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Journal ArticleDOI

Outline of a Theory of Practice.

01 Mar 1980-Contemporary Sociology-Vol. 9, Iss: 2, pp 256
About: This article is published in Contemporary Sociology.The article was published on 1980-03-01. It has received 14683 citations till now. The article focuses on the topics: Practice theory.
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Journal ArticleDOI
TL;DR: The authors compare the concepts of habitus and habitus with Mauss and Bourdieu, and draw out a number of important issues and debates which, it is argued, further work must address if the concepts are to continue to prove useful and illuminating in social science.
Abstract: This article compares the concept of habitus, as formulated in the work of Mauss and Bourdieu, with the concept of habit, as formulated in the work of Merleau-Ponty and Dewey. The rationale for this, on one level, is to seek to clarify these concepts and any distinction that there may be between them – though the article notes the wide variety of uses of both concepts and suggests that these negate the possibility of any definitive definitions or contrasts. More centrally, however, the purpose of the comparison is to draw out a number of important issues and debates which, it is argued, further work must address if the concepts of habit and habitus are to continue to prove useful and illuminating in social science.

145 citations

Journal ArticleDOI
TL;DR: In this article, a neo-Marxist theory is developed that grasps the totality of capitalist culture by grounding the effects of class on culture in concrete, historical class struggle.
Abstract: Pierre Bourdieu's theory of culture as a system of symbols furthering a misrecognition of class is critically compared to the Frankfurt school's theory of culture as reifying cimmodities furthering an unrecognition of class. Because of their approaches to history, both theories recognize only part of the complex reality of modern capitalist culture. Bourdieu's ahistorical structuralism fails to grasp the historical changes produced in culture by capitalism, while critical theory's essentialism fails to specify the concrete factors mediating the historical effects of capitalism on culture. As a corrective to both, a neo-Marxist theory is developed that grasps the totality of capitalist culture by grounding the effects of class on culture in concrete, historical class struggle.

145 citations

Journal ArticleDOI
01 Nov 2002-Geoforum
TL;DR: The authors argue that the landscape comes to appear in the world as it is put to task and that the existence of the landscape's existence is not founded on its capacity to inscribe or normalize consciousness through its appearance in the real world but on the landscape capacity to be called forth through practice.

145 citations

Journal ArticleDOI
TL;DR: The authors explored specific customer-to-customer (C2C) co-creation practices and related value outcomes in tourism and highlighted the importance of value formed when tourists cocreate with each other in tourism settings.

145 citations

Journal ArticleDOI
TL;DR: In this article, the authors describe Royal Ballet dancers' perceptions of their bodies, of ageing, of injury and of their careers, drawing on Bourdieu's concepts of habitus and cultural capital in their investigation of embodiment.
Abstract: Ballet is, for reasons that are unclear, a neglected topic in the sociology of the body. Our article works on three levels: firstly, as an account of ex-dancers’‘lived experience’ of embodiment; secondly, as an application of Bourdieu’s theoretical schema; and thirdly, as a philosophically grounded critique of radical social constructionist views of the body.We describe Royal Ballet dancers’ perceptions of their bodies, of ageing, of injury and of their careers.We draw on Bourdieu’s concepts of habitus and cultural capital in our investigation of embodiment. Ageing and injury are potential epiphanies that encourage dancers to reflect on their embodied habitus and their career. We argue that the decline in a dancer’s physical capital undermines radical social constructionist views.This study, although set within the narrow field of dance, illuminates the broader relationships between the body, self, and society.

145 citations