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Journal ArticleDOI

Jewish Geographies: Jabotinsky and Modernism

01 Jan 2017-Partial Answers (Johns Hopkins University Press)-Vol. 15, Iss: 2, pp 315-339

TL;DR: In this article, the relationship between aesthetic modernism and collectivist nationalism is explored in the context of early European literary modernisms and their associated socio-political contexts, and the authors conclude that scholars can profitably locate Jabotinsky's creative output of the 1920s within the nexus of early aesthetic modernist and collectivism.

AbstractVladimir (Ze'ev) Jabotinsky's texts of the 1920s offer compelling examples of the tensions endemic to aesthetic modernism and inherent in Jewish nationalist discourse during the interwar period. This essay discusses Jabotinsky's Atlas (1925), his unproduced film script A Galilean Romance (1924–1926), and his anthemic poem "Two Banks Has the Jordan" (1929). While the ideological value of the works examined is self-evident, the artistic features of Jabotinsky's work have received scant attention. This essay reveals Jabotinsky's indebtedness to themes and techniques identified with early European literary modernisms and their associated socio-political contexts. The article concludes that scholars can profitably locate Jabotinsky's creative output of the 1920s within the nexus of early aesthetic modernism and collectivist nationalism.

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27 Jul 1998

119 citations

Journal ArticleDOI

8 citations

Journal ArticleDOI
TL;DR: The authors make an extremely valuable, clearly argued, and firmly evidenced contribution to our knowledge of Wilhelmian political history, and make a strong contribution to the understanding of German domestic politics in the brief hiatus between the 1912 elections and the July Crisis.
Abstract: Republic (pp. 417, 419). These conventional formulations unfortunately halt the analysis before the wider-ranging and more penetrating discussion Tober's materials might have allowed, because the impasse of Germany's domestic politics in the brief hiatus between the 1912 elections and the July Crisis remains badly in need of some serious and imaginative analysis. But aside from this foreshortening, which bespeaks perhaps a wider intellectual caution constraining the more ambitious implications of Tober's account, this book makes an extremely valuable, clearly argued, and firmly evidenced contribution to our knowledge of Wilhelmian political history.

3 citations


References
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Book
01 Jan 1983
TL;DR: In this paper, Anderson examines the creation and global spread of the 'imagined communities' of nationality and explores the processes that created these communities: the territorialisation of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time.
Abstract: What makes people love and die for nations, as well as hate and kill in their name? While many studies have been written on nationalist political movements, the sense of nationality - the personal and cultural feeling of belonging to the nation - has not received proportionate attention. In this widely acclaimed work, Benedict Anderson examines the creation and global spread of the 'imagined communities' of nationality. Anderson explores the processes that created these communities: the territorialisation of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time. He shows how an originary nationalism born in the Americas was modularly adopted by popular movements in Europe, by the imperialist powers, and by the anti-imperialist resistances in Asia and Africa. This revised edition includes two new chapters, one of which discusses the complex role of the colonialist state's mindset in the development of Third World nationalism, while the other analyses the processes by which all over the world, nations came to imagine themselves as old.

24,995 citations

Book
01 Jan 1988
TL;DR: In this paper, the authors present a very different view of the arts of practice in a very diverse culture, focusing on the use of ordinary language and making do in the art of practice.
Abstract: Preface General Introduction PART I: A VERY ORDINARY CULTURE I. A Common Place: Ordinary Language II. Popular Cultures: Ordinary Language III. Making Do: Uses and Tactics PART II: THEORIES OF THE ART OF PRACTICE IV. Foucault and Bourdieu V. The Arts of Theory VI. Story Time PART III: SPATIAL PRACTICES VII. Walking in the City VIII. Railway Navigation and Incarceration IX. Spatial Stories PART IV: Uses of Language X. The Scriptural Economy XI. Quotations of Voices XII. Reading as Poaching PART V: WAYS OF BELIEVING XIII. Believing and Making People Believe XIV. The Unnamable Indeterminate Notes

10,955 citations

Journal ArticleDOI
TL;DR: In this article, the traditional rules of cartography, long rooted in a scientific epistemology of the map as an objective form of knowledge, are reviewed as an object of deconstruction.
Abstract: The paper draws on ideas in postmodern thinking to redefine the nature of maps as representations of power. The traditional rules of cartography – long rooted in a scientific epistemology of the map as an objective form of knowledge – will first be reviewed as an object of deconstruction. Second, a deconstructionist argument will explore the textuality of maps, including their metaphorical and rhetorical nature. Third, the paper will examine the dimensions both of external power and of the omnipresence of internal power in the cartographic representation of place. Cet article s'aventure dans des concepts post-modernes afin de redefinir la nature des cartes comme etant des representations du pouvoir. Longuement enracinees dans une epistemologie scientifique de la carte comme forme objective de connaissance, les regles traditionnelles de la cartographie seront d'abord revues en tant qu'objets de "deconstruction". Ensuite, les arguments d'un "deconstructioniste" exploreront la "textualite" des cartes, y comp...

1,797 citations

01 Jan 2018

1,211 citations

Book
01 Jan 1994
TL;DR: Siam Mapped as mentioned in this paper explores the 19th-century confrontation of ideas that transformed the kingdom of Siam into the modern conception of a nation, and challenges much that has been written on Thai history because it demonstrates that the physical and political definition of Thailand on which other works are based is anachronistic.
Abstract: This study of nationhood explores the 19th-century confrontation of ideas that transformed the kingdom of Siam into the modern conception of a nation. Siam Mapped challenges much that has been written on Thai history because it demonstrates that the physical and political definition of Thailand on which other works are based is anachronistic.

1,056 citations