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Military History: A Selected Bibliography

01 Mar 2003-
TL;DR: The first chapter contains an annotated list of twenty-five books that Dr. Murray considers essential to the library of a warfighter, scholar, or student of military history as discussed by the authors.
Abstract: : Military historian Williamson Murray has prepared this selected bibliography as a guide to the vast body of military histories and as a reading program that could extend our understanding and comprehension of that terrible, yet intriguing, human phenomenon that is war. JAWP) is making it available to those individuals in DoD and the Services who feel that history can shed light on the problems they confront today. The bibliography is derived from the substantial literature on European and American military history The works were chosen for a variety of reasons: quality of scholarship, point of view subject matter, and readability. They are categorized by period and subject matter, and given a rating by the author. The first chapter contains an annotated list of twenty-five books that Dr. Murray considers essential to the library of a warfighter, scholar, or student of military history.

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Book
01 Jan 1975
TL;DR: Marker as mentioned in this paper provides a stylistic analysis of one of the American theatre's most fascinating practitioners, Belasco, in the context of the work of the Russian Art Theatre.
Abstract: of his career but also, and more significantly, claiming that here she is providing 'for the first time, a stylistic analysis of one of the American theatre's most fascinating practitioners.' That she has this justification depends, partly at least, on the fact that his plays and productions have commonly been regarded as belonging largely, if not indeed exclusively, to the realm of the popular stage, whereas she seeks to draw them within the orbit of those revolutionary endeavours which in divers European countries sought to establish a new theatrical 'naturalism' both in play composition and in play presentation the avant-garde activities to be found in the work of the Moscow Art Theatre, the Danish Theatre Royal, the French Theatre Libre, and the German Freie Blihne. That her endeavour is indeed fully warranted is demonstrated by the fact that when, for example, the Russian company and its companion organizations visited the United States various critics stressed their belief that its prod uctions 'had nothing new to teach Broadway.' Still more significant is the fact that Stanislavski himself put the seal of his approval on the activities of the American directorplaywright by actually making him an honorary member of the Moscow troupe. No doubt labels in themselves are of little or minor consequence, and no doubt on occasion they can prove misleading: yet it is of importance that we should teach ourselves how properly to interpret and evaluate outstanding achievements such as those manifested by such men as Belasco, and here Mrs Marker's study must be regarded as indeed a most valuable and accomplished textbook, or guidebook, call it which we will (ALLARDYCE NICOLL)

591 citations

Journal ArticleDOI
01 Sep 1993-Nature

413 citations

Journal ArticleDOI

114 citations

References
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Journal ArticleDOI
TL;DR: The authors compare the experience of major European states between 1500 and 1900 with respect to war-making, policing, taxation, control of food supply, and recruitment and training of professionals and officials.
Abstract: Studies of political development have traditionally focused on emerging countries with the shortest histories and poorest documentary records. This book brings the discussion into a realm where the time span is considerable and the documentation is vast--the formation of national states in western Europe. Through a series of essays on major state-making activities, the authors ask what processes and preconditions brought powerful national states, rather than some other form of political organization, into a dominant position in western Europe. The essays compare the experience of major European states between 1500 and 1900 with respect to war-making, policing, taxation, control of food supply, and recruitment and training of professionals and officials. The aim is to determine how well that experience fits available models of political change, especially ideas of political development.

1,429 citations

Book
01 Jan 1977

1,115 citations

Journal ArticleDOI

691 citations

Book
01 Jan 1975
TL;DR: Marker as mentioned in this paper provides a stylistic analysis of one of the American theatre's most fascinating practitioners, Belasco, in the context of the work of the Russian Art Theatre.
Abstract: of his career but also, and more significantly, claiming that here she is providing 'for the first time, a stylistic analysis of one of the American theatre's most fascinating practitioners.' That she has this justification depends, partly at least, on the fact that his plays and productions have commonly been regarded as belonging largely, if not indeed exclusively, to the realm of the popular stage, whereas she seeks to draw them within the orbit of those revolutionary endeavours which in divers European countries sought to establish a new theatrical 'naturalism' both in play composition and in play presentation the avant-garde activities to be found in the work of the Moscow Art Theatre, the Danish Theatre Royal, the French Theatre Libre, and the German Freie Blihne. That her endeavour is indeed fully warranted is demonstrated by the fact that when, for example, the Russian company and its companion organizations visited the United States various critics stressed their belief that its prod uctions 'had nothing new to teach Broadway.' Still more significant is the fact that Stanislavski himself put the seal of his approval on the activities of the American directorplaywright by actually making him an honorary member of the Moscow troupe. No doubt labels in themselves are of little or minor consequence, and no doubt on occasion they can prove misleading: yet it is of importance that we should teach ourselves how properly to interpret and evaluate outstanding achievements such as those manifested by such men as Belasco, and here Mrs Marker's study must be regarded as indeed a most valuable and accomplished textbook, or guidebook, call it which we will (ALLARDYCE NICOLL)

591 citations

Book
01 Jan 1989
TL;DR: This paper examined the causes of the emergence in England of this fiscal-military state and the features which distinguished it from European powers. But they did not consider the effect of these developments on society at large: their impact on the economy, on social structure and politics and their role in developing special interest groups and lobbies.
Abstract: Under the later Stuarts, England became a major European military power, English armies and navies grew to an unprecedented size, civilian administration burgeoned and taxation, public borrowing and spending on war reached new heights. This work examines the causes of the emergence in England of this fiscal-military state and the features which distinguished it from European powers. It also charts the effect of these developments on society at large: their impact on the economy, on social structure and politics and their role in developing special interest groups and lobbies. Thus it provided an interpretative framework which links adminstration with politics, public finance with the economy and foreign policy with domestic affairs.

588 citations