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Journal ArticleDOI

Bodies of water: posthuman feminist phenomenology

03 Jul 2018-Green Letters (Informa UK Limited)-Vol. 22, Iss: 3, pp 331-334
TL;DR: In this article, Morrissey looks at both spatial and locational evidence when connecting the marine economy, which has traditionally been seen as part of the peripheral economy, to urban areas.
Abstract: economy. There is also a spatial element to all of the proposed social and economic indicators recommended in the book. It is argued that the focus cannot be solely at the national level as the development of ‘national economic indicators’ are not adequate to represent a comprehensive picture and there is a need to take regional and local level into account (44). In the remaining chapters, these concerns are negotiated and suggestions given on how improvements can be made. Morrissey looks at both spatial and locational evidence when connecting the marine economy, which has ‘traditionally been seen as part of the peripheral economy’, to urban areas (70). The work of Porter (1990) is used to re-examine the idea of ‘marine clusters’ and the context within which we use them, and Morrissey looks at understanding competitiveness from a ‘collective result’ of sectors rather than ‘individual processes’ (109). The Irish Maritime and Energy Resource Cluster is used as an example to explain how appropriate methods can be used to ‘evaluate the relative strengths of the cluster’, which highlights holistic ways of dealing with the multifaceted sector (111). In the chapter ‘From National to Regional to Local: A Spatial Microsimulation Model for the Marine’ a definitive way of incorporating scale and spatial referencing into the scenario is discussed and how this might inform policy is examined. Indicators aim at bringing the focus from the national to regional to ‘local level analysis’ and supporting the importance of understanding the impact of policies not only at the macro level but also at the local level is highlighted (140). A positive of the book, is that it recognises the weaknesses within certain models and applications and that one indicator may not be enough to answer these. Each chapter builds on the next, and by the end, tools with which to deal with ‘Blue Growth’ and the ‘Blue Economy’ effectively have been gained (43). In this evolving field of research, certain approaches are not perfect but identifying these voids and determining how to rectify them can help to improve future projections about the marine sector. As there is no definition of what ‘constitutes a national marine sector’ Morrissey does a capable job of helping to define it and taking it to different levels of analysis (7). Informing policy and managing marine resources in a sustainable way are what underpin the book. Each chapter highlights how policy makers and practitioners might be able to apply the information for future application. This interdisciplinary book is of use to those who are interested in developing and supporting the marine economy in a sustainable manner.
Citations
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Journal ArticleDOI
TL;DR: For example, anyone familiar with feminist scholar Sara Ahmed's work will know that an interest in gender studies is often associated with the dour face of the "killjoy".
Abstract: Anyone familiar with feminist scholar Sara Ahmed’s work will know that an interest in gender studies is often associated with the dour face of the ‘killjoy’. As the less scholarly (but equally femi...

98 citations

Journal ArticleDOI
TL;DR: In this article, the authors build upon previous assertions that the ocean provides a fertile environment for reconceptualising understandings of space, time, movement and experiences of being in a transformative...
Abstract: This article builds upon previous assertions that the ocean provides a fertile environment for reconceptualising understandings of space, time, movement and experiences of being in a transformative...

89 citations


Cites background from "Bodies of water: posthuman feminist..."

  • ...Rather, in a manner that resonates with Astrida Neimanis’ (2017) more recent feminist provocation linking the openness of water with that of human and non-human bodies, the McMenamins’ Hypersea exceeds the chemical state of liquidity and the felt property of wetness, as it extends from the inner composition of organisms and bodies (what, below, we call ‘the ocean within’) to the universe where energy and matter are exchanged between the four ‘spheres’ (what, below, we call ‘the ocean beyond’)....

    [...]

  • ...Rather, in a manner that resonates with Astrida Neimanis’ (2017) more recent feminist provocation linking the openness of water with that of human and non-human bodies, the McMenamins’ Hypersea exceeds the chemical state of liquidity and the felt property of wetness, as it extends from the inner…...

    [...]

01 Jan 2018
TL;DR: In this paper, the authors present a Statement of Candidate and Statement of Interest (SINI) for the election of 2016, 2012, and 2013, this paper...
Abstract: i Statement of Candidate ii

39 citations


Cites background from "Bodies of water: posthuman feminist..."

  • ...Moreover, as blue stocks have risen in regard to water-discourse, ‘bluewashing’, has also been called-out as a corporate con-job through posthuman feminist critique (Neimanis 2017 my emphasis)....

    [...]

  • ...However, in the scheme of larger universal processes (of the hydrological cycle including the intimate relationship between the oxygen and water of the atmosphere, the watershed and the water-table) water joins everyone on earth in their own ocean and water dependency (Suzuki and MacConnell 1997; Jha 2015; Munteanu 2016; Neimanis 2017)....

    [...]

