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Journal ArticleDOI

Acting out ideas: Performative citizenship in the Black Consciousness Movement

01 Oct 2018-American Journal of Cultural Sociology (Palgrave Macmillan)-Vol. 6, Iss: 3, pp 455-498
TL;DR: The research leading to these results has received funding from a Leverhulme Trust Early Career Fellowship, the Isaac Newton Trust, and the European Union Seventh Framework Programme (FP7/2007-2013) under Grant Agreement no319974 (INTERCO-SSH).
Abstract: The research leading to these results has received funding from a Leverhulme Trust Early Career Fellowship, the Isaac Newton Trust, and the European Union Seventh Framework Programme (FP7/2007-2013) under Grant Agreement no319974 (INTERCO-SSH).

Summary (2 min read)

Introduction

  • The paper makes an argument about the performance of counter-power, showing how whilst the apartheid complex retained its command over economic, military, and political power, it struggled to control the social drama that was unfolding on the cultural plane, therefore losing its grip on one key element of ideological power.
  • Before the authors begin their analysis however, they will first elaborate a little more clearly what they mean by ‘performative citizenship’.
  • In fact, on one level the BCM can be understood as a direct effort towards reshaping the habitus of Black political subjects so that the acts that sprung (rather than creatively broke) from such embodied structures, were not only perceived by those that witnessed them as authentic and spontaneous, but in a sense actually became such.

From Philosophy to Politics via Performance

  • The BCM was a characteristically philosophical resistance movement that emerged out of the lull in anti-apartheid activism following the banning of the ANC and PAC, and the arrest, imprisonment, or exile of their main leadership in the aftermath of the 1960 Sharpeville massacre.
  • According to the BCM, under apartheid Blacks experienced what Du Bois ([1903] 1996) had famously called ‘double-consciousness’.
  • Nevertheless, Biko was extraordinarily influential in both the founding and early development of the movement, and whilst in reality he may have done so imperfectly, his public persona symbolically personified (both at the time, and certainly in memory and myth) the principles of BC more fully than any other individual activist.
  • In general, treating court testimony as reflective of underlying realities should of course be conducted with care, since in a trial situation immediate tactical concerns often trump transparency.

Artistic Performances

  • Another way in which a relatively abstract philosophy was linked to the concrete concerns of the people to whom it aspired to speak, was through actual artistic performances.
  • In the case of BC, this included ‘relevant theatre’ (Kavanagh, 1985: 145-196; Desai, 2013; Wilson, 2011: 45; Kruger, 1999: 129-154) and poetry performances by evocative troubadours such as Ingoapele Madingoane, Lefifi Tladi, and Mafika Gwala, held in the universities, or later the YMCAs, community centres, or church halls scattered throughout the townships.
  • Such images drew strongly yet innovatively upon pre-existent socialist and Black Power symbolism, such as the pervasive image of the single darkskinned fist, or the two raised fists breaking the shackles that bind them.
  • It is also important to note that the most popular forms of artistic endeavour within the BCM were collective ones.
  • PET’s leader, Sadecque Variava, recalls for instance entering busses with a co-actor under the pretence that they were strangers to one another.

Embodied Performativity: I Act How I Like

  • The title that Biko used for his pseudonymous column in the newsletter of the South African Student Organisation (SASO)—‘I Write What I Like’—perfectly captures the spirit of embodied performative citizenship that the authors wish to identify here.
  • Whilst these formation schools and training seminars may have helped shape an emboldened cadre of young Black leaders (many of whom now hold prominent leadership roles in post-apartheid South Africa), parrhesia appears to be a slightly ill-fitting concept for capturing the nature of Biko and his fellow activists’ public performances of confidence.
  • 20 Wilson reminds us that whether ‘Biko defended himself with the chair on which he sat without permission—if this was not itself a fabrication […] is not of major significance in the face of the violence of his death’ (Wilson, 2011: 139-140).

