Nonlinearity in filmic presentation: Part II, discussion
01 Sep 1964-Vol. 12, Iss: 3, pp 302-324
TL;DR: The second part of a two-part report of an exploratory study that used controlled experimentation to examine the nonlinear relationships among humans and their informational environments is presented in this paper, where the primary objectives were first to postulate the concept of nonlinearity as central in these relationships, then to explore the concept experimentally, and finally to reflect productively upon these efforts in a search for meaningful avenues of further exploration.
Abstract: This is the second of a two-part report of an exploratory study that used controlled experimentation to examine the nonlinear relationships among humans and their informational environments. The primary objectives of the study were first to postulate the concept of nonlinearity as central in these relationships, then to explore the concept experimentally, and finally to reflect productively upon these efforts in a search for meaningful avenues of further exploration. Since it was believed that a review of the controlled phase of the study would set the stage for exploration of its more conceptual aspects, Part I of this report
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11 Apr 2018
TL;DR: For instance, the authors discusses the multiplicity of the consciousness of self in the form of the stream of thought and the perception of space in the human brain, which is the basis for our work.
Abstract: Arguably the greatest single work in the history of psychology. James's analyses of habit, the nature of emotion, the phenomenology of attention, the stream of thought, the perception of space, and the multiplicity of the consciousness of self are still widely cited and incorporated into contemporary theoretical accounts of these phenomena.
38 citations
01 Sep 1968
31 citations
01 Mar 1968
30 citations
01 Mar 1975
TL;DR: The Psychology of Art and Multimedia as discussed by the authors was the first attempt to consider multimedia-or, more specifically, multiple-image presentations within the framework of existing perceptual theory, which is a result of these initial attempts.
Abstract: INTRODUCTION The seeds for this paper were planted four years ago when I saw my first multi-screen presentation. This experience stimulated me to produce a five-screen presentation for my introductory psychology class, and then, a year later, to offer a course called "The Psychology of Art and Multimedia." This paper is a result of these initial attempts to consider multimedia-or, more specifically, multiple-image presentationswithin the framework of existing perceptual theory.
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Book•
01 Jan 1890
TL;DR: For instance, the authors discusses the multiplicity of the consciousness of self in the form of the stream of thought and the perception of space in the human brain, which is the basis for our work.
Abstract: Arguably the greatest single work in the history of psychology. James's analyses of habit, the nature of emotion, the phenomenology of attention, the stream of thought, the perception of space, and the multiplicity of the consciousness of self are still widely cited and incorporated into contemporary theoretical accounts of these phenomena.
14,049 citations
Book•
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01 Jan 1945
TL;DR: Here is a familiar problem having the same or similar unknwn form and here is a problem similar to yours and solved before.
2,744 citations
"Nonlinearity in filmic presentation..." refers background in this paper
...learning. Flexibility of this order in message design may introduce the application of search and problem-solving models as central in the design of curricula and their supporting information systems (47, 27, 59, 68 )....
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