scispace - formally typeset
Search or ask a question
Journal ArticleDOI

More evidence for sensorimotor adaptation in color perception.

01 Sep 2005-Journal of Vision (Association for Research in Vision and Ophthalmology)-Vol. 6, Iss: 2, pp 145-153
TL;DR: It is shown that sensorim motor adaptation can be obtained for color, as a consequence of the introduction of a new sensorimotor contingency between eye movements and color changes.
Abstract: Sensorimotor adaptation can be defined as a perceptual adaptation whose effects depend on the occurrence and nature of the performed motor actions. Examples of sensorimotor adaptation can be found in the literature on prisms concerning several space-related attributes like orientation, curvature, and size. In this article, we show that sensorimotor adaptation can be obtained for color, as a consequence of the introduction of a new sensorimotor contingency between eye movements and color changes. In an adaptation phase, trials involved the successive presentation of two patches, first on the left, and then on the right or the opposite. The left patch being always red and the right patch green, a correlation is introduced between left–right (respectively right–left) eye saccades and red–green (respectively green–red) color change. After 40 min of adaptation, when two yellow patches are successively presented on each side of the screen, the chromaticity of the left and right patches need respectively to be shifted toward the chromaticity of the red and green adaptation patches for subjective equality to be obtained. When the eyes are kept fixed during the adaptation stage, creating a strong nonhomogeneity in retinal adaptation, no effect is found. This ensures that, if present, adaptation at a given retinal location cannot explain the present effect. A third experiment shows a dependency of the effect on the eyes' saccadic movements and not on the position on the screen, that is, on the position of the eyes in the orbits. These results argue for the involvement of sensorimotor mechanisms in color perception. The relation of these experimental findings toward a sensorimotor theory of color perception is discussed.

Content maybe subject to copyright    Report

Citations
More filters
Journal ArticleDOI
TL;DR: The NaviEar as mentioned in this paper translates head direction toward north into continuous sound according to a "wind coding" principle, and uses a sensory coding scheme derived from means for auditory perception of wind direction that is common in sailing.
Abstract: This study investigated the potential for the development of novel perceptual experiences through sustained training with a sensory augmentation device. We developed (1) a new geomagnetic sensory augmentation device, the NaviEar, and (2) a battery of tests for automaticity in the use of the device. The NaviEar translates head direction toward north into continuous sound according to a “wind coding” principle. To facilitate automatization of use, its design is informed by considerations of the embodiment of spatial orientation and multi-sensory integration, and it uses a sensory coding scheme derived from means for auditory perception of wind direction that is common in sailing because it is easy to understand and use. The test battery assesses different effects of automaticity (interference, rigidity of responses, and dynamic integration) assuming that automaticity is a necessary criterion to show the emergence of perceptual feel, that is, an augmented experience with perceptual phenomenal quality. We measured performance in simple training tasks, administered the tests for automaticity, and assessed subjective reports through a questionnaire. Results suggest that the NaviEar is easy and comfortable to use and has a potential for applications in real-world situations. Despite high usability, however, a 5-day training with the NaviEar did not reach levels of automaticity that are indicative of perceptual feel. We propose that the test battery for automaticity may be used as a benchmark test for iterative research on perceptual experiences in sensory augmentation and sensory substitution.

