Narrative discourse : an essay in method
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Cites background from "Narrative discourse : an essay in m..."
...However, we will see how the stress around the process of filmmaking is not actualised by realist metacinema, but conversely performed in other experiments made by Jean Rouch - Chronique d’une Été above all - that can be embodied in the productionist side of metacinema....
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...71 Such an idea is also consistent with Jean Luc Godard’s project of Histoire(s) du Cinema (1988), the colossal pseudo-historiographical itinerary over the evolution of cinema realised by means of the constant transfiguration of images operated through sophisticated processes of montage....
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...For instance, one of the main actresses, Severine (Valentina Cortese), appears constantly drunk because of the affliction caused by family problems, Julie (Jacqueline Bisset) has to deal with the consequences of a previous nervous breakdown and Alphonse (Jean-Pierre Léaud) is prone to emotional instability because of his intermittent liaison with the script-girl, Liliane....
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...Along similar lines, Jean-Marc Limoges’ article Mise en Abyme et réflexivité dans le Cinema Contemporain: Pour une Distinction de Termes trop souvent Confondus (Placed into Abyss and Reflexivity in Contemporary Cinema: Towards a Distinction of too often Confused Terms) (2008) provides an interesting and exhaustive expansion of the concept of self-reflexivity....
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...how this category recalls the application of the semiotic concept of intertextuality as coined by Julia Kristeva (1978) and further articulated by Gerard Genette (1997). It refers...
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