Performative Polarisation

  • Performativity was also at the heart of the BCM’s terminological innovations.
  • The terminological redefinition of the category ‘Black’ to include all those ‘discriminated against as a group in South African society’ was therefore performatively aimed at the goal of drawing non-White audiences ‘out of demographic and subcultural niches’ (Alexander, 2004: 565) and into a more unified collective identity and subjectivity.
  • Thirdly, and perhaps most importantly in terms of constructing a compelling script for the BCM’s political role, adopting the term ‘Black’ and opposing it not only to ‘White’, but also to ‘nonWhite’ (which will be explained below), allowed for the performative enactment of symbolic polarisation.
  • Not dissimilar to French anti-fascists during WWII, Biko himself was confronted with a situation where it was illegal for him to speak out, hence his writing in the SASO newsletter under the pseudonym ‘Frank Talk’.

Conclusion

  • In this paper the authors have used the historical case of the Black Consciousness Movement to reveal a mode of citizenship they believe has too often been neglected in the literature.
  • Performative citizenship can, and usually does, exist alongside formal recognition of citizenship, yet in contexts where formal recognition is denied (such as 1970s South Africa), the acting out of performative citizenship automatically becomes a mode of social protest.
  • The authors have shown how within the BCM performance acted as a vehicle to link the abstract philosophy initially developed by the movement’s early leadership with the concrete political praxis that was necessary for initiating social change.
  • This matter of cultural reiteration taking place from a pre-existent reservoir of symbolic forms is also linked to the relative lack of boundedness in social drama.
  • The authors agree with other studies that have highlighted the centrality of social movements in providing the context for innovations of thought and ideas (Eyerman & Jamison, 1991), but in studying both the circulation and development of ideas, sociologists must expand their gaze beyond the written and spoken word.

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Morgan, M., & Baert, P. (2018). Acting Out Ideas: Performative
Citizenship in the Black Consciousness Movement.
American Journal
of Cultural Sociology
,
6
(3), 455–498. https://doi.org/10.1057/s41290-
017-0030-1
Peer reviewed version
Link to published version (if available):
10.1057/s41290-017-0030-1
Link to publication record in Explore Bristol Research
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This is the author accepted manuscript (AAM). The final published version (version of record) is available online
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Page 1 of 53
Acting Out Ideas:
Performative Citizenship in the Black Consciousness Movement
Marcus Morgan
1
University of Cambridge, UK.
Patrick Baert
University of Cambridge, UK.
ABSTRACT: This paper introduces the concept of ‘performative citizenship’ to account for the
manner in which the Black Consciousness Movement (BCM), and in particular its charismatic
leader Steve Biko, transformed a collection of relatively abstract philosophical ideas into concrete
political practice. We outline how the BCM challenged the psychological internalisation of white
supremacy and asserted citizenship claims through a variety of performative techniques, many of
which explicitly and implicitly reiterated earlier rights-based claims both in South Africa and
abroad. We show how this took place within a remarkably restrictive context, which on the one
hand constrained performances, but on the other augmented their dramatic efficacy. The paper
makes an argument about the performance of counter-power, showing how whilst the apartheid
complex retained its command over economic, military, and political power, it struggled to control
the social drama that was unfolding on the cultural plane, therefore losing its grip on one key
element of ideological power. Finally, the paper also makes a methodological contribution to
reception studies by showing how researching the reception of ideas exclusively through the
spoken or written word neglects other modes through which ideas might find expression,
especially in contexts of pervasive censorship and political repression.
Keywords: citizenship; social movements; apartheid; performativity; South Africa; Steve
Biko
[for publication in the American Journal of Cultural Sociology]
1
Marcus Morgan, Department of Sociology, University of Cambridge, Free School Lane, Cambridge CB23RQ,
UK, mm2014@cam.ac.uk.

