Narrative discourse : an essay in method
TL;DR: Cutler as mentioned in this paper presents a Translator's Preface Preface and Preface for English-to-Arabic Translating Translators (TSPT) with a preface by Jonathan Cutler.
Abstract: Foreword by Jonathan Cutler Translator's Preface PrefaceIntroduction 1. Order 2. Duration 3. Frequency 4. Mood 5. VoiceAfterword Bibliography Index
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TL;DR: In this article, the authors examined the feasibility of applying narrative theory to graphic design courses and found that incorporating narrative theory into graphic design course enabled increasing students' poster design capabilities across various dimensions, including thematic concept, image creativity, and visual aesthetic.
Abstract: Visual communication design (VCD) is a form of nonverbal communication. The application of relevant linguistic or semiotic theories to VCD education renders graphic design an innovative and scientific discipline. In this study, actual teaching activities were examined to verify the feasibility of applying narrative theory to graphic design courses. Matched group design was employed to equally divide 30 participants into experimental and control groups, who participated in distinct activities over a 4-week period. The results revealed that incorporating narrative theory into graphic design courses enabled increasing students’ poster design capabilities across various dimensions, including thematic concept, image creativity, and visual aesthetic. Narrative is a storytelling method. Applying narrative techniques to VCD not only facilitates the creativity of designers, but also elicits the audience’s visual memory, thereby encouraging a bidirectional communication between the two entities.
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Cites background from "Narrative discourse : an essay in m..."
...The term narratology was originally proposed by French scholar Tzvetan Todorov in 1966 in his book, Grammaire du Décaméron (Genette, 1983)....
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...1 Summary of Narrative Theories The term narratology was originally proposed by French scholar Tzvetan Todorov in 1966 in his book, Grammaire du Décaméron (Genette, 1983)....
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01 Jan 2015
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TL;DR: In this paper, the authors introduce a thematic issue of Religion that interrogates the religious use of fantasy and science fiction in the contemporary religious field, identifying those textual features that make it possible for a given fictional story to be used as a religious narrative, that is, to inspire belief in the supernatural beings of the story-world, and facilitate ritual interaction with said beings.
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TL;DR: In the doubly coded (embedded) section, the subordination of one voice to the other voice is so extreme that the section can be likened to a duet sung by one voice as discussed by the authors.
Abstract: Doubly coded artworks—artworks that are embedded in other artworks—sometimes represent an art form (a medium, a genre) that at the time they are made cannot be represented except through double coding. The phenomenon is rare and occurs only when several conditions are met. First, in the doubly coded (embedded) section, the subordination of one voice to the other voice is so extreme that the section can be likened to a duet sung by one voice. This hierarchical relation in which the materiality of the representation is fully controlled by the embedding voice permits a filmmaker or visual artist or fiction writer to speak or embody a world-making voice other than her or his own. The final requirement for double coding to enable representation of a new art form is the imaginative leap of a perceiver, who interprets the artwork in the fictional world (the artwork made by the fictional world-making voice) as an example of a new art form potentially capable of independent existence in our world.
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DOI•
01 Jan 2016
TL;DR: Eichenberg et al. as mentioned in this paper described a story of a man sitting alone in the subway and expressed deep gratitude to Professor Jennifer Kapczynski, my research and writing supervisor for her enthusiastic guidance, lively encouragement and useful critiques of this thesis project.
Abstract: Figure BLOCKIN2. BLOCKINUnbelievable story of man sitting alone in the subway. Eichenberg, F. " Unglaubliche Geschichten: Um 6 Uhr nachmittags nach Büroschluß allein in der Untergrundbahn " Uhu: 8. iv Acknowledgments I would like to express my deep gratitude to Professor Jennifer Kapczynski, my research and writing supervisor, for her enthusiastic guidance, lively encouragement and useful critiques of this thesis project. I would also like to thank Professors and Paul Michael Lützeler and my dear friend and collegue Claire Amanda Ross for their advice and assistance in finding useful materials and discussing my ideas with me. My grateful thanks are also extended to my fellow graduate students Amy Braun and Heidi Grek, and once again Claire Amanda Ross, for their help in proofreading the thesis, and last but not least to Alina Boy and Manuel Förderer for our shared joy and hardships many late nights and early mornings in the library.
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Book•
01 Jan 1954
TL;DR: Deuxieme tirage de cet essai critique de Georges Blin sur Stendhal, publie aux editions Jose Corti en 1954 as mentioned in this paper, et les images, une description a completer, une bibliotheque
Abstract: Deuxieme tirage de cet essai critique de Georges Blin sur Stendhal, publie aux editions Jose Corti en 1954.Deux images, une description a completer, une bibliotheque.
22 citations