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Journal ArticleDOI

Glenstal Abbey, Music and the Liturgical Movement

Cyprian Love
- 15 Aug 2006 - 
- Vol. 12, Iss: 2, pp 126-141
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TLDR
The Roman Catholic Church's current theology of liturgy is influenced in a marked degree by the fruits of an intellectual movement whose roots lie mainly in the nineteenth century but which came to fruition in the twentieth as discussed by the authors.
Abstract
The Roman Catholic Church’s current theology of liturgy is influenced in a marked degree by the fruits of an intellectual movement whose roots lie mainly in the nineteenth century but which came to fruition in the twentieth. This movement is generally referred to as The Liturgical Movement. Pope Pius XII gave official ecclesiastical approval to this Movement of theologians, by commending it in his encyclical letter Mediator Dei (1947). The Catholic Church’s authoritative recent statement on liturgy, Sacrosanctum Concilium (Constitution on the Sacred Liturgy, 1963) of the Second Vatican Council (1962–65), remains deeply imbued with the principles of the Liturgical Movement. The Movement took its rise in the 1830s from the work of Abbot Gueranger of the Benedictine monastery of Solesmes in France. Its ideas were developed more widely in academic and pastoral life during the twentieth century but especially in the Benedictine monasteries of Beuron and Maria-Laach (Germany), and Maredsous and Mont-Cesar (Belgium). These Benedictine environments, with their emphasis on the liturgy celebrated frequently throughout the day, were particularly fertile places for exploring and developing new approaches to liturgical activity and liturgical theology.

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Citations
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Journal ArticleDOI

Prayerful silence and creative response in twenty-first-century monasticism

TL;DR: In this paper, an ethnographic account of the relationship between hesychia and creative response among twenty-first-century monastic musicians in the Western tradition, comparing these responses with those from secular Christian composers and from composers in the Quaker tradition for whom silence is, as for monastics, an integral component of worship.

Conflict and Reparation: The agency of music in modern monastic community dynamics

TL;DR: In this paper, the authors used ethnographic data to explore the role of communal singing, and specifically chant, as an integral part of twenty-first-century monastic life, and its impact as a source of both conflict and reparation, division and cohesion.
References
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MonographDOI

Orality and literacy : the technologizing of the word

TL;DR: Hartley as discussed by the authors discusses the psychodynamics of orality of language in the context of the oral past and present, and the evolution of the human mind from oral to written language.
Book

The Study of Ethnomusicology: Twenty-nine Issues and Concepts

Bruno Nettl
TL;DR: The Musics of the World The Harmless Drudge: Defining Ethnomusicology The Art of Combining Tones: The Music Concept Inspiration and Perspiration: The Creative Process The Universal Language: Universals of Music The non-universal Language: Varieties of Music Apples and Oranges: Comparative Study I Can't Say a Thing until I've Seen the Score: Transcription and Notation In the Speech Mode: Contemplating Repertories The Most Indefatigable Tourists of the world: Tunes and Their Relationships In the Field
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The Aesthetics of Music

Roger Scruton
TL;DR: In this paper, a comprehensive account of the nature and significance of music from the perspective of modern philosophy is presented, illustrated with many musical examples, and starts with the metaphysics of sound, distinguishes sound from tone, analyzes rhythm, melody, and harmony, and explores the various dimensions of musical organization, and of musical meaning.
Journal ArticleDOI

The Aesthetics of Music

TL;DR: In this paper, the authors present a list of music examples with respect to sound, tone, imagination, metaphor, representation, language, and analysis, and performance of classical music.