Page 2 of 53
people more frequently act their way into a new way of thinking than think their way into a
new way of acting
- SASO Leadership Training Programme, 1972.
Much has been written about citizenship in apartheid South Africa, and for good reason, since
the topic offers an unsettling case study in the annexing of citizenship rights for the exclusive enjoyment
of a privileged and racially-determined minority. Fanon had spoken of the Arab in colonial Algeria as
‘an alien in his own country’ (1969: 53), and his phrase aptly describes the predicament of the Black
population under apartheid. Although racialised laws preceded apartheid proper, after 1948 when
apartheid became official policy with the coming to power of the National Party, and up until the early
1980s, a whole raft of segregationist and discriminatory legislation was introduced, the majority of
which was only gradually repealed during the late 1980s and early 1990s.
2
A great deal of what had
previously been de facto became de jure during this period, and additional laws restricting the rights of
the non-White population even further were also brought into effect. The quantity of discriminatory
legislation introduced was staggeringly large and differentially regulated almost all aspects of South
African life, from one’s ability to vote and buy property, to one’s freedom to move throughout the
country unabated, or have sexual relationships with whom one desired. This mass of legislation may at
first glance appear to demonstrate the totality of the power structure of the apartheid state, yet it might
also be read as a successive set of legal defences aimed at protecting the notion of ‘separate
development’ from the multitude of everyday challenges that South Africans brought against it.
3
In this
sense, the abundance of repressive legislation might be taken as an indicator not of the monolithic
nature of state power in South Africa during this period, but in fact of the ongoing resistance to such
2
The ANC’s 1943 proposed Bill of Rights demonstrates how citizenship demands had become the key focus of
resistance even before apartheid became official policy.
3
This is not to suggest that the state was unwilling to continually introduce new legislation as and when repression
demanded it. Indeed, as the so-calledSobukwe Clause(a clause in the General Law Amendment Act no. 37 of
1963) makes clear, the government were prepared to change legislation simply to suppress a lone individual
identified as posing a threat. This specific clause was contrived with the sole purpose of extending the Pan
Africanist Congress leader Robert Sobukwe’s prison sentence indefinitely, whilst the broader detention law of
which it was a part was introduced in order to, in the infamous words of B J Vorsterthen Minister of Justice, later
Prime Ministerkeep dissidents locked up untilthis side of eternity’.

Page 3 of 53
authority, and the state’s struggle to quiet it. One key area in which this struggle was occurring during
the late 1960s and 1970s was within the arena of ideological power, in which conflicts over the the
symbolic meanings of South African racial politics were being fought.
Weber’s political sociology is the most obvious source for arguments over the manner in which
different forms of power and authority have evolved alongside the development of social complexity
and differentiation (Weber, 1946: 77-128; [1922] 1978: 215-216), and in a strongly Weberian manner,
Michael Mann has more recently provided a global history of power on the basis of a fourfold ideal-
typical schema of ideological, economic, military, and political power (2012: 1-33). Although the forms
of struggle outlined in this essay were concerned ultimately with winning political recognition, the
battles themselves were in fact fought within the realm of ideology, expressing themselves through an
assortment of performative means. Various theorists have focussed upon the way in which power is
performed, and perhaps most prominent among them has been Clifford Geertz. Geertz offered thick
cross-cultural descriptions of power as a performed spectacle, in which authority is maintained through
its being routinely dramatised to those over whom it is exerted (e.g. 1980; 1983: 121-146). Paying
attention to these dramatised aspects of power is clearly important since it demystifies a central
mechanism through which powersuch as the ‘charismatic authority’ that Weber had earlier
describedoperates and is sustained. It also draws our attention to the common manner in which power
is wielded in practices as diverse as religious ritual, royal pomp, and staged political spectacle,
revealing how the ‘gravity of high politics and the solemnity of high worship spring from liker impulses
than might first appear’ (Geertz, 1983: 124). A growing literature in recent cultural sociology has also
been interested in the performance of power, offering even more autonomy for the cultural element
than Geertz himself allowed, and often using this perspective to better explain the fortunes of
enormously powerful and iconic political leaders (e.g. Mast, 2012; Alexander & Jaworski, 2014).
Much of this concern with the performance of power has, however, so far been directed towards
dominant power, with less acknowledgement of the fact that that there is ‘no power without potential
refusal or revolt’ (Foucault, 1979: 253). Whilst theorists of the performance of power often
acknowledge the performative significance of resistance in passing (e.g. Geertz, 1983: 122-3), with
certain notable exceptions (e.g. Alexander, 2006; 2011), less attention has been paid to how this

