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Journal ArticleDOI

"I just took it straight from Vogue": Fashion, Femininity, and Literary Modernity in Rosamond Lehmann's Invitation to the Waltz

Vike Martina Plock
- 01 Jan 2013 - 
- Vol. 59, Iss: 1, pp 83-106
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TLDR
The authors analyzes fashion as a discursive force in Rosamond Lehmann's novel Invitation to the Waltz and demonstrates that 1920s fashion, in spite of its carefully stylized public image as harbinger of modernity, was complicit in propagating patriarchal norms.
Abstract
This article analyzes fashion as a discursive force in Rosamond Lehmann’s novel Invitation to the Waltz . Through a reading of Lehmann’s novel alongside fashion magazines, it demonstrates that 1920s fashion, in spite of its carefully stylized public image as harbinger of modernity, was complicit in propagating patriarchal norms. However, if Invitation opposes the cultural machinery that regulates gender roles in post-war Britain, its formal appearance is nonetheless dependent on the very same tenets it criticizes since the novel reveals resemblances to Virginia Woolf’s To the Lighthouse . If the tension between imitation and originality determines choices in sartorial fashions, female authorship in the inter-war period, this essay argues, was subjected to the same market forces that controlled and sustained the organization of the fashion industry.

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Fashion at the edge : spectacle, modernity and deathliness

TL;DR: Fashion at the Edge as mentioned in this paper is a collection of cutting-edge contemporary fashion in unprecedented depth and detail, including the work of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, and Viktor & Rolf.
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Better Travel Through Brand Names: The Couture Grand Tour in Paris Is a Woman's Town and Gentlemen Prefer Blondes

TL;DR: The authors identified the way famous names mediated the relationship between US cultural insecurity and secure consumer behavior by reading Anita Loos's Gentlemen Prefer Blondes alongside US film branding and shopping guides to Europe.
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‘It is the Hat that Matters the Most’: Hats, Propriety and Fashion in British Fiction, 1890–1930

Charlotte Nicklas
- 21 Mar 2017 - 
TL;DR: The authors show how British novelists of this period, ranging from mainstream to experimental, understood the importance of hats and used them to explore social respectability and convention, the pleasures and challenges of following fashion, and consumption strategies among women.
References
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The Arcades Project

TL;DR: Translators' Foreword Exposes Paris, the Capital of the Nineteenth Century (1935) "Paris, the City of the Twenty-First Century" (1939) Convolutes Overview First Sketches Early Drafts "Arcades" "The Arcades of Paris" 'The Ring of Saturn" Addenda Expose of 1935, Early Version Materials for the Expose and Exposition of 1935 Materials for Arcades' "Dialectics at a Standstill," by Rolf Tiedemann "The Story of Old Benjamin," by Lisa Fitt
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The complete poems

TL;DR: The Complete Poetry of Andrew Marvell as mentioned in this paper demonstrates his unique skill and immense diversity to the full, and includes lyrical love-poetry, religious works and biting satire, from the passionately erotic To his Coy Mistress, to the astutely political Cromwellian poems and the profoundly spiritual On a Drop of Dew, in which he considered the nature of the soul.
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The diary of Virginia Woolf

TL;DR: The diary of Virginia Woolf (1915) as mentioned in this paper is a collection of diary entries written by the author of The Diary of V. Woolf and published by the National Archives of the United Kingdom.
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The Complete Poems

TL;DR: In 1855 Walt Whitman published Leaves of Grass, the work which defined him as one of America's most influential voices, and which he added to throughout his life as mentioned in this paper, a collection of astonishing originality and intensity, it spoke of politics, sexual emancipation and what it meant to be an American.