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Journal ArticleDOI

How can we map stories? A cybercartographic application for narrative cartography

10 Jan 2014-Journal of Maps (Taylor & Francis)-Vol. 10, Iss: 1, pp 18-25

TL;DR: In this article, the authors present a cyber-cartographic application designed to address this issue and provide solutions to help properly map some of the many dimensions of narratives, including the places of the narration (geography), the connection between these places (geometry), as well as the temporal dimension inherent to storytelling.

AbstractNarratives and places are deeply connected. Places often contribute to the shaping of a story, just as stories contribute to the production of spatial identities. Mapping narratives can thus have a double goal: to explore the geographic structure of a story, and to better understand the impact of stories on the production of places. While it may be easy to locate narratives as points on a map, this type of representation is rarely relevant in capturing and characterising the complex spatio-temporal dimensions of the narratives. In this paper, we present a cyber-cartographic application designed to address this issue and provide solutions to help properly map some of the many dimensions of narratives, including the places of the narration (geography), the connection between these places (geometry), as well as the temporal dimension inherent to storytelling. This application, originally developed to map contemporary Canadian cinematographic narratives (see examples here: http://scaquard.classone-tech.com/),...

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Citations
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01 Jan 2016

128 citations

Dissertation
24 Nov 2017
TL;DR: The notion of multiplication of recits was introduced by Baroni and Ricoeur as mentioned in this paper, who explored the mutations that connait cet agencement de recits percu comme traditionnel and theorise en France dans les annees 1960 par Gerard Genette et Tzvetan Todorov.
Abstract: Depuis les romans oulipiens d’Italo Calvino – Si par une nuit d’hiver un voyageur et Le Château des destins croises – jusqu’aux hypertextes de fiction se joue une redefinition de la forme et des enjeux de l’enchâssement narratif. Ce travail vise, a partir d’un corpus contemporain, a explorer les mutations que connait cet agencement de recits percu comme traditionnel et theorise en France dans les annees 1960 par Gerard Genette et Tzvetan Todorov. Nous proposons, avec la notion de multiplication des recits, un assouplissement de ses contours afin d’aborder un corpus d’oeuvres romanesques cherchant a tisser ensemble plusieurs recits tout en brouillant les reperes hierarchiques impliques par les notions d’enchâssement ou d’insertion. Croisant approche narratologique et prise en compte de la reception, ce travail se donne pour objectif d’interroger ce qu’est la multiplication des recits en ne perdant jamais de vue ses effets, en particulier sur la mise en intrigue (P. Ricoeur) : comment comprendre et analyser la reception passionnee (R. Baroni) du lecteur face a des oeuvres parfois monstrueuses, entremelant les strates narratives et courant le risque du desordre, de la perte et de l’illisible ? Nous proposons de suivre a la trace le lecteur intrigue, protagoniste de cette etude et arpenteur ou geometre des espaces fictionnels et textuels ouverts par la multiplication des recits, a travers sa progression dans des romans – imprimes ou numeriques – qui placent au coeur de leurs enjeux la question du dispositif narratif

55 citations

Book
14 May 2018
TL;DR: This article presents an information extraction method which collects additional information on the web so as to enrich already existing information and then fill in a knowledge base using lexical and syntactical patterns.
Abstract: Relation pattern extraction and information extraction from the web. This article presents an information extraction method which collects additional information on the web so as to enrich already existing information and then fill in a knowledge base. Our method is based on lexical and syntactical patterns, both used as search queries and extraction patterns to allow the analysis of unstructured documents. To do so, we first defined relevant criteria coming from the analysis phase so as to ease the discovery of new values. MOTS-CLES : Construction de patrons, extraction d’information, extraction d’entités nommées, syntaxe en dépendances, apprentissage de patrons d’extraction, web comme corpus.