Page 4 of 53
dynamic of counter-power is performed,
4
and especially when this performance takes the specific shape
of citizenship claims. This paper contributes towards correcting this oversight, through an analysis of
the performative counter-power harnessed by the Black Consciousness Movement in 1970s South
Africa. Before we begin our analysis however, we will first elaborate a little more clearly what we
mean by ‘performative citizenship’.
The concept of citizenship is often claimed to have emerged some time during the sixth century
BC under the reforms of the Athenian statesman Salon, and it seems important to note that from its
inception, and in fact throughout its subsequent developed, the idea has carried with itone might even
argue, relied uponthe concomitant idea of exclusion. This exclusion has not only been about the
barbarians outside the city walls or across the river, mountain, or sea but has also been directed towards
internal residents; as is often noted, in ancient Athenian democracy, the citizens ruled not only over
themselves, but also over women, children, slaves, and metics.
In T. H. Marshall’s classic lecture on the emergence of ‘social citizenship’ he stated that ‘I
shall be running true to type as a sociologist if I begin by saying that I propose to divide citizenship
into three parts’, which he then proceeded to label ‘civil’, ‘political’, and ‘social’. In the case of
apartheid, all three of these notions of citizenshipeven the ‘civil citizenship’ that Marshall claimed
emerged earliest, and which he identified as ‘the rights necessary for individual freedomliberty of
the person, freedom of speech, thought and faith, the right to own property and to conclude valid
contracts, and the right to justice’ (1950: 10)were to a greater or lesser extent, and via more or less
formal means, denied to the racially-circumscribed majority of the population. As a state, apartheid
South Africa can therefore be accurately described as embodying ‘white supremacy’ understood as the
‘systematic and self-conscious efforts to make race and colour a qualification for membership of the
civil community’ (Fredrickson, 1981: xi).
In this paper we focus on a mode of citizenship that lies outside of Marshall’s purview, and
which was actively laid claim to by black anti-apartheid activists, rather than officially granted to them
by the state. Working with a definition of citizenship as meaning a status of specific rights and duties
4
This is partly a consequence of the fact that the dominant Anglophone approach to the kinds of insurgent social
movements that might embody counter-power was originally formed in a relatively structuralist mould (Goodwin &
Jasper, 1999), even if some of its most celebrated proponents did eventually turn to the centrality of performance
(e.g. Tilly, 2008).

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Abstract: Even as the market seems triumphant everywhere and its laws progressively and ineluctably impose themselves worldwide, we cannot fail to be struck by the lasting topicality of the following wellknown quotation from D. North: 'It is a peculiar fact that the literature on economics ... contains so little discussion of the central institution that underlies neoclassical economics-the market' (North, 1977).) How can this surprising shortcoming be explained? How can this self-proclaimed failure of economic theory be accounted for? By distinguishing the thing from the concept which refers to it, the marketplace from the market, the English language suggests a possible answer. While the market denotes the abstract mechanisms whereby supply and demand confront each other and adjust themselves in search of a compromise, the marketplace is far closer to ordinary experience and refers to the place in which exchange occurs. This distinction is, moreover, merely a particular case of a more general opposition, which the English language, once again, has the merit of conveying accurately: that between economics and economy, between theoretical and practical activity, in short, between economics as a discipline and economy as a thing. If economic theory knows so little about the marketplace, is it not simply because in striving to abstract and generalize it has ended up becoming detached from its object? Thus, the weakness of market theory may well be explained by its lack of interest in the marketplace. To remedy this shortcoming, economics would need only to return to its object, the economy, from which it never should have strayed in the first place. The matter, however, is not so simple. The danger of abstraction and unrealism which is supposed to threaten every academic discipline-and which time and again has been exposed and stigmatized,

