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Journal ArticleDOI

[In]visible [in]tangibles: Visual portraits of the business élite

01 Feb 2010-Accounting Organizations and Society (Pergamon)-Vol. 35, Iss: 2, pp 165-183
TL;DR: In this paper, the authors construct a framework from art theory to interpret portraits of the business elite and their associated intangibles, and identify four sets of rhetorical codes in portraiture: physical, dress, spatial and interpersonal.
Abstract: Visual portraits of the business elite are widely disseminated, and form significant sites for communicating messages regarding leadership and associated intellectual, symbolic and social intangibles, yet have been neglected in accounting research. At the same time, accounting for intangibles is recognised to be inadequate. This inter-disciplinary article constructs a framework from art theory to interpret portraits of the business elite and their associated [in]visible [in]tangibles. Four sets of rhetorical codes in portraiture are identified: physical, dress, spatial and interpersonal. Illustrative portraits from annual reports and the media are analysed to indicate how [in]visible [in]tangibles are portrayed through visual rhetoric.
Citations
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Journal ArticleDOI
TL;DR: In this paper, the authors present five distinct approaches to feature visuals in research designs and to include the visual dimension in scholarly inquiry, and introduce methodological and theoretical roots of visual studies in a number of disciplines that have a long-standing tradition of incorporating the visual.
Abstract: With the unprecedented rise in the use of visuals, and its undeniable omnipresence in organizational contexts, as well as in the individual's everyday life, organization and management science has recently started to pay closer attention to the to date under-theorized “visual mode” of discourse and meaning construction. Building primarily on insights from the phenomenological tradition in organization theory and from social semiotics, this article sets out to consolidate previous scholarly efforts and to sketch a fertile future research agenda. After briefly exploring the workings of visuals, we introduce the methodological and theoretical “roots” of visual studies in a number of disciplines that have a long-standing tradition of incorporating the visual. We then continue by extensively reviewing work in the field of organization and management studies: More specifically, we present five distinct approaches to feature visuals in research designs and to include the visual dimension in scholarly inquiry. Su...

355 citations

Journal ArticleDOI
TL;DR: The field of visual research in management studies is developing rapidly and has reached a point of maturity where it is useful to bring together and evaluate existing work in this area and to critically assess its current impact and future prospects.
Abstract: The field of visual research in management studies is developing rapidly and has reached a point of maturity where it is useful to bring together and evaluate existing work in this area and to critically assess its current impact and future prospects. Visual research is broadly defined to encompass a variety of forms, including pictures, graphs, film, web pages and architecture. It also incorporates work from several sub-disciplines (organization studies, marketing, accounting, human resources, tourism and IT), and includes research based on pre-existing visual material and studies that use researcher-generated visual data. The authors begin by considering the growing recognition of the visual turn in management research as a counterweight to the linguistic turn, while also discussing reasons for resistance to visual approaches. Next, they review research that uses visual methods to study management and organization and suggest that visual management studies may be categorized according to whether methods used are empirically driven or theory based. This categorization highlights the philosophical, theoretical and interdisciplinary underpinnings of visual management studies. It also enables the visual to be accorded a status equivalent to linguistic meaning, through dispelling the realist assumptions that have impeded analytical development of visual management studies to date.

244 citations


Cites background from "[In]visible [in]tangibles: Visual p..."

  • ...The many and diverse issues at stake in visual management studies range from: corporate identity and brand management (Schroeder 2005, 2012) to visually constructed representations of corporate leadership (Davison 2010; Guthey and Jackson 2005); from ideological questions such as gender (Brewis 1998; Kuasirikun 2010) to fun at work (Warren 2002); memorialization of organizational death (Bell 2012) to trust and accountability (Cho et al....

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  • ...…studies range from: corporate identity and brand management (Schroeder 2005, 2012) to visually constructed representations of corporate leadership (Davison 2010; Guthey and Jackson 2005); from ideological questions such as gender (Brewis 1998; Kuasirikun 2010) to fun at work (Warren 2002);…...

