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Journal ArticleDOI

Narrating Sounds: Introduction to the Forum

01 Jan 2017-Partial Answers (The Johns Hopkins University Press)-Vol. 15, Iss: 1, pp 61-67
TL;DR: The main tenets of audionarratology, a branch of post-classical narratology which focuses on the interfaces between sound and narrative, are discussed in this paper.
Abstract: This introduction reflects on the links between sound, voices, music, and literature. It also delineates the main tenets of audionarratology, a branch of postclassical narratology which focuses on the interfaces between sound and narrative. The forum explores presentations of sounds, silence, and music in fiction and explores voices and soundscapes in audio drama.
Citations
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Journal ArticleDOI
TL;DR: Interestingly, the sound studies reader that you really wait for now is coming, it's significant to wait for the representative and beneficial books to read.
Abstract: Interestingly, the sound studies reader that you really wait for now is coming. It's significant to wait for the representative and beneficial books to read. Every book that is provided in better way and utterance will be expected by many peoples. Even you are a good reader or not, feeling to read this book will always appear when you find it. But, when you feel hard to find it as yours, what to do? Borrow to your friends and don't know when to give back it to her or him.

75 citations

Journal ArticleDOI
TL;DR: In this paper, the authors explored the different modes of narrative sound in three German radio play adaptations of Auster's New York Trilogy, Stadt aus Glas, Katharina Bihler's Schlagschatten, and Norbert Schaeffer's Hinter verschlossenen Turen.
Abstract: In line with the strong emphasis on visuality in the wake of the “visual turn” in literary and cultural studies, graphic novel adaptations of literary texts have recently been the objects of scholarly study and narratological theory building. Much less attention, if any, has been accorded to radio play adaptations of novels like Paul Auster’s New York Trilogy . An analysis of radio play adaptations acquires a special significance in the case of this highly enigmatic work, which makes a seriously playful use of postmodern narrative strategies. It is perhaps above all this feature which made the adaptation of the novel’s first instalment, City of Glass , into a graphic novel by Paul Karasik and David Mazucchelli so successful. While the graphic novel visualizes characteristic features of its mother text, this paper explores the different modes of narrative sound in three German radio play adaptations of Auster’s novel. Alfred Behrens’ Stadt aus Glas , Katharina Bihler’s Schlagschatten , and Norbert Schaeffer’s Hinter verschlossenen Turen employ narrative devices like voices in both German and English, the evocation of city soundscapes, the narrative uses of music as well as issues of the simultaneity and/or difference of story and discourse time. The narrative auralization of Auster’s novels in the radio plays under discussion can be shown to foreground non-visual aspects of the pre-texts and to add further dimensions for interpretation that underline the usefulness of audionarratological analysis for adaptation studies.

6 citations


Cites background from "Narrating Sounds: Introduction to t..."

  • ...5 On the relation between music and narration, see Mildorf and Kinzel 2017 and Mohr 2015. rather meditative piano passages that underscore the melancholy content of the story, e.g., when the meeting of Blue with his former fiancée is recounted....

    [...]

Journal ArticleDOI
17 Dec 2019
TL;DR: In this article, the notion of contrapuntal polyphony is applied to literary narratives and an algorithm for reading William Faulkner's 1939 The Wild Palms in terms of the musical content is presented.
Abstract: The article theorises the notion of contrapuntal polyphony as applied to literary narrative and sketches out an algorithm for reading William Faulkner's 1939 The Wild Palms in terms of the musical ...

1 citations

Journal ArticleDOI
TL;DR: The authors explored how narrative formats facilitate transportation and related phenomena and found that over two hundred subjects encountered fictional stories in different iterations: printed text or audiobox, and they found that the stories facilitated transportation.
Abstract: This project explores how narrative formats facilitate transportation and related phenomena. Over two hundred subjects encountered fictional stories in different iterations: printed text or audiobo...

1 citations

Journal ArticleDOI
Lars Bernaerts1
17 Dec 2019
TL;DR: In this article, the authors discuss the construction of fictional minds in audio drama, drawing upon social semiotics, cognitive narratology, and the narratedatology of audio drama and start from the premise that...
Abstract: This article discusses the construction of fictional minds in audio drama. Drawing upon social semiotics, cognitive narratology, and the narratology of audio drama, it starts from the premise that ...

1 citations

References
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04 Apr 1988

368 citations

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12 Nov 2012

355 citations

BookDOI
31 Jan 2014
TL;DR: The authors studied the dynamics underlying readers' responses to narrative through close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience.
Abstract: How do readers experience literary narrative? Drawing on narrative theory, cognitive science, and the philosophy of mind, this book offers a principled account of the dynamics underlying readers' responses to narrative Through its interdisciplinary approach, this study combines close readings of literary texts and theoretical discussion in ways that shed light on the deep connection between narrative, literary fiction, and human experience

148 citations


"Narrating Sounds: Introduction to t..." refers background in this paper

  • ...…the body” is perhaps an experience closer to practitioners of literary writing, but this idea has recently also been picked up in cognitive theories of embodiment and enactivism (Bernaerts et al. 2013; Caracciolo 2014; Walter 2014), albeit perhaps not with an emphasis on sound, music, and rhythm....

    [...]

Journal ArticleDOI
TL;DR: Interestingly, the sound studies reader that you really wait for now is coming, it's significant to wait for the representative and beneficial books to read.
Abstract: Interestingly, the sound studies reader that you really wait for now is coming. It's significant to wait for the representative and beneficial books to read. Every book that is provided in better way and utterance will be expected by many peoples. Even you are a good reader or not, feeling to read this book will always appear when you find it. But, when you feel hard to find it as yours, what to do? Borrow to your friends and don't know when to give back it to her or him.

75 citations


"Narrating Sounds: Introduction to t..." refers background in this paper

  • ...Today, of course, there is a burgeoning field of Sound Studies, which cuts across various disciplines and has been embraced by cultural studies scholars (Sterne 2012)....

    [...]

Trending Questions (2)
What are the sound elements of music and audio narrative?

The paper does not explicitly mention the specific sound elements of music and audio narrative. However, it discusses the interfaces between sound and narrative, presentations of sounds, silence, and music in fiction, and voices and soundscapes in audio drama.

What are the sound elements of dialogue and audio narrative?

The paper does not provide specific information about the sound elements of dialogue and audio narrative.