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TL;DR: Turner as discussed by the authors elaborates on ritual and theatre, persona and individual, role-playing and performing, taking examples from American, European, and African societies for a greater understanding of culture and its symbols.
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TL;DR: The question of what is the best political constitution for a given country is also addressed in this article, where it is argued that the substance of that for which subordination is necessary, even in its most important bearings, should be decided and resolved on by the people.
Abstract: ion — the State — attains life and reality; but this involves the distinction between those who command and those who obey. — Yet obedience seems inconsistent with liberty, and those who command appear to do the very opposite of that which the fundamental idea of the State, viz. that of Freedom, requires. It is, however, urged that — though the distinction between commanding and obeying is absolutely necessary, because affairs could not go on without it — and indeed this seems only a compulsory limitation, external to and even contravening freedom in the abstract — the constitution should be at least so framed, that the citizens may obey as little as possible, and the smallest modicum of free volition be left to the commands of the superiors; — that the substance of that for which subordination is necessary, even in its most important bearings, should be decided and resolved on by the People — by the will of many or of all the citizens; though it is su pposed to be thereby provided that the State should be possessed of vigor and strength as a reality — an individual unity. — The primary consideration is, then, the distinction between the governing and the governed, and the political constitutions in the abstract have been rightly divided into Monarchy, Aristocracy, and Democracy; which gives occasion, however, to the remark that Monarchy itself must be further divided into Despotism and Monarchy proper; that in all the divisions to which the leading Idea gives rise, only the G.W.F. Hegel, The Philosophy of History , 60 generic character is to be made prominent — it being not intended thereby that the particular category under review should be exhausted as a Form, Order, or Kind in its concrete development. But especially it must be observed, that the abovementioned divisions admit of a multitude of particular modifications — not only such as lie within the limits of those classes themselves — but also such as are mixtures of several of these essentially distinct classes, and which are consequently misshapen, unstable, and inconsistent forms. In such a collision, the concerning question is, what is the best constitution; that is, by what arrangement, organization, or mechanism of the power of the State its object can be most surely attained. This object may indeed be variously understood; for instance, as the calm enjoyment of life on the part of the citizens, or as Universal Happiness. Such aims have suggested the so-called Ideals of Constitutions, and — as a particular branch of the subject — Ideals of the Education of Princes (Fenelon), or of the governing body — the aristocracy at large (Plato); for the chief point they treat of is the condition of those subjects who stand at the head of affairs: and in these Ideals the concrete details of political organization are not at all considered. The inquiry into the best constitution is frequently treated asif not only the theory were an affair of subjective independent conviction, but as if the introduction of a constitution recognized as the best — or as superior to others — could be the result of a resolve adopted in this theoretical manner; as if the form of a constitution were a matter of free choice, determined by nothing else but reflection. Of this artless fashion was that deliberation — not indeed of the Persian people, but of the Persian grandees, who had conspired to overthrow the pseudo-Smerdis and the Magi, after their undertaking had succeeded, and when there was no scion of the royal family living — as to what constitution they should introduce into Persia; and Herodotus gives an equally naive account of this deliberation. In the present day, the Constitution of a country and people is not represented as so entirely dependent on free and deliberate choice. The fundamental but abstractly (and therefore imperfectly) entertained conception of Freedom, has resulted in G.W.F. Hegel, The Philosophy of History , 61 the Republic being very generally regarded — in theory — as the only just and true political constitution. Many even, who occupy elevated official positions under monarchical constitutions — so far from being opposed to this idea — are actually its supporters; only they see that such a constitution, though the best, cannot be realized under all circumstances; and that — while men are what they are — we must be satisfied with less if freedom; the monarchical constitution — under the given circumstances, and the present moral condition of the people — being even regarded as the most advantageous. In this view also, the necessity of a particular constitution is made to depend on the condition of the people in such a way as if