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Journal ArticleDOI

A new map of Hollywood: the production and distribution of American motion pictures.

Allen J. Scott
- 01 Dec 2002 - 
- Vol. 36, Iss: 9, pp 957-975
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TLDR
In this paper, a reinterpretation of the economic geography of the so-called new Hollywood is presented, and the authors argue that the Hollywood production system is deeply bifurcated into two segments comprising: (1) the majors and their cohorts of allied firms on the one hand; and (2) the mass of independent production companies on the other.
Abstract
Scott A. J. (2002) A new map of Hollywood: the production and distribution of American motion pictures, Reg. Studies 36, 957–975. In this paper, I offer a reinterpretation of the economic geography of the so-called new Hollywood. The argument proceeds in six main stages. First, I briefly examine the debate on industrial organization in Hollywood that has gone on in the literature since the mid-1980s, and I conclude that the debate has become unnecessarily polarized. Second, I attempt to show how an approach that invokes both flexible specialization and systems-house forms of production is necessary to any reasonably complete analysis of the organization of production in the new Hollywood. Third, and on this basis, I argue that the Hollywood production system is deeply bifurcated into two segments comprising: (1) the majors and their cohorts of allied firms on the one hand; and (2) the mass of independent production companies on the other. Fourth, I reaffirm the continuing tremendous agglomerative attracti...

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Citations
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References
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Journal Article

Clusters and the new economics of competition.

TL;DR: Economic geography in an era of global competition poses a paradox: in theory, location should no longer be a source of competitive advantage, but in practice, Michael Porter demonstrates, location remains central to competition.
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Creative Industries: Contracts between Art and Commerce

TL;DR: In this paper, the economic properties of creative activities are discussed, including the following: 1. Artists as Apprentices 2. Artists, Dealers, and Deals 3. Artist and Gatekeeper: Trade Books, Popular Records, and Classical Music 4. Artists and Starving and Well-Fed Part II: Supplying Complex Creative Goods 5. The Hollywood Studios Disintegrate 6. Contracts for Creative Products: Films and Plays 7. Guilds, Unions, and Faulty Contracts 8. The Nurture of Ten-Ton Turkeys 9. Creative Products Go to Market
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The Associational Economy: Firms, Regions, and Innovation

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TL;DR: Cooke and Morgan as discussed by the authors explored key social and spatial aspects of corporate reorganization in the context of heightened global competition and highlighted the importance of decentralized industrial policy for both corporate and regional economic development, concluding with the idea that the associational economy may be the ''third way'' between state and market coordination of modern economies.
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The Associational Economy: Firms, Regions, and Innovation

TL;DR: In this article, the authors propose a model for economic development, the associational model, as a third way between state planning and market-driven approaches to development, which correlates high capabilities in social interaction and communication, particularly in the forms of high trust, learning capacity, and networking competence, with the economic and social success of a firm.
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Paradox in Project-Based Enterprise: The Case of Film Making

TL;DR: This paper presented an intensive case study of a big-budget motion picture project which provides the context for identifying some paradoxical attributes of project-based enterprises each of the paradoxes challenges strategic management theory assumptions of a relatively permanent firm as the locus of learning, knowledge transfer, and competitive advantage.
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