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Narcissism, Masochism and the Reconstituted Male—Masculine Performances in Fight Club and The Wrestler

21 Dec 2015-Journal of Creative Communications (SAGE Publications)-Vol. 10, Iss: 3, pp 276-287
TL;DR: This article read David Fincher's Fight Club (1999) and Darren Aronofsky's film The Wrestler (2008) as films that deploy masochistic spectacles of heroically suffering white men.
Abstract: The article reads David Fincher’s Fight Club (1999) and Darren Aronofsky’s film The Wrestler (2008) as films that deploy masochistic spectacles of heroically suffering white men. Both Fincher and A...
References
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Book
01 Jan 1990
TL;DR: The good father - reconstructing fatherhood: God the Father - what fathers mean to us the heart is willing the slow pace of change shared parenting men who'mother' benefits and the costs of the new fatherhood the problem with reasserting fatherness the future of fatherhood.
Abstract: Part 1 Look back in anger - men in the fifties: man about the house maternity rules angry young men homophobia and the fear of unmanliness women and the left in the fifties. Part 2 The good father - reconstructing fatherhood: God the Father - what fathers mean to us the heart is willing the slow pace of change shared parenting men who 'mother' benefits and the costs of the new fatherhood the problem with reasserting fatherhood the future of fatherhood. Part 3 Shrinking the phallus - contemporary research on masculinity: searching for sex difference the power of sex roles introducting the unconscious the fragility of men.

851 citations


"Narcissism, Masochism and the Recon..." refers background in this paper

  • ...The establishment called ‘Fight Club’ becomes a cultural inevitability given that ‘the strength of anti-militarism has undermined people’s acceptance of its unavoidability’ (Segal 1990, p. 131)....

    [...]

Book
09 Jun 1996
TL;DR: In this paper, a comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996, with a fully updated bibliography and additional glossary of terms.
Abstract: This comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996. Marvin Carlson guides the reader through the contested definition of performance as a theatrical activity and the myriad ways in which performance has been interpreted by ethnographers, anthropologists, linguists, and cultural theorists. Topics covered include: *the evolution of performance art since the 1960s *the relationship between performance, postmodernism, the politics of identity, and current cultural studies *the recent theoretical developments in the study of performance in the fields of anthropology, psychoanalysis, linguistics, and technology. With a fully updated bibliography and additional glossary of terms, students of performance studies, visual and performing arts or theatre history will welcome this new version of a classic text.

793 citations


"Narcissism, Masochism and the Recon..." refers background in this paper

  • ...Brought into modern cultural discussion with her ‘Notes on Camp’ in 1964 by Susan Sontag, one of the defining features of camp is its view of ‘being-as-playing-a-role’, the farthest extension, in sensibility, of the metaphor of life as theatre (Carlson, 2004, p. 166)....

    [...]

  • ...Fight Club’s take on blatant consumerism as a solution to the emasculation of American men will also be examined in the light of discussions on consumer capitalism and an attempt will also be made to analyze the films on the basis of their latent masochistic, narcissistic and camp suggestions, drawing from Savran, Susan Sontag and the insightful analysis of Fight Club done by Henry Giroux (2003). It will also attempt a critique of Robert Bly’s thesis (2004) on the absence/loss of masculine role models, the dominance of maternal figures and initiation rituals through a discussion of the ‘postmodern cut’ as posited by Zizek (2000)....

    [...]

  • ...Fight Club’s take on blatant consumerism as a solution to the emasculation of American men will also be examined in the light of discussions on consumer capitalism and an attempt will also be made to analyze the films on the basis of their latent masochistic, narcissistic and camp suggestions, drawing from Savran, Susan Sontag and the insightful analysis of Fight Club done by Henry Giroux (2003)....

    [...]

Book
01 Aug 1964

703 citations


"Narcissism, Masochism and the Recon..." refers background in this paper

  • ...According to Blauner (1964), the feelings of meaninglessness and estrangement experienced by men at the workplace forced them to search for identity and affirmation outside the workplace, in the realm of consumption....

    [...]

Book
01 Jan 1990
TL;DR: Bly explores the myths and cultural underpinnings of a distinctly vigorous male mode of feeling, a combination of fierceness and tenderness long since sacrificed to the demands of the industrial revolution as discussed by the authors.
Abstract: Here, using the Grimm Fairy tale Iron John as a vehicle, Bly explores the myths and cultural underpinnings of a distinctly vigorous male mode of feeling, a combination of fierceness and tenderness long since sacrificed to the demands of the industrial revolution.

612 citations


"Narcissism, Masochism and the Recon..." refers background in this paper

  • ...It will also attempt a critique of Robert Bly’s thesis (2004) on the absence/loss of masculine role models, the dominance of maternal figures and initiation rituals through a discussion of the ‘postmodern cut’ as posited by Zizek (2000)....

    [...]

  • ...In an interview by Keith Thompson, ‘What Men Really Want’, Robert Bly captures this over-emphasized docility: When I look out at my audiences, perhaps half the young males are what I’d call soft....

    [...]

  • ...Tyler’s character has clear resonances of the Cultural Masculism of the 1990s, championed by Bly’s Mythopoetic Men’s Movement. The Mythopoetic Men’s Movement also has semblances to the Jungian understanding of masculine psychology. Jung theorized in Aspects of the Masculine (1989) that the Hero delivers himself from the Mother archetype (and thus from the infantile ‘Unconscious’ to a ‘Conscious’ personality) only to encounter the demands of the Anima....

    [...]

  • ...In Alienation and Freedom (1964), sociologist Robert Blauner articulates that industrial workers experienced feelings of powerlessness (having no control over their actions on the job), meaninglessness (performing specialized tasks that they could not relate to the ‘whole’), isolation (having no identification with the firm) and self-estrangement (no integration between work and life)....

    [...]

  • ...The idea that this absence of mentoring father figures is an important explanation for the soft, feminized and consumerist men (represented by Jack in Fight Club) is one that is addressed by Robert Bly’s thesis in his cultinspiring Iron John (1990). Bly is also the leading proponent of the Mythopoetic Men’s Movement in America....

    [...]