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  • ...Also drawing on art theory, Davison (2010) constructs a model of visual portraiture from art theory (physical, dress, spatial and interpersonal codes) and uses it to analyse intangible aspects of business communicated by portraits of business leaders in corporate annual reports (e.g. Reuters CEO…...

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Journal ArticleDOI
TL;DR: In this paper, the authors investigate whether firms use graphs in their sustainability reports in order to present a more favorable view of their social and environmental performance, and they find considerable evidence of favorable selectivity bias in the choice of items graphed, and moderate evidence that where distortion in graphing occurs, it also has a favorable bias.
Abstract: The purpose of this paper is to investigate whether firms use graphs in their sustainability reports in order to present a more favorable view of their social and environmental performance. Further, because prior research indicates that companies use social and environmental disclosure as a tool to reduce their exposure to social and political pressures (the legitimacy argument), we also examine whether differences in the extent of impression management are associated with differences in social and environmental performance. Based on an analysis of graphs in sustainability reports for a sample of 77 U.S. companies for 2006, we find considerable evidence of favorable selectivity bias in the choice of items graphed, and moderate evidence that where distortion in graphing occurs, it also has a favorable bias. Our results regarding the relation between impression management and performance are mixed. Whereas we find that graphs of social items in sustainability reports for companies with worse socia...

161 citations

Journal ArticleDOI
TL;DR: In this article, the authors identify researcher choices related to the use of photographs in organizational research, clarify the advantages and disadvantages of these choices, and discuss ethical and other special considerations of photographs.
Abstract: Despite calls for more visual methodologies in organizational research, the use of photographs remains sparse. Organizational research could benefit from the inclusion of photographs to track contemporary change processes in an organization and change processes over time, as well as to incorporate diverse voices within organizations, to name a few advantages. To further understanding, the authors identify researcher choices related to the use of photographs in organizational research, clarify the advantages and disadvantages of these choices, and discuss ethical and other special considerations of the use of photographs. They highlight several organizational areas of research, primarily related to the management discipline, that could benefit from the inclusion of photographs. Finally, the authors describe how they used photographs in a study of one organization and specifically how their intended research design with photographs changed over the course of the study as well as how photographs helped to de...

124 citations


Cites background or methods from "[In]visible [in]tangibles: Visual p..."

  • ...Sometimes researchers are interested in the images selected and projected by a business organization, such as those included in annual reports (Davison, 2010; Dougherty & Kunda, 1990; Preston & Young, 2000)....

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  • ...To clarify, some use of photographs is embedded in a field study (e.g., Heisley & Levy, 1991; Kobayashi et al., 2008; Venkatraman & Nelson, 2008); other photographic uses do not entail interaction with the field (e.g., Davison, 2010; Guthey & Jackson, 2005; Preston & Young, 2000)....

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  • ...…example, photographs in annual reports have been interpreted to examine stable corporate customer orientations over time in marketing (Dougherty & Kunda, 1990), to study leadership traits (Davison, 2010), and to examine corporate global identity construction in accounting (Preston & Young, 2000)....

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  • ...If archival images are being used, permission to reproduce will usually be required by journal editors (see Davison, 2010; Preston & Young, 2000)....

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Journal ArticleDOI
TL;DR: In this article, the authors examine the cultural shift from professionalism to commercialism in the accounting profession based on an analysis of the promotional brochures used by the Ordre des comptables du Quebec, over the last forty years, to attract new members.
Abstract: The purpose of this paper is to examine the cultural shift from professionalism to commercialism in the accounting profession based on an analysis of the promotional brochures used by the Ordre des comptables agrees du Quebec, over the last forty years, to attract new members The specific objectives are to examine accountancy's cultural representations depicted in brochures and to establish whether the representations under study provide further insight into the nature of the cultural shift Drawing on the semiotic approach developed by Roland Barthes, our analysis is predicated on the idea that promotional brochures, though often simple in appearance, constitute complex representations that convey meaningful information about influential values and cultural change

97 citations


Cites background from "[In]visible [in]tangibles: Visual p..."

  • ...…du Québec (OCAQ) over the last four decades.3 More than mere recruitment documents aimed at attracting candidates to the profession, the representations of accountants promoted through advertising material reflect and contribute to the development and transformation of culture (Davison, 2010)....