1 citations

01 Jan 2010
TL;DR: The project aims to investigate five hierarchies: those determining word-order, null arguments, word structure, discourse-configurationality and case/agreement alignment, which combine to give a typological footprint of many languages, as well as providing the basis for the study of the interaction of micro- and macroparameters.
Abstract: Proposal summary (half page) This project aims to break new ground in syntactic theory by reconceptualising the principlesand-parameters approach to comparative syntax, retaining its strengths and attempting to deal with its perceived weaknesses. The central idea is to organise the parameters of Universal Grammar (UG) into hierarchies, which define the ways in which properties of individually variant categories may act in concert; this creates macroparametric effects from the combined action of many microparameters. The highest position in a hierarchy defines a macroparameter, a major typological property, lower positions define successively more local properties. Parameter-setting in language acquisition starts at the highest position as this is the simplest choice; acquirers will "move down the hierarchy" when confronted with primary linguistic data incompatible with a high setting. Hence the hierarchies simultaneously define learning paths and typological properties. The main task of the project, taking up most of the time of the research team working on it, will be to attempt to work out on the basis of cross-linguistic data the precise form of major parts of the hierarchies, thus subjecting the theoretical predictions to rigorous empirical testing. The project aims to investigate five hierarchies: those determining word-order, null arguments, word structure, discourse-configurationality and case/agreement alignment. This will be done on the basis of secondary data from grammars, from on-line databases (The World Atlas of Languages Structures, WALS, and the Syntactic Structures of the World’s Languages, SSWL), and, where feasible, from native-speaker consultants. These five hierarchies, although not exhaustive, combine to give a typological footprint of many languages, as well as providing the basis for the study of the interaction of micro- and macroparameters. In this way, the criticism that formal comparative syntax has little to offer typological studies can potentially be answered. Also, a clear diagnostic is provided for showing that the hierarchies determine genuine syntactic variation, and not merely morphophonological variation as suggested by Berwick & Chomsky (2008). Last, a more purely theoretical component of the project aims to show that the nature of the hierarchies is determined, not directly by UG, but by UG interacting with domain-general principles of simplicity and efficiency.
References
More filters
Journal ArticleDOI
TL;DR: The Psychophysics Toolbox is a software package that supports visual psychophysics and its routines provide an interface between a high-level interpreted language and the video display hardware.
Abstract: The Psychophysics Toolbox is a software package that supports visual psychophysics. Its routines provide an interface between a high-level interpreted language (MATLAB on the Macintosh) and the video display hardware. A set of example programs is included with the Toolbox distribution.

16,594 citations


"More evidence for sensorimotor adap..." refers methods in this paper

  • ...The stimuli were generated using Matlab with the psychophysics toolbox extension (Brainard, 1997; Pelli, 1997) on a PC....

    [...]

Journal ArticleDOI
TL;DR: The VideoToolbox is a free collection of two hundred C subroutines for Macintosh computers that calibrates and controls the computer-display interface to create accurately specified visual stimuli.
Abstract: The VideoToolbox is a free collection of two hundred C subroutines for Macintosh computers that calibrates and controls the computer-display interface to create accurately specified visual stimuli. High-level platform-independent languages like MATLAB are best for creating the numbers that describe the desired images. Low-level, computer-specific VideoToolbox routines control the hardware that transforms those numbers into a movie. Transcending the particular computer and language, we discuss the nature of the computer-display interface, and how to calibrate and control it.

10,084 citations


"More evidence for sensorimotor adap..." refers methods in this paper

  • ...The stimuli were generated using Matlab with the psychophysics toolbox extension (Brainard, 1997; Pelli, 1997) on a PC....

    [...]

Book
01 Jan 1966

6,307 citations

Book
01 Jan 1996
TL;DR: Professor Ripley brings together two crucial ideas in pattern recognition; statistical methods and machine learning via neural networks in this self-contained account.
Abstract: From the Publisher: Pattern recognition has long been studied in relation to many different (and mainly unrelated) applications, such as remote sensing, computer vision, space research, and medical imaging. In this book Professor Ripley brings together two crucial ideas in pattern recognition; statistical methods and machine learning via neural networks. Unifying principles are brought to the fore, and the author gives an overview of the state of the subject. Many examples are included to illustrate real problems in pattern recognition and how to overcome them.This is a self-contained account, ideal both as an introduction for non-specialists readers, and also as a handbook for the more expert reader.

5,632 citations

Journal Article
TL;DR: In this article, the authors propose that the brain produces an internal representation of the world, and the activation of this internal representation is assumed to give rise to the experience of seeing, but it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness.
Abstract: Many current neurophysiological, psychophysical, and psychological approaches to vision rest on the idea that when we see, the brain produces an internal representation of the world. The activation of this internal representation is assumed to give rise to the experience of seeing. The problem with this kind of approach is that it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness. An alternative proposal is made here. We propose that seeing is a way of acting. It is a particular way of exploring the environment. Activity in internal representations does not generate the experience of seeing. The outside world serves as its own, external, representation. The experience of seeing occurs when the organism masters what we call the governing laws of sensorimotor contingency. The advantage of this approach is that it provides a natural and principled way of accounting for visual consciousness, and for the differences in the perceived quality of sensory experience in the different sensory modalities. Several lines of empirical evidence are brought forward in support of the theory, in particular: evidence from experiments in sensorimotor adaptation, visual \"filling in,\" visual stability despite eye movements, change blindness, sensory substitution, and color perception.

2,271 citations