the latter were non-essential and accidental. This representation is founded on the distinction which the reflective understanding makes between an idea and the corresponding reality; holding to an abstract and consequently untrue idea; not grasping it in its completeness, or — which is virtually, though not in point of form, the same — not taking a concrete view of a people and a state. We shall have to show further on that the constitution adopted by a people makes one substance — one spirit: — with its religion, its art and philosophy, or, at least, with its conceptions and thoughts — its culture generally; not to expatiate upon the additional influences, ab extra, of climate, of neighbors, of its place in the World. A State is an individual totality, of which you cannot select any particular side, although a supremely important one, such as its political constitution; and deliberate and decide respecting it in that isolated form. Not only is that constitution most intimately connected with and dependent on those other spiritual forces; but the form of the entire moral and intellectual individuality — comprising all the forces it embodies — is only a step in the development of the grand Whole — with its place preappointed in the process; a fact which gives the highest sanction to the constitution in question, and establishes its absolute necessity. — The origin of a state involves imperious lordship on the one hand, instinctive submission on the other. But even obedience — lordly power, and the fear inspired by a ruler — in itself implies some degree of voluntary connection. Even in barbarous states this is the case; it is not the isolated will of individuals that G.W.F. Hegel, The Philosophy of History , 62 prevails; individual pretensions are relinquished, and the general will is the essential bond of po litical union. This unity of the general and the particular is the Idea itself, manifesting itself as a state, and which subsequently undergoes further development within itself. The abstract yet necessitated process in the development of truly independent states is as follows: — They begin with regal power, whether of patriarchal or military origin. In the next phase, particularity and individuality assert themselves in the form of Aristocracy and Democracy. Lastly, we have the subjection of these separate interests to a single power; but which can be absolutely none other than one outside of which those spheres have an independent position, viz., the Monarchical. Two phases of royalty, therefore, must be distinguished — a primary and a secondary one. This process is necessitated, so that the form of government assigned to a particular stage of development must present itself: it is therefore no matter of choice, but is that form which is adapted to the spirit of the people. In a Constitution the main feature of interest is the selfdevelopment of the rational, that is, the political condition of a people; the setting free of the successive elements of the Idea: so that the several powers in the State manifest themselves as separate — attain their appropriate and special perfection — and yet in this independent condition, work together for one object, and are held together by it — i.e., form an organic whole. The State is thus the embodiment of rational freedom, realizing and recognizing itself in an objective form. For its objectivity consists in this — that its successive stages are not merely ideal, but are present in an appropriate reality; and that in their separate and several working, they are absolutely merged in that agency by which the totality — the soul — the individuate unity — is produced, and of which it is the result. The State is the Idea of Spirit in the external manifestation of human Will and its Freedom. It is to the State, therefore, that change in the aspect of History indissolubly attaches itself; and the successive phases of the Idea manifest themselves in it as distinct political principles. The Constitutions under which World-Historical peoples have reached their culmination, are G.W.F. Hegel, The Philosophy of History , 63 peculiar to them; and therefore do not present a generally applicable political basis. Were it otherwise, the differences of similar constitutions would consist only in a peculiar method of expanding and developing that generic basis; whereas they really originate in diversity of principle. From the comparison therefore of the political institutions of the ancient World-Historical peoples, it so happens, that for the most recent principle of a Constitution — for the principle of our own times — nothing (so to speak) can be learned. In science and art it is quite otherwise; e.g., the ancient philosophy is so decidedly the basis of the modern, that it is inevitably contained in the latter, and constitutes its basis. In this case the relation is that of a continuous development of the same structure, whose foundation-stone, walls, and roof have remained what they were. In Art, the Greek itself, in its original form, furnishes us the best models. But in regard to political constitution, it is quite otherwise : here the Ancient and the Modern have not their essential principle in common. Abstract definitions and dogmas respecting just government — importing that intelligence and

