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Journal ArticleDOI

La nación singular. Fantasías de la normalidad democrática española by Luisa Elena Delgado (review)

Germán Labrador Méndez
- 01 Jan 2015 - 
- Vol. 49, Iss: 3, pp 583-586
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TLDR
In this article, the authors argue that the Moriscos of Villarrubia and the Campo de Calatrava sought and obtained legal privileges precisely because they were indistinguishable from Old Christians.
Abstract
such a degree that they were not different. Indeed, the Moriscos of Villarrubia and the Campo de Calatrava sought and obtained legal privileges precisely because they were indistinguishable from Old Christians. In other words, royal policy of uniformity in belief and cultural practice appears to have been successful among these communities. Shall we call that tolerance and coexistence? We may maintain the terms in the context of discriminatory practices based on limpieza de sangre, but they need to be fleshed out more to have an appropriate meaning. For the same reason I would question Dadson’s affirmation that “parts of Spain remained, after 1609-14, multicultural, diverse, and relatively tolerant communities” (182). These Moriscos only found acceptance because they erased any sign of diversity. Even Dadson recognizes that the cases of Aragón and Valencia were different, as was the case of the expelled Granadinos, and this difference was due to a lack of assimilation; i.e. it was due to diversity. In conclusion, Dadson’s study both convinces the reader of the integration of the Moriscos with the Old Christians in the Campo de Calatrava and, more specifically, Villarrubia, and it complicates our understanding of the Moriscos in Old and New Castile generally. Some of its terminology is problematic, but its content and findings are solid and of the utmost rigor. Its limit is geographic, as it does not address Aragón, Valencia, or pre-expulsion Granada in any meaningful way. Thus as Dadson recognizes, the revisionist history of Tolerance and Coexistence does not necessarily apply to all of early modern Spain. However, it does engage in a dialogue that is ongoing and producing an ever increasingly complicated vision of a minority group that was once considered solely in terms of religion and, consequently, as diametrically opposed to the values that created the Spanish state in Early Modernity.

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Dissertation

Nouveaux réalismes et imaginaires sociaux de la modernité dans le roman espagnol contemporain (2001-2011)

TL;DR: Chirbes et al. as mentioned in this paper discuss the reappropriation of realism in the production narrative espagnole des annees 2000, a partir d'un corpus of quatre romans, and se demande: en quoi consiste l'esthetique realiste actuelle, quelle est son epistemologie and quel lien entretient-elle avec d'autres discours de savoir.
Journal ArticleDOI

Screening history: television, memory, and the nostalgia of national community in Cuéntame and Temps de silenci

TL;DR: This article argued that the allure of the past in contemporary Spanish culture is linked to the crisis of national identities (in both Catalonia and Spain) and expresses a nostalgia for forms and experiences of political community, imagined as grounded on models of kinship and family.
Journal ArticleDOI

A diabolical plaything: empty signifiers and the construction of Francoism’s long-lasting historical myth in Spain

TL;DR: In this article, the authors examine the construction of the most influential myth crafted by the Spanish dictatorship during its last decades through its metaphorical construction of word "development" (des...
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“Voy a empeñar la Edad de Oro”: Historia, música y política en la crisis española (2011–2016)

TL;DR: In this article, a series of examples from the musical field, including essays, songs, and public uses of music, are studied and contextualized in order to analyze different interpretations and critiques of the Transicion developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its "climate" (Fernandez Savater).
Journal ArticleDOI

Pornoprecariedad: crisis biopolítica, trabajo y régimen visual en Hermosa juventud (Jaime Rosales, 2014)

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References
More filters
Dissertation

Nouveaux réalismes et imaginaires sociaux de la modernité dans le roman espagnol contemporain (2001-2011)

TL;DR: Chirbes et al. as mentioned in this paper discuss the reappropriation of realism in the production narrative espagnole des annees 2000, a partir d'un corpus of quatre romans, and se demande: en quoi consiste l'esthetique realiste actuelle, quelle est son epistemologie and quel lien entretient-elle avec d'autres discours de savoir.
Journal ArticleDOI

Screening history: television, memory, and the nostalgia of national community in Cuéntame and Temps de silenci

TL;DR: This article argued that the allure of the past in contemporary Spanish culture is linked to the crisis of national identities (in both Catalonia and Spain) and expresses a nostalgia for forms and experiences of political community, imagined as grounded on models of kinship and family.
Journal ArticleDOI

A diabolical plaything: empty signifiers and the construction of Francoism’s long-lasting historical myth in Spain

TL;DR: In this article, the authors examine the construction of the most influential myth crafted by the Spanish dictatorship during its last decades through its metaphorical construction of word "development" (des...
Journal ArticleDOI

“Voy a empeñar la Edad de Oro”: Historia, música y política en la crisis española (2011–2016)

TL;DR: In this article, a series of examples from the musical field, including essays, songs, and public uses of music, are studied and contextualized in order to analyze different interpretations and critiques of the Transicion developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its "climate" (Fernandez Savater).
Journal ArticleDOI

Pornoprecariedad: crisis biopolítica, trabajo y régimen visual en Hermosa juventud (Jaime Rosales, 2014)

TL;DR: In this paper, a largometraje de ficcion Hermosa juventud (2014), de Jaime Rosales, cuestiona constructos sobre los que se asienta dicho acercamiento mediatico dominante a la precariedad.