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Journal ArticleDOI

Jewish Geographies: Jabotinsky and Modernism

Adam Rovner
- 01 Jan 2017 - 
- Vol. 15, Iss: 2, pp 315-339
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TLDR
In this article, the relationship between aesthetic modernism and collectivist nationalism is explored in the context of early European literary modernisms and their associated socio-political contexts, and the authors conclude that scholars can profitably locate Jabotinsky's creative output of the 1920s within the nexus of early aesthetic modernist and collectivism.
Abstract
Vladimir (Ze'ev) Jabotinsky's texts of the 1920s offer compelling examples of the tensions endemic to aesthetic modernism and inherent in Jewish nationalist discourse during the interwar period. This essay discusses Jabotinsky's Atlas (1925), his unproduced film script A Galilean Romance (1924–1926), and his anthemic poem "Two Banks Has the Jordan" (1929). While the ideological value of the works examined is self-evident, the artistic features of Jabotinsky's work have received scant attention. This essay reveals Jabotinsky's indebtedness to themes and techniques identified with early European literary modernisms and their associated socio-political contexts. The article concludes that scholars can profitably locate Jabotinsky's creative output of the 1920s within the nexus of early aesthetic modernism and collectivist nationalism.

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Journal ArticleDOI

Literature and Cinematography

Eyal Segal
- 01 Jun 2011 - 
Journal ArticleDOI

Zionism and the Fin de Siècle: Cosmopolitanism and Nationalism from Nordau to Jabotinsky . By Michael Stanislawski. Berkeley: University of California Press. 2001. Pp. 303. $19.95. ISBN 0-520-22788-3.

TL;DR: The authors make an extremely valuable, clearly argued, and firmly evidenced contribution to our knowledge of Wilhelmian political history, and make a strong contribution to the understanding of German domestic politics in the brief hiatus between the 1912 elections and the July Crisis.
References
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Book

Aesthetic Function: Norm and Value As Social Facts

TL;DR: Mukařovský as discussed by the authors argued that aesthetic value is more likely to derive from an artifact's incongruity and its polymorphous and polysemic qualities, rather than from a simple harmoniousness between the parts and the whole.
Book

Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats

TL;DR: The authors examined the similarities between modernist literature and theories of crowd psychology and found that many modernist literary forms in all these authors emerged out of efforts to write in the idiom of the crowd mind.
Book

Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture

TL;DR: In Modernism, Romance and the Fin de Siecle, the authors explores the popular fiction of the 'romance revival' of the late Victorian and Edwardian years, focusing on the work of such authors as Bram Stoker, H. Rider Haggard and Arthur Conan Doyle.