scispace - formally typeset
Search or ask a question
Journal ArticleDOI

Epistemologies of State, Epistemologies of Text. A review of Timothy Melley, The Covert Sphere: Secrecy, Fiction, and the National Security State

01 Jan 2014-Postmodern Culture (The Johns Hopkins University Press)-Vol. 25, Iss: 1
About: This article is published in Postmodern Culture.The article was published on 2014-01-01. It has received 1 citations till now. The article focuses on the topics: National security & Secrecy.
Citations
More filters
01 Jan 1965
TL;DR: The characteristic of the paranoid style is not that its exponents see conspiracies or plots here and there in history, but that they regard a vast' or gigantic' conspiracy as the "motive force" in historical events as mentioned in this paper.
Abstract: "The distinguishing thing about the paranoid style is not that its exponents see conspiracies or plots here and there in history, but that they regard a vast' or gigantic' conspiracy as the "motive force" in historical events...The paranoid spokesman sees the fate of this conspiracy in apocalyptic terms--he traffics in the birth and death of whole worlds, whole political orders, whole systems of human values. He is always manning the barricades of civilization." --From the book

15 citations

References
More filters
Book
01 Jan 1967
TL;DR: The Society of the Spectacle as mentioned in this paper is one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s, and it has been widely used in the literature since.
Abstract: For the first time, Guy Debord's pivotal work Society of the Spectacle appears in a definitive and authoritative English translation. Originally published in France in 1967, Society of the Spectacle offered a set of radically new propositions about the nature of contemporary capitalism and modern culture. At the same time it was one of the most influential theoretical works for a wide range of political and revolutionary practice in the 1960s. Today, Debord's work continues to be in the forefront of debates about the fate of consumer society and the operation of modern social power. In a sweeping revision of Marxist categories, the notion of the spectacle takes the problem of the commodity from the sphere of economics to a point at which the commodity as an image dominates not only economic exchange but the primary communicative and symbolic activity of all modern societies.Guy Debord was one of the most important participants in the activities associated with the Situationist International in the 1960s. Also an artist and filmmaker, he is the author of Memoires and Commentaires sur la societe du spectacle. A Swerve Edition, distributed for Zone Books.

3,391 citations

Book
01 Jan 2003
TL;DR: In this article, the authors discuss Shame, Theatricality, and Queer Performativity: Henry James's The Art of the Novel and the Cybernetic Fold: Reading Silvan Tomkins (written with Adam Frank) 93 4. Paranoid Reading and Reparative Reading, or, You're So Paranoid, You Probably Think This Essay Is About You 123 5. Pedagogy of Buddhism 153 Works Cited 183 Index 189
Abstract: Acknowledgments xi Introduction 1 Interlude, Pedagogic 27 1. Shame, Theatricality, and Queer Performativity: Henry James's The Art of the Novel 35 2. Around the Performative: Periperformative Vicinities in Nineteenth-Century Narrative 67 3. Shame in the Cybernetic Fold: Reading Silvan Tomkins (Written with Adam Frank) 93 4. Paranoid Reading and Reparative Reading, or, You're So Paranoid, You Probably Think This Essay Is About You 123 5. Pedagogy of Buddhism 153 Works Cited 183 Index 189

1,932 citations

Book
01 Nov 1964
TL;DR: The characteristic of the paranoid style is not that its exponents see conspiracies or plots here and there in history, but that they regard a vast' or gigantic' conspiracy as the "motive force" in historical events as discussed by the authors.
Abstract: "The distinguishing thing about the paranoid style is not that its exponents see conspiracies or plots here and there in history, but that they regard a vast' or gigantic' conspiracy as the "motive force" in historical events...The paranoid spokesman sees the fate of this conspiracy in apocalyptic terms--he traffics in the birth and death of whole worlds, whole political orders, whole systems of human values. He is always manning the barricades of civilization." --From the book

925 citations