretende-se contribuir para a abertura de um novo espectro de perguntas e problemas aos pesquisadores que se preocupam com a constituicao da cultura escolar moderna e com os processos de socializacao, transmissao, circulacao, criacao, apropriacao e re (invencao) culturais a partir da escola.
40 citations
TL;DR: The career of any great artist can be divided into broad creative periods denned by discernible traits as discussed by the authors, and Olivier Messiaen is no exception, despte the fact that, when discussing his music, it is now part of the common currency to remark upon the constancy with which he stuck to his idiosyncratic musical language.
Abstract: The career of any great artist can be divided into broad creative periods denned by discernible traits. Olivier Messiaen is no exception, despte the fact that, when discussing his music, it is now part of the common currency to remark upon the constancy with which he stuck to his idiosyncratic musical language. It is true that some of the techniques and spirit which he used in the first of his works to be published, the Préludes, can still be heard in his final masterpiece Éclairs sur I'au-delà…. Indeed, Messiaen himself encouraged this perception, so that the received wisdom is of the composer as a steady accumulator of techniques for a continually expanding style. On one level, therefore, this is a reasonably accurate interpretation in retrospect of Messiaen's career. However, within this broad quality of consistency, it is possible to detect places where the composer markedly changes direction.
39 citations
TL;DR: This interview was conducted in November 1998 in connexion with a concert in the ‘dal niente’ series at King's College, London as mentioned in this paper and the questions were faxed to Mr Lachenmann in English and he responded with written answers in German.
Abstract: This interview was conducted in November 1998 in connexion with a concert in the ‘dal niente’ series at King's College, London. The questions were faxed to Mr Lachenmann in English and he responded with written answers in German. A German-language version of the interview was published in the May 1999 issue of the Swiss contemporary music magazine Dissonanz, with however an important omission in the text of Lachenmann's first answer which is rectified here. I wish to acknowledge David Alberman's assistance with the translation of this English version.
38 citations