1,292 citations

Book
01 Jan 2006
TL;DR: In this paper, the authors discuss the role of race and gender in the Civil Rights Movement and the conditions for civil repair in the construction of a black civil society in the South.
Abstract: Introduction PART I. CIVIL SOCIETY IN SOCIAL THEORY 1. POSSIBILITES OF JUSTICE 2. REAL CIVIL SOCIETIES: DILEMMAS OF INSTITUTIONALIZATION Civil Society I Civil Society II Return to Civil Society I? Toward Civil Society III 3. BRINGING DEMOCRACY BACK IN: REALISM, MORALITY, SOLIDARITY Utopianism: The Fallacies of Twentieth-Century Evolutionism Realism: The Tradition of Thrasymachus Morality and Solidarity Complexity and Community Cultural Codes and Democratic Communication PART II. STRUCTURES AND DYNAMICS OF THE CIVIL SPHERE 4. DISCOURSES: LIBERTY AND REPRESSION Pure and Impure in Civil Discourse The Binary Structures of Motives The Binary Structures of Relationships The Binary Structures of Institutions Civil Narratives of Good and Evil Everyday Essentialism The Conflict over Representation 5. COMMUNICATIVE INSTITUTIONS: PUBLIC OPINION, MASS MEDIA, POLLS, ASSOCIATIONS The Public and Its Opinion The Mass Media Public Opinion Polls Civil Associations 6. REGULATIVE INSTITUTIONS (1): VOTING, PARTIES, OFFICE Civil Power: A New Approach to Democratic Politics Revisiting Thrasymachus: The Instrumental Science of Politics Constructing and Destructing Civil Power (1): The Right to Vote and Disenfranchisement Constructing and Destructing Civil Power (2): Parties, Partisanship, and Election Campaigns Civil Power in the State: Office as Regulating Institution 7. REGULATIVE INSTITUTIONS (2): THE CIVIL FORCE OF LAW The Democratic Possibilities of Law Bracketing and Rediscovering the Civil Sphere: The Warring Schools of Jurisprudence The Civil Morality of Law Constitutions as Civil Regulation The Civil Life of Ordinary Law Legalizing Social Exclusion: The Antidemocratic Face of Law 8. CONTRADICTIONS: UNCIVILIZING PRESSURES AND CIVIL REPAIR Space: The Geography of Civil Society Time: Civil Society as Historical Sedimentation Function: The Destruction of Boundary Relations and Their Repair Forms of Boundary Relations: Input, Intrusion, and Civil Repair PART III. SOCIAL MOVEMENTS IN THE CIVIL SPHERE 9. SOCIAL MOVEMENTS AS CIVIL TRANSLATIONS The Classical Model The Social Science of Social Movements (1): Secularizing the Classical Model The Social Science of Social Movements (2): Inverting the Classical Model The Social Science of Social Movements (3): Updating the Classical Model Displacing the Classical Model: Rehistoricizing the Cultural and Institutional Context of Social Movements Social Movements as Translations of Civil Societies 10. GENDER AND CIVIL REPAIR: THE LONG AND WINDING ROAD THROUGH M/OTHERHOOD Justifying Gender Domination: Relations between the Intimate and Civil Spheres Women's Difference as Facilitating Input Women's Difference as Destructive Intrusion Gender Universalism and Civil Repair The Compromise Formation of Public M/otherhood Public Stage and Civil Sphere Universalism versus Difference: Feminist Fortunes in the Twentieth Century The Ethical Limits of Care 11. RACE AND CIVIL REPAIR (1): DUALITY AND THE CREATION OF A BLACK CIVIL SOCIETY Racial Domination and Duality in the Construction of American Civil Society Duality and Counterpublics The Conditions for Civil Repair: Duality and the Construction of Black Civil Society Duality and Translation: Toward the Civil Rights Movement 12. RACE AND CIVIL REPAIR (2): THE CIVIL RIGHTS MOVEMENT AND COMMUNICATIVE SOLIDARITY The Battle over Representation: The Intrusion of Northern Communicative Institutions Translation and Social Drama: Emotional Identification and Symbolic Extension The Montgomery Bus Boycott: Martin Luther King and the Drama of Civil Repair 13. RACE AND CIVIL REPAIR (3): CIVIL TRAUMA AND THE TIGHTENING SPIRAL OF COMMUNICATION AND REGULATION Duality and Legal Repair The Sit-In Movement: Initiating the Drama of Direct Action The New Regulatory Context The Freedom Rides: Communicative Outrage and Regulatory Intervention Failed Performance at Albany: Losing Control over the Symbolic Code Birmingham: Solidarity and the Triumph of Tragedy 14. RACE AND CIVIL REPAIR (4). REGULATORY REFORM AND RITUALIZATION The First Regulatory Repair: From Birmingham to the Civil Rights Act of 1964 The Second Regulatory Repair: Rewinding the Spiral of Communication and Regulation The End of the Civil Rights Movement: Institutionalization and Polarization PART IV. MODES OF INCORPORATION INTO THE CIVIL SPHERE 15. INTEGRATION BETWEEN DIFFERENCE AND SOLIDARITY Convergence between Radicals and Conservatives Recognition without Solidarity? Rethinking the Public Space: Fragmentation and Continuity Implications for Contemporary Debates 16. ENCOUNTERS WITH THE OTHER The Plasticity of Common Identity Exclusionary Solidarity Forms of Out-Group Contact Nondemocratic Incorporation Internal Colonialism and the Civil Sphere Varieties of Incorporation and Resistance in Civil Societies 17. THREE PATHWAYS TO INCORPORATION The Assimilative Mode of Incorporation The Hyphenated Mode of Incorporation The Exception of Race: Assimilation and Hyphenation Delayed The Multicultural Mode of Incorporation 18. THE JEWISH QUESTION: ANTI-SEMITISM AND THE FAILURE OF ASSIMILATION Jews and the Dilemmas of Assimilative Incorporation Anti-Semitic Arguments for Jewish Incorporation: The Assimilative Dilemma from the Perspective of the Core Group Initial Jewish Arguments for Self-Change: The Assimilative Dilemma from the Perspective of the Out-Group The Post-Emancipation Period: Religious and Secular Modes of Jewish Adaptation to the Dilemmas of Assimilation New Forms of Symbolic Reflection and Social Response in the Fin de Siecle: The Dilemmas of Assimilation Intensify The Crisis of Anti-Semitic Assimilation in the Interwar Period: Resolving the Dilemmas of Assimilation by Going Backward 19. ANSWERING THE JEWISH QUESTION IN AMERICA: BEFORE AND AFTER THE HOLOCAUST The Failure of the Project: Jewish Exclusion from American Civil Society Responding to Nazism and Holocaust: America's Decision to be "With the Jews" Beyond the Assimilative Dilemma: The Postwar Project of Jewish Ethnicity Making Jewish Identity Public: The Multicultural Mode of Jewish Incorporation The Dialectic of Differentiation and Identification: A Crisis in American Jewry? 20. CONCLUSION: CIVIL SOCIETY AS A PROJECT NOTES BIBLIOGRAPHY INDEX

