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Journal ArticleDOI

Deconstructing the map

J. B. Harley
- 01 Oct 1989 - 
- Vol. 26, Iss: 2, pp 1-20
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TLDR
In this article, the traditional rules of cartography, long rooted in a scientific epistemology of the map as an objective form of knowledge, are reviewed as an object of deconstruction.
Abstract
The paper draws on ideas in postmodern thinking to redefine the nature of maps as representations of power. The traditional rules of cartography – long rooted in a scientific epistemology of the map as an objective form of knowledge – will first be reviewed as an object of deconstruction. Second, a deconstructionist argument will explore the textuality of maps, including their metaphorical and rhetorical nature. Third, the paper will examine the dimensions both of external power and of the omnipresence of internal power in the cartographic representation of place. Cet article s'aventure dans des concepts post-modernes afin de redefinir la nature des cartes comme etant des representations du pouvoir. Longuement enracinees dans une epistemologie scientifique de la carte comme forme objective de connaissance, les regles traditionnelles de la cartographie seront d'abord revues en tant qu'objets de "deconstruction". Ensuite, les arguments d'un "deconstructioniste" exploreront la "textualite" des cartes, y comp...

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References
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TL;DR: The Structure of Scientific Revolutions as discussed by the authors is a seminal work in the history of science and philosophy of science, and it has been widely cited as a major source of inspiration for the present generation of scientists.
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The order of things : an archaeology of the human sciences

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Local Knowledge: Further Essays In Interpretive Anthropology

TL;DR: In this paper, Blurred Genres: The Refiguration of Social Thought, Found in Translation: On the Social History of the Moral Imagination, and From the Natives Point of View: on the Nature of Anthropological Understanding.
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The Gutenberg galaxy : the making of typographic man

TL;DR: The reissue of The Gutenberg Galaxy as discussed by the authors reflects the continuing importance of McLuhan's work for contemporary readers, and it has been translated into twelve languages from Japanese to Serbo-Croat.