Perceived performance anxiety in advanced musicians specializing in different musical genres
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Cites background from "Perceived performance anxiety in ad..."
...Newer research suggests this could be due to undergraduate musicians’ having less experience than professionals in performing music at a high-level (Papageorgi et al., 2011; Biasutti and Concina, 2014)....
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31 citations
31 citations
28 citations
Cites background or result from "Perceived performance anxiety in ad..."
...Previous research repeatedly found that females obtained higher values in MPA (Kenny & Ackermann, 2015; Kenny et al., 2004; Kenny et al., 2014; Osborne, 2016; Osborne & Kenny, 2005; Papageorgi et al., 2013; Sârbescu & Dorgo, 2014)....
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...On the contrary, self-efficacy was not a significant predictor of solo and group MPA (Papageorgi et al., 2013); similarly, anxiety did not significantly predict self-efficacy and performance (McCormick & McPherson, 2003); finally, perceived competence negatively correlated with MPA (MacIntyre,…...
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...The normative standard has dominated self-evaluation literature (see Denton & Chaplin, 2016; Papageorgi et al., 2013; Simoens et al., 2015); furthermore, Kenny et al....
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...MPA is a complex construct closely linked to other concepts such as social anxiety, test anxiety, and social phobia (Kenny, Driscoll, & Ackermann, 2014; Nicholson et al., 2015; Papageorgi et al., 2013)....
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..., 2015) and between MPA and performance (MacIntyre et al., 2012; Papageorgi et al., 2013; Simoens et al., 2015)....
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28 citations
Cites background from "Perceived performance anxiety in ad..."
...Several studies find different degrees of MPA in music students and active professional musicians (Papageorgi et al., 2013)....
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...Including such a distinction in our analysis is justified by differences in performance anxiety previously found for males and females (Osborne & Kenny, 2005, 2008; Papageorgi et al., 2013; Rae & McCambridge, 2004; Ryan, 2004), as well as the possible differential role in men and women attributed to development of these problems, according to Barlow (2000)....
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...In the case of musicians with a high level of mastery, however, it is possible that the activation of such states might not necessarily be associated with a decrease in performance capacity but in its improvement; such anxiety could be designated as adaptive instead of maladaptive (Papageorgi et al., 2013)....
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...As a specific coping strategy, self-efficacy has also been associated with musical performance (McPherson & McCormick, 2006; Papageorgi et al., 2013; Ritchie & Williamon, 2010)....
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...…intend to pursue a professional musical career, as well as variance according to type of musical instrument, and the different types of expectation to which these future professionals are often subjected (Fehm & Schmidt, 2006; Kenny et al., 2004; Osborne & Kenny, 2008; Papageorgi et al., 2013)....
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"Perceived performance anxiety in ad..." refers methods in this paper
...Three published standardized scales measuring the following: 1. musical self-efficacy (Hargreaves et al., 2003 – based on Bandura, 1997; Sherer et al., 1982); two existing versions of this scale were used, one focusing on performance preparation and the second focusing on actual performance; 2.…...
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