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This paper introduces the concept of ‘ performative citizenship ’ to account for the manner in which the Black Consciousness Movement ( BCM ), and in particular its charismatic leader Steve Biko, transformed a collection of relatively abstract philosophical ideas into concrete political practice. The authors outline how the BCM challenged the psychological internalisation of white supremacy and asserted citizenship claims through a variety of performative techniques, many of which explicitly and implicitly reiterated earlier rights-based claims both in South Africa and abroad. The authors show how this took place within a remarkably restrictive context, which on the one hand constrained performances, but on the other augmented their dramatic efficacy. The paper makes an argument about the performance of counter-power, showing how whilst the apartheid complex retained its command over economic, military, and political power, it struggled to control the social drama that was unfolding on the cultural plane, therefore losing its grip on one key element of ideological power. Finally, the paper also makes a methodological contribution to reception studies by showing how researching the reception of ideas exclusively through the spoken or written word neglects other modes through which ideas might find expression, especially in contexts of pervasive censorship and political repression. 

Social dramas, including those found in ritual, extend back into the past through fashioning their own scripts from preceding cultural forms and stretch forward into an unknown future in which they may be resurrected long after their original actors have died, and often after extended periods of dormancy. Understanding the way in which words and speech do things is therefore certainly key ( Austin, 1962 ; Butler, 1997 ), but if reception studies neglects the power of ideas in their non-verbal and non-written performative manifestation, it will fail to detect large elements of its purported object of study.