  • ...…inside of that way of life, thirdly, the care of the self, turning inside within myself to evolve as a person equipped for the wounded world; and finally turning to the firsthand study of nature to develop a broader ocean and waterdependent environmental philosophy (Schwenk 1990; Neimanis 2017)....

    [...]

  • ...In brief I will recount some of what I mean by turning myself inside~out: firstly, living/residing close to the coast turning towards the inside of that oceanic life-world; secondly, life revolving around the ocean, in the water surfing, turning towards the inside of that way of life, thirdly, the care of the self, turning inside within myself to evolve as a person equipped for the wounded world; and finally turning to the firsthand study of nature to develop a broader ocean and waterdependent environmental philosophy (Schwenk 1990; Neimanis 2017)....

    [...]

  • ...…processes (of the hydrological cycle including the intimate relationship between the oxygen and water of the atmosphere, the watershed and the water-table) water joins everyone on earth in their own ocean and water dependency (Suzuki and MacConnell 1997; Jha 2015; Munteanu 2016; Neimanis 2017)....

    [...]

Dissertation
02 Nov 2018
TL;DR: In the Lower Murray country of Australia, the relationship between humans and eaux has been investigated in the context of music as discussed by the authors, where the relation between humans, eaux, and their relations with nature has been explored.
Abstract: L’eau a creuse son chemin jusqu’au cœur des discussions sur le developpement durable. Les discours autour de la gestion des eaux soulignent a la fois son abondance devastatrice et son absence critique : la montee des eaux se juxtapose a la desertification ; les tornades et les inondations repondent a des periodes de secheresse prolongees. Alors que nous polluons, canalisons et dessalinisons a un rythme toujours croissant, la nature ambigue de notre relation avec l’eau devient visible. Pendant que nous continuons d’endommager ce qui, par-dessus tout, rend la vie possible, la precarite augmente pour l’ensemble de la population. Il n’est donc pas etonnant qu’un changement de paradigme dans notre comprehension des eaux, devant engendrer une modification dans leur utilisation, soit presente comme l’un des plus grands et plus pressants defis de notre epoque. Ma recherche repond a ce defi. Elle porte sur la poetique de l’espace, c’est-a-dire sur l’etude de la maniere dont les etres humains vivent et interagissent avec leur environnement a travers les arts. Plus precisement, j’explore les relations entre les humains, les eaux et les sons (a la fois propres et generes par les humains) dans la Lower Murray Country (Australie Meridionale). Mon but est de reveler et theoriser ces relations qui evoluent en parallele afin d’elaborer une cartographie mettant a jour toute une gamme de manieres de percevoir et de comprendre ces eaux, et d’etre ensuite a meme d’utiliser cette pluralite pour remettre en question—et potentiellement imaginer a nouveau—leur construction et representation culturelles. Afin d’atteindre ce but, j’erige “les eaux” en leitmotiv qui me permet d’unifier ma recherche et me deplacer entre des espaces physiques et theoriques pour mettre en dialogue les individus et leur environnement, tant au niveau local que general. En particulier, je me sers du mouvement des eaux que forment le courant et la resonance pour operer cette synthese, mouvement que j’associe a la rythmanalyse et la reverberation (d’apres les philosophes Henri Lefebvre et Fran Dyson, respectivement). Je me suis egalement inspiree du travail du philosophe et poete Edouard Glissant. En particulier, son concept de Relation est une clef pour me permettre de traduire textuellement ces mouvements des eaux. J’applique cette methodologie aqueuse a presque deux siecles de production musicale—allant des pratiques ngarrindjeri et des ballades coloniales a la musique classique contemporaine et l’art sonore ; et presque deux siecles de modifications touchant au “caractere sonore” des eaux de la Lower Murray Country—materialisee a travers la deforestation defigurante, la retenue des eaux, l’irrigation mais aussi la salinite croissante des eaux comme des sols. Ainsi, cette these se construit selon le principe d’accumulation d’exemples prone par Glissant (Poetics of Relation 172-4). Elle est structuree autour de quatre sections—quatre visions punctiformes des eaux ecrites comme un prelude a une potentielle infinite d’autres. Furtives, partielles, orientees et fragmentees, ces visions procedent de periodes particulierement significatives : de periodes pouvant subir des changements, de periodes charnieres ou des alterations radicales peuvent poindre ou apparaitre effectivement.

35 citations

Journal ArticleDOI
TL;DR: In this paper, a feminist environmental response to "the breathless sea" is presented, through a close reading of [Christina Sharpe's] The Wake: On Blackness and Being. 2016.
Abstract: This article offers a feminist environmental response to ‘the breathless sea’. Through a close reading of [Christina Sharpe’s. 2016. The Wake: On Blackness and Being. Durham: Duke University Press]...