28 citations

Journal ArticleDOI
TL;DR: The recent literature in cartography and geographic information science Cartography and Geographic Information Science: Vol 40, AutoCarto 2012 Research Symposium, pp 363-381 as discussed by the authors, is a recent survey of Cartography, Geographic Information, and Information Science.
Abstract: (2013) Recent literature in cartography and geographic information science Cartography and Geographic Information Science: Vol 40, AutoCarto 2012 Research Symposium, pp 363-381

16 citations

16 Apr 2016
TL;DR: The authors argue that assemblage theory may offer a common ground which allows scholars from both literary and geographical positions to locate their writings in the broader set of approaches that define literary geographies.
Abstract: Over recent years literary geography has adopted a relational approach to its subject matter. This article continues this move, suggesting that assemblage theory can help develop the sub-discipline in two interrelated ways. Firstly, at a project level, assemblage theory enables literary geographers to identify all components that have agency and influence over the power of fiction (including authors, translators, publishers, readers, places, etc). As part of this first argument, the article develops Hones’ concept of reading fiction as a ‘spatial event’ (Hones, 2008, 2014). This article interacts with Hones’ textual ‘happening’ and seeks to emphasise the valence of the spatial event of fiction on reader relations to material and social geographies. It offers a short case study from the work of novelist Tessa Hadley to illustrate aspects of this valence. Secondly, at the sub disciplinary level, the article argues that assemblage theory may offer a common ground which allows scholars from both literary and geographical positions to locate their writings in the broader set of approaches that define literary geographies.

13 citations


Cites methods from "How can we map stories? A cybercart..."

  • ...Through this process the article presents the assemblage approach to answer calls to not only ‘better understand the impact of stories on the production of places’, but also, ‘grasp the nature of the different aspects of this interaction and how to conceptualise it’ (Caquard and Fiest 2014: 18)....

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References
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Book
01 Jan 1992

749 citations


"How can we map stories? A cybercart..." refers background in this paper

  • ...The airport – which is considered as an archetypical ‘non-place’ by Marc Augé (1992) – becomes the point of contact of multiple collective and personal destinies....

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  • ...The airport – which is considered as an archetypical ‘non-place’ by Marc Augé (1992) – becomes the point of contact of multiple collective and personal destinies....

    [...]

Book
01 Jan 1998
TL;DR: Moretti as mentioned in this paper explored the fictionalization of geography in the nineteenth-century novel and found that space may well be the secret protagonist of cultural history, in a series of one hundred maps, alongside Spanish picaresque novels, African colonial romances and Russian novels of ideas.
Abstract: In a series of one hundred maps, Franco Moretti explores the fictionalization of geography in the nineteenth-century novel. Balzac's Paris, Dickens's London and Scott's Scottish Lowlands are mapped, alongside the territories of Spanish picaresque novels, African colonial romances and Russian novels of ideas, in a path-breaking study which suggests that space may well be the secret protagonist of cultural history.

305 citations

Journal ArticleDOI
TL;DR: In this paper, the authors focus on the growing interest in the relationship between maps, narratives and meta-narratives and explore their current state in the Geoweb era.
Abstract: This report focuses on the growing interest in the relationship between maps, narratives and meta-narratives. Following a brief historical contextualization of these relationships, this report explores their current state in the Geoweb era. Using the distinction between story maps and grid maps as an analytical framework, I review emerging issues around the extensive use of technologies and online mapping services (i.e. Google maps) to convey stories and to produce new ones. Drawing on literature in film studies, literary studies, visual arts, computer science and communication I also emphasize the emergence of new forms of spatial expressions interested in providing different perspectives about places and about stories associated to places. In sum, I argue that mapping both vernacular knowledge and fiction is central understanding places in depth.

154 citations


"How can we map stories? A cybercart..." refers background in this paper

  • ...…to use online locational services such as Google Maps to pinpoint the geographic location of film shooting (see for instance http://www.themoviemap.com), these representations are rarely appropriate to capturing and characterising the complex spatiotemporal dimensions of narratives (Caquard, 2013)....

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01 Jan 2016

128 citations


"How can we map stories? A cybercart..." refers background in this paper

  • ...In more general terms, mapping narratives can also help to reveal the geographic structure of stories as argued by literary scholar Franco Moretti (1999)....

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  • ...As pointed out by Franco Moretti (2005), there is a distinction in novels between geography (location) and geometry (relationships)....

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