scispace - formally typeset
Open AccessJournal ArticleDOI

Perceived performance anxiety in advanced musicians specializing in different musical genres

Ioulia Papageorgi, +2 more
- 01 Jan 2013 - 
- Vol. 41, Iss: 1, pp 18-41
Reads0
Chats0
TLDR
In this article, the authors explored the perceived intensity of performance anxiety, the perceived contributing factors, changes in perceived anxiety levels as performances approached, and the perceived impact of performance on the quality of performance.
Abstract
Most research on musical performance anxiety has focused on musicians coming from a classical background, and performance anxiety experiences of musicians outside the western classical genre remain under-researched. The aim of this study was to investigate perceived performance anxiety experiences in undergraduate and professional musicians and to explore whether musical genre specialization (Western classical, jazz, popular, Scottish traditional) affected musicians' performance anxiety experiences. The study addressed questions exploring the perceived intensity of performance anxiety, the perceived contributing factors, changes in perceived anxiety levels as performances approached (one hour before, immediately before and during performance) and the perceived impact of performance on the quality of performance. Participants were 244 musicians, 170 undergraduates and 74 portfolio career musicians. Data were collected through a questionnaire survey. Findings suggested that performance anxiety was of concern for a significant majority of undergraduate and professional musicians. Musicians from all participating musical genres shared similar perceptions and concerns. Anxiety appeared to have negative connotations, although it was also reported as beneficial. Solo performance generated more anxiety compared to group performance. Overall, the impact of anxiety on performance was related to its perceived severity during performance, and was mediated by musicians' performance experience and their general susceptibility to anxiety. The musical genre in which participants specialized affected their perceived anxiety levels. Western classical musicians were generally found to report higher levels of performance anxiety. This study has provided indications that musicians specializing in different musical genres may experience performance anxiety in quantitatively and qualitatively different ways. Further research would benefit from investigating factors contributing to these variations.

read more

Content maybe subject to copyright    Report

Citations
More filters
Journal ArticleDOI

A zenei teljesítményszorongás: prevalencia, kialakulás, társuló zavarok és személyiségvonások, kezelési lehetőségek

TL;DR: A tarsas kapcsolatok hianya es a szocialis funkciok romlasa, az alacsony enhatekonysag es ennek kovetkezteben a csokkent eletminőseg a sZorongasos zavarok gyakori velejaroi.

Stress and Anxiety Interventions for Classical Musicians

TL;DR: In this paper, a meta-analysis of performance anxiety related interventions with musicians is presented. But, the results are primarily drawn from participants' self-report before and after the intervention, and they are coded for length of intervention, number of participants, level of participant (students or professionals), type of intervention and effect size of the intervention.

Beating together: A case study of heart rate in partner change in violin and piano duo

TL;DR: In this article, the authors looked at physiological responses to stress in musicians, comparing a newly formed and consolidated violin-piano duos and found that the pianist yielded an overall higher heart rate while performing familiar repertoire and lowest heart rates before going onstage and playing in the newly formed duo for the beginning of the first recital.

Overcoming Performance Anxiety during Consecutive Interpretation

TL;DR: In this article, performance anxiety among students of interpretation when doing consecutive interpretation was examined and whether being aware of their feelings of anxiety can help them overcome them, while simultaneous interpretation is used mainly for multilingual conferences and interpreters must face their audience and become the speaker when giving the consecutive interpretation.

An Exploration of Musical Performance Anxiety (MPA) and Its Relation to Perfectionism and Performance

Gitta Marko
TL;DR: In this article, the authors propose a method to solve the problem of "uniformity" in the literature........................................................................................................................................................................................................(1) this article.2].
References
More filters
Book

Self-Efficacy: The Exercise of Control

TL;DR: SelfSelf-Efficacy (SE) as discussed by the authors is a well-known concept in human behavior, which is defined as "belief in one's capabilities to organize and execute the courses of action required to produce given attainments".

Manual for the State-Trait Anxiety Inventory

TL;DR: The STAI as mentioned in this paper is an indicator of two types of anxiety, the state and trait anxiety, and measure the severity of the overall anxiety level, which is appropriate for those who have at least a sixth grade reading level.
Journal ArticleDOI

The relation of strength of stimulus to rapidity of habit-formation

TL;DR: In connection with a study of various aspects of the modifiability of behavior in the dancing mouse a need for definite knowledge concerning the relation of strength of stimulus to rate of learning arose, the experiments which are now to be described arose.
Journal ArticleDOI

An analysis of coping in a middle-aged community sample

TL;DR: In this article, the authors analyzed the ways 100 community-residing men and women aged 45 to 64 coped with the stressful events of daily living during one year and found that coping conceptualized in either defensive or problem-solving terms is incomplete.
Related Papers (5)