26 citations

References
More filters
Journal ArticleDOI
TL;DR: For example, anyone familiar with feminist scholar Sara Ahmed's work will know that an interest in gender studies is often associated with the dour face of the "killjoy".
Abstract: Anyone familiar with feminist scholar Sara Ahmed’s work will know that an interest in gender studies is often associated with the dour face of the ‘killjoy’. As the less scholarly (but equally femi...

98 citations


"Bodies of water: posthuman feminist..." refers background in this paper

  • ...In that sense, and in other ways, Neimanis’ work is a quintessential example of what I call ‘Thinking as the Stuff of the World’, a distinctively feminist mode of new materialism and posthumanism (Alaimo, 2016)....

    [...]

Journal ArticleDOI
TL;DR: In this article, the authors build upon previous assertions that the ocean provides a fertile environment for reconceptualising understandings of space, time, movement and experiences of being in a transformative...
Abstract: This article builds upon previous assertions that the ocean provides a fertile environment for reconceptualising understandings of space, time, movement and experiences of being in a transformative...

89 citations

01 Jan 2018
TL;DR: In this paper, the authors present a Statement of Candidate and Statement of Interest (SINI) for the election of 2016, 2012, and 2013, this paper...
Abstract: i Statement of Candidate ii

39 citations

Dissertation
02 Nov 2018
TL;DR: In the Lower Murray country of Australia, the relationship between humans and eaux has been investigated in the context of music as discussed by the authors, where the relation between humans, eaux, and their relations with nature has been explored.
Abstract: L’eau a creuse son chemin jusqu’au cœur des discussions sur le developpement durable. Les discours autour de la gestion des eaux soulignent a la fois son abondance devastatrice et son absence critique : la montee des eaux se juxtapose a la desertification ; les tornades et les inondations repondent a des periodes de secheresse prolongees. Alors que nous polluons, canalisons et dessalinisons a un rythme toujours croissant, la nature ambigue de notre relation avec l’eau devient visible. Pendant que nous continuons d’endommager ce qui, par-dessus tout, rend la vie possible, la precarite augmente pour l’ensemble de la population. Il n’est donc pas etonnant qu’un changement de paradigme dans notre comprehension des eaux, devant engendrer une modification dans leur utilisation, soit presente comme l’un des plus grands et plus pressants defis de notre epoque. Ma recherche repond a ce defi. Elle porte sur la poetique de l’espace, c’est-a-dire sur l’etude de la maniere dont les etres humains vivent et interagissent avec leur environnement a travers les arts. Plus precisement, j’explore les relations entre les humains, les eaux et les sons (a la fois propres et generes par les humains) dans la Lower Murray Country (Australie Meridionale). Mon but est de reveler et theoriser ces relations qui evoluent en parallele afin d’elaborer une cartographie mettant a jour toute une gamme de manieres de percevoir et de comprendre ces eaux, et d’etre ensuite a meme d’utiliser cette pluralite pour remettre en question—et potentiellement imaginer a nouveau—leur construction et representation culturelles. Afin d’atteindre ce but, j’erige “les eaux” en leitmotiv qui me permet d’unifier ma recherche et me deplacer entre des espaces physiques et theoriques pour mettre en dialogue les individus et leur environnement, tant au niveau local que general. En particulier, je me sers du mouvement des eaux que forment le courant et la resonance pour operer cette synthese, mouvement que j’associe a la rythmanalyse et la reverberation (d’apres les philosophes Henri Lefebvre et Fran Dyson, respectivement). Je me suis egalement inspiree du travail du philosophe et poete Edouard Glissant. En particulier, son concept de Relation est une clef pour me permettre de traduire textuellement ces mouvements des eaux. J’applique cette methodologie aqueuse a presque deux siecles de production musicale—allant des pratiques ngarrindjeri et des ballades coloniales a la musique classique contemporaine et l’art sonore ; et presque deux siecles de modifications touchant au “caractere sonore” des eaux de la Lower Murray Country—materialisee a travers la deforestation defigurante, la retenue des eaux, l’irrigation mais aussi la salinite croissante des eaux comme des sols. Ainsi, cette these se construit selon le principe d’accumulation d’exemples prone par Glissant (Poetics of Relation 172-4). Elle est structuree autour de quatre sections—quatre visions punctiformes des eaux ecrites comme un prelude a une potentielle infinite d’autres. Furtives, partielles, orientees et fragmentees, ces visions procedent de periodes particulierement significatives : de periodes pouvant subir des changements, de periodes charnieres ou des alterations radicales peuvent poindre ou apparaitre effectivement.

35 citations

Journal ArticleDOI
TL;DR: In this paper, a feminist environmental response to "the breathless sea" is presented, through a close reading of [Christina Sharpe's] The Wake: On Blackness and Being. 2016.
Abstract: This article offers a feminist environmental response to ‘the breathless sea’. Through a close reading of [Christina Sharpe’s. 2016. The Wake: On Blackness and Being. Durham: Duke University Press]...

26 citations