Glossing Speakers, or bookmaking for amateurs
Cites background or methods from "Glossing Speakers, or bookmaking fo..."
...performance was linked metaphorically to objects such as books (Webb, 2009; Leahy, 2009) and art practice expressed through other forms of publication (Pollard et al, 2009; Thompson, 2009). The presence of writing, its object-ness once present in the world is discussed through a variety of means. This presence and its many forms create a strong metaphor. Surprisingly, Writing through the body: the body through writing was a weaker theme with only Denis (2009), contributing an...
...as writing Writing as Practice: Practice as Writing Sentences on Christian Bök's Eunoia: writing after language writing, Oulipo and conceptual art (Jaeger, 2009) Discussion paper from the Working Group on Situational Fiction, Chelsea College of Art & Design, University of the Arts London: On the value of Situational Fiction for an artist's writing (Francis, 2009) Advance error by error, with erring steps: embracing and exploring mistakes and failure across the psychophysical performer training space and the page (Clarke, 2009) Holding a mirror to ourselves: how digital networks chAng writiN (Byrne, 2009) Parallel lines: form and field in contemporary artwriting (Mulholland, 2009) Writing as Object: Object as Writing The book objects: writing and performance (Webb, 2009) Glossing Speakers, or bookmaking for amateurs (Leahy, 2009) Hampstead Revisited (Pollard, et....
...Deepest thanks go to my parents, Margaret and Bob, my husband, Mark, and my dearest children, Gabriel and Celeste, without whose love, belief, support and patience I could not have achieved such a dream....
...Developing the reading process is addressed in Mark Leahy’s (2009) Glossing Speakers, or bookmaking for amateurs....
...Leahy (2009) moves from the front to the back of the book in the action of a reader....
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