How can we map stories? A cybercartographic application for narrative cartography
TL;DR: In this article, the authors present a cyber-cartographic application designed to address this issue and provide solutions to help properly map some of the many dimensions of narratives, including the places of the narration (geography), the connection between these places (geometry), as well as the temporal dimension inherent to storytelling.
Abstract: Narratives and places are deeply connected. Places often contribute to the shaping of a story, just as stories contribute to the production of spatial identities. Mapping narratives can thus have a double goal: to explore the geographic structure of a story, and to better understand the impact of stories on the production of places. While it may be easy to locate narratives as points on a map, this type of representation is rarely relevant in capturing and characterising the complex spatio-temporal dimensions of the narratives. In this paper, we present a cyber-cartographic application designed to address this issue and provide solutions to help properly map some of the many dimensions of narratives, including the places of the narration (geography), the connection between these places (geometry), as well as the temporal dimension inherent to storytelling. This application, originally developed to map contemporary Canadian cinematographic narratives (see examples here: http://scaquard.classone-tech.com/),...
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Cites methods from "How can we map stories? A cybercart..."
...Through this process the article presents the assemblage approach to answer calls to not only ‘better understand the impact of stories on the production of places’, but also, ‘grasp the nature of the different aspects of this interaction and how to conceptualise it’ (Caquard and Fiest 2014: 18)....
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References
749 citations
"How can we map stories? A cybercart..." refers background in this paper
...The airport – which is considered as an archetypical ‘non-place’ by Marc Augé (1992) – becomes the point of contact of multiple collective and personal destinies....
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...The airport – which is considered as an archetypical ‘non-place’ by Marc Augé (1992) – becomes the point of contact of multiple collective and personal destinies....
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305 citations
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"How can we map stories? A cybercart..." refers background in this paper
...…to use online locational services such as Google Maps to pinpoint the geographic location of film shooting (see for instance http://www.themoviemap.com), these representations are rarely appropriate to capturing and characterising the complex spatiotemporal dimensions of narratives (Caquard, 2013)....
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128 citations
"How can we map stories? A cybercart..." refers background in this paper
...In more general terms, mapping narratives can also help to reveal the geographic structure of stories as argued by literary scholar Franco Moretti (1999)....
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...As pointed out by Franco Moretti (2005), there is a distinction in novels between geography (location) and geometry (relationships)....
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