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  • ...More than mere recruitment documents aimed at attracting candidates to the profession, the representations of accountants promoted through advertising material reflect and contribute to the development and transformation of culture (Davison, 2010)....

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  • ...While the diversity of clothing styles can be interpreted as a sign of dynamism and creativity (Davison, 2010) and the use of sketched photos as a sign of originality, the predominance of traditional clothes such as suits acts as a reminder of Figure 10....

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  • ...However, an emerging field of research has begun to examine the visual content of organizational reports to better understand corporate values (Davison, 2009, 2010, 2011), globalization (Preston and Young, 2000), the role of women and cultural diversity in organizational life (Benschop and…...

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  • ...The fact that all of the photos were taken in a conversational context (in group or by telephone) underlines the social and interpersonal nature of CAs (Davison, 2010)....

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References
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Journal ArticleDOI
Grahame Thompson1
TL;DR: The authors argued that it is through forms of visualisation (tables, charts, figures, diagrams, pictures and so on) that our knowledge and sense about the firm and the economy are constructed Accounting and economics texts abound with these visual techniques, which gives them a certain affinity Common techniques of visualization shared by both accounting and economics are used as a basis for a reflection on the theoretical and practical nature of the "encounter" between these two intellectual domains.
Abstract: How have we come to know the economy and the firm? This is the question confronted in this article The argument is that it is through forms of visualisation (tables, charts, figures, diagrams, pictures and so on) that our knowledge and sense about the firm and the economy are constructed Accounting and economics texts abound with these visual techniques, which gives them a certain affinity Common techniques of visualization shared by both accounting and economics are used as a basis for a reflection on the theoretical and practical nature of the “encounter” between these two intellectual domains The term “encounter” is used instead of the more obvious term “relationship” to indicate the contingent and problematic character of the common use of visual techniques These encounters are situated within a framework that stresses the epistemic diversity of the forms of visualisation and their meaning 1998 Elsevier Science Ltd All rights reserved

44 citations

Journal ArticleDOI
TL;DR: Achlioptas et al. as discussed by the authors argue that the differences between the critics and the mainstream practitioners of accounting define a chasm, which stems from different assumptions in the philosophy (or theory) of science and different assumptions regarding the nature of society.
Abstract: Accounting may well be on its way to becoming the queen of the human sciences, but, regrettably, if so, this will be because it has taken on all the least desirable features of technocratically defined “human” science. The critics of accounting practice see this and although they differ among themselves, the differences between the critics and the mainstream practitioners (and their “theorists”) define a chasm. I try to exhibit this by showing that the chasm stems from different assumptions in the philosophy (or theory) of science and different assumptions regarding the nature of society. Current criticisms suggest to me a profound pedagogic task.

38 citations

Book
01 Jan 1994
TL;DR: A survey of the English language literature about the true and fair requirements of the Fourth Directive can be found in this article, where the authors present a survey of English language writing about the True and Fair Requirement.
Abstract: 1. What They Say about True and Fair - A Survey of the English Language Literature 2. True and Fair - A Survey of UK Financial Directors 3. True and Fair - UK Auditors' View 4. The True and Fair Requirement - Impact on and of the Fourth Directive 5. Debating True and Fair in Australia - An Exercise in Deharmonization.

32 citations

Journal ArticleDOI
TL;DR: In this paper, an alternative account for the popularity of cosmetics, one which favours the recognition of the complex ritual of "making up" in preference to a rather simplistic tale in which women are permanently cast as helpless victims, is proposed.

27 citations

Book
01 Jan 1980
TL;DR: In this paper, six lectures, delivered by Constable, on painting the plates, are described and annotated with text and illustrations from the plates works exhibited by the artist, as well as the corresponding paintings.
Abstract: Editor's Note editor's preface author's preface 1776-1810 1811-1812 1813-1814 1815-16 1817-1821 1822 1823 1824 1825 1826-27 1828-1829 1830-1831 1832 1833 1834-1835 1836-1837 notes of six lectures, delivered by Constable, on Painting the plates notes on the text illustrations notes on the plates works exhibited